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Baroque --- Christian religious orders --- Art styles --- Art --- Society of Jesus --- anno 1600-1699 --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Jezuïtenorde --- religieuze kunst --- barok --- 16de eeuw --- 17de eeuw --- Jesuit painting --- Painting, European --- Painting, Baroque --- 271.5-7 --- Jezuïeten: liturgie en spiritualiteit --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- Baroque painting --- Paintings, Baroque --- Jesuit art --- Painting --- Painting [Baroque ] --- Europe --- Exhibitions --- Painting [European ] --- 17th century --- Jesuit painting - Europe --- Painting, European - 17th century - Exhibitions --- Painting, Baroque - Europe - Exhibitions --- Jésuites --- Art baroque --- Saints --- Iconographie --- 16de eeuw. --- 17de eeuw. --- Christelijke kunst --- religieuze propaganda
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Counter-Reformation --- München, St. Michaelskerk --- architecture [discipline] --- Art --- Society of Jesus --- Bavaria --- Jesuit art --- Counter-Reformation in art --- Exhibitions --- Jesuits --- 271.5 <43 BAYERN> --- 271.5-7 --- #GBIB: jesuitica --- Jezuïeten--Duitsland voor 1945 en na 1989--BAYERN --- Jezuïeten: liturgie en spiritualiteit --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- 271.5 <43 BAYERN> Jezuïeten--Duitsland voor 1945 en na 1989--BAYERN --- Art, Jesuit --- Christian art and symbolism --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Exhibitions. --- Societas Jesu --- イエズス会 --- カトリック イエズス会 --- Bavière --- Iconographie --- Jesuit art - Germany - Bavaria - Exhibitions --- Counter-Reformation in art - Exhibitions
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Dans les Exercices spirituels d’Ignace de Loyola, le regard et l’imaginaire sont souvent sollicités. Il est proposé au retraitant de se projeter dans une scène évangélique, comme s’il y participait lui-même, au moyen de ses cinq sens. Un certain nombre de peintres du XVIe au XVIIe siècle — et pas des moindres — ont non seulement pratiqué les Exercices mais s’en sont emparés pour renouveler leur propre art. Mais comment les artistes sont-ils passés d’une image mentale, spirituelle, à son expression sur la toile ? Qu’ont-ils gagné de ce nouvel espace de l’imaginaire que leur offrait saint Ignace ? Parmi les peintres dont il sera ici question (Poussin, Rubens, Lotto...), Vermeer apparaît comme l’un de ceux dont l’œuvre a été le plus profondément marquée par la proximité avec les Exercices. Une manière originale de découvrir ou redécouvrir la fécondité de cette voie spirituelle.
#GBIB: jesuitica --- 271.5-7 EXERCITIA --- 75 "16" --- 75 "16" Schilderkunst--17e eeuw. Periode 1600-1699 --- Schilderkunst--17e eeuw. Periode 1600-1699 --- 271.5-7 EXERCITIA Jezuïeten: liturgie en spiritualiteit--EXERCITIA --- Jezuïeten: liturgie en spiritualiteit--EXERCITIA --- Painting --- painting [image-making] --- religious art --- Renaissance --- Ignatius of Loyola --- anno 1600-1699 --- Jésuites --- Église catholique et art --- Christianisme et art --- Spiritualité. --- Histoire. --- Ignace de Loyola (saint ; 1491-1556). --- 271.5 --- 75.046.3 --- 2 IGNATIUS DE LOYOLA --- 2 IGNATIUS DE LOYOLA Godsdienst. Theologie--IGNATIUS DE LOYOLA --- Godsdienst. Theologie--IGNATIUS DE LOYOLA --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Religie in de schilderkunst. Heiligenbeelden --- 271.5 Jezuïeten --- Jezuïeten --- Christianity and art --- Christian art and symbolism --- Painting, Renaissance --- Painting, Baroque
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"Between Renaisance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesu and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo."--Jacket
History --- painting [image-making] --- Art --- Society of Jesus --- Rome --- Christian religious orders --- anno 1600-1699 --- anno 1500-1599 --- #GBIB: jesuitica --- 75.046.3 --- 75.034 <45 ROMA> --- 271.5-7 --- Religie in de schilderkunst. Heiligenbeelden --- Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Jezuïeten: liturgie en spiritualiteit --- Art, Italian --- Church decoration and ornament --- Counter-Reformation in art. --- Jesuit art --- 271.5-7 Jezuïeten: liturgie en spiritualiteit --- 75.034 <45 ROMA> Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Counter-Reformation in art --- Art, Jesuit --- Christian art and symbolism --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Italy --- Rome (Italy) --- Art [Late Renaissance ] --- Art [Baroque ] --- Art [Italian ] --- Art jésuite --- Art de la Renaissance --- Art baroque --- Art chrétien --- Art italien --- Histoire. --- Renaissance tardive --- Rome (Empire) --- Romeinse school
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