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Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe' gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History.

Stone painting --- Painting, European --- Diffusion of innovations --- painting on stone [image-making] --- Painting --- oil painting [technique] --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Diffusion of innovations. --- Painting, European. --- Stone painting. --- 1500-1699. --- Europe. --- European painting --- Painting on stone --- Innovations, Diffusion of --- Acculturation --- Communication --- Culture diffusion --- Technological innovations

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History --- glass [material] --- maiolica --- glassware --- glassworking --- congres / 1999 --- Art --- Applied arts. Arts and crafts --- anno 1600-1699 --- anno 1500-1599 --- Italy --- Antwerp --- Majolica, Italian --- Glassware --- Technology transfer --- #BIBC:ruil --- Technological transfer --- Transfer of technology --- Diffusion of innovations --- Inventions --- Research, Industrial --- Technology and international relations --- Foreign licensing agreements --- Technological forecasting --- Technological innovations --- Technology --- Italian majolica --- Glass --- House furnishings --- Table setting and decoration --- International cooperation

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Présentation de l'ouvrage : "Pour la première fois, les collections d'artistes et d'artisans anversois font l'objet d'une étude systématique, ce qui permet d'obtenir de nouveaux résultats sur le lien entre création et collection : entre l'innovation et l'appréciation. Le rôle crucial de la ville d'Anvers dans l'histoire de la collection a longtemps été noté dans les études historiques et d'histoire de l'art. Cependant, jusqu'à présent, il n'y a pas eu d'étude fondamentale des pratiques de collection de groupes sociaux plus larges dans l'Anvers du XVIIe siècle. La présente étude comble ce manque de recherche en se concentrant sur les activités de collection des artistes et artisans érudits, les groupes sociaux qui, avec les marchands érudits, étaient au centre de la vie culturelle de la ville et l'ont façonnée. Dans leur double rôle de fabricants et de collectionneurs, ils ont fortement marqué la culture de la collection." (traduit de l'anglais)--éd.

7.074 --- 7 <493> --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- 7.074 Kunstverzameling. Activiteiten van verzamelaars --- Kunstverzameling. Activiteiten van verzamelaars --- Art --- art collections --- anno 1500-1799 --- Antwerp --- Collectors and collecting --- Artists as collectors --- Painting, Renaissance --- Painting, Baroque --- Prints, Renaissance --- Prints, Baroque --- Economic aspects --- Antwerp (Belgium) --- Intellectual life --- Artistes collectionneurs d'art --- Culture --- Innovations technologiques --- Progrès scientifique et technique --- Collectionneurs et collections --- Dans l'art --- Francken, Frans --- Collections d'art --- Artistes --- Artists as collectors Belgium --- Cabinets of curiosities Belgium Antwerp History --- Collectors and collecting Belgium Antwerp History --- Cabinets of curiosities --- Printing and Publishing (from ca. 1500) --- Museums, galleries & private collections --- Artists (incl. musicians) Low Countries (c. 1501-1800) --- Baroque & Rococo art history --- collecting, Low countries