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faux finishing --- doors --- anno 1500-1599 --- Venice
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Painting --- manor houses --- faux finishing --- eroticism --- Vlaamse school --- landhuizen --- Antwerp
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lacquerware --- lakwerk --- toegepaste kunsten --- Applied arts. Arts and crafts --- decorative arts --- Lacquer and lacquering. --- Laques --- Lacquer and lacquering --- decorative arts [discipline] --- Coatings --- Decorative arts --- Finishes and finishing --- Paint materials --- Protective coatings --- Wood finishing --- Varnish and varnishing
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Architecture --- architecture [discipline] --- façades and façade components --- finishing [building material] --- anno 500-1499 --- anno 1500-1799 --- anno 1900-1999 --- Flanders
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"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze.^
Glazing --- Glazing. --- Panel painting, Medieval --- Varnish and varnishing --- Varnish and varnishing. --- History --- Technique. --- Eyck, Jan van, --- To 1500. --- ART / General --- Glasur. --- Firnis. --- Maltechnik. --- Malmaterial. --- Ölmalerei. --- Technique --- To 1500 --- Geschichte 1100-1500 --- panel paintings [paintings by form] --- painting techniques --- varnishing --- glazing [coating process] --- varnish --- Medieval [European] --- Eyck, van, Jan --- anno 1200-1499 --- anno 1100-1199 --- Medieval panel painting --- Glass construction --- Glass --- Windows --- Enamel paints --- Varnish paints --- Coatings --- Finishes and finishing --- Japanning --- Lacquer and lacquering --- Paint materials --- Painting, Industrial --- Stains and staining --- Wood finishing --- Van Eyck, Jan --- van Eyck, Jan --- Ėĭk, I︠A︡n van, --- Eyck, Jean van, --- Painting --- oil paintings [visual works] --- Ölmalerei.
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Manufacturing technologies --- History --- textile finishing processes and techniques --- Chintz --- Silk --- Woolen and worsted manufacture --- History. --- -Chintz --- -Silk --- -677 --- 677.37 --- 745.52 --- Animal fibers --- Textile fabrics --- Chintzes --- Cotton fabrics --- Wool manufacture --- Worsted manufacture --- Textile industry --- Kunstvoorwerpen van textiel. Textielkunst --- Textiel --- Textielindustrie --- glossaria --- Nederland --- geschiedenis --- 745.52 Kunstvoorwerpen van textiel. Textielkunst --- 677.37 Silk --- 677 Textile industry --- glossaria. --- geschiedenis. --- 677 --- Woolen and worsted manufacture - Netherlands - History. --- Chintz - Netherlands - History. --- Silk - Netherlands - History. --- cloth
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Drawing --- faux finishing --- drawings [visual works] --- painting [image-making] --- decorative arts --- Applied arts. Arts and crafts --- Painting --- Brun, le, Charles --- Painting, French --- Le Brun, Charles, --- hofkunst --- Le Brun, Charles --- 17de eeuw --- Art, French --- Exhibitions --- Painters --- Peinture française --- Peintres --- Exhibitions. --- Biography --- Expositions --- Biographies --- Peinture française --- decorative arts [discipline] --- Art, French - 17th century - Exhibitions --- Le Brun, Charles, - 1619-1690 - Exhibitions --- Le Brun, Charles, - 1619-1690 --- hofkunst. --- Le Brun, Charles. --- 17de eeuw.
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Changing Pictures is the first extensive art historical study on the discoloration of old master paintings, concentrating on oil paintings from the 15th to the 17th centuries. The point of departure for this book is contemporaneous writings on oil painting technique and on the use of colour and light and shade in paintings – texts written by both professional and amateur painters, art lovers or connoisseurs, and ranging from manuscripts with succinct practical instructions to early published scholarly treatises which expound in detail the myriad aspects of the art of painting. In this book, the historical research has been conducted in parallel with a technical study of paintings and the artificial ageing of reconstructed traditional paints. This integrated approach provides new insight into the composition of the paints used by the old masters. It also reveals that both the degree and the nature of the discoloration can depend on a large number of material and technical variables, including the quality of the pigments, the type of binding medium and the painting technique. Historical writings also provide valuable understanding of the original colours and modelling of old paintings. By means of several examples of ‘changed pictures’, the author demonstrates how studies of the old texts – together with examinations of preparatory sketches/drawings, early copies of the discoloured paintings and our knowledge of the ageing of paint materials – enable us to deduce a painting’s original appearance thereby gaining a more reliable insight into the intentions of the artist.
restauratie (kunst) --- color [perceived attribute] --- Painting --- oil paint [paint] --- kleurenleer --- restoration [process] --- Conservation. Restoration --- Dyes --- schildertechnieken --- olieverfschilderijen --- painting techniques --- oil paintings [visual works] --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Paint --- Pigments --- Artists' materials --- Deterioration --- Conservation and restoration --- Preservation --- History --- Painting, Renaissance --- Kleuren. --- Schilderijen. --- Techniek. --- History. --- Conservation and restoration. --- Preservation. --- Enamel paints --- Paints --- Varnish paints --- Coatings --- Finishes and finishing --- Protective coatings --- Corrosion and anti-corrosives --- Paint materials --- Paintings, Renaissance --- Renaissance painting --- Paint - Deterioration --- Painting - Conservation and restoration --- Pigments - Preservation --- Artists' materials - Europe - History
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From the examination of the historiography of finishing work in wood for architecture from the medieval to modern period, it is clear that this field of research is the poor relation of historical and archaeological studies, with the lion's share focusing on the structural work of carpentry. It is on the basis of this observation that the present work has been produced, which results from a conference held in Brussels in 2013. The work demonstrates first the real interest in an approach to finishing work for the study of ancient buildings and the establishment of a precise chronology for their phases of layout as well as in obtaining better understanding of material cultures and ways of living. Second, it reiterates that the limit between carpentry and joinery was often porous, sometimes artificial. Finally, the work stresses that an overall approach to the use of wood is crucial to comprehensively address the organisation of a building, the logic of its construction and its 'utilisation', and more generally, the complex history of the buildings studied. This work, which thus represents a first step toward an overall approach of 'wood material' in European architecture, includes thirteen contributions divided into two thematic sections in keeping with current research practices. The first addresses the divide between structural and finishing work via the question of flooring, ceiling and roofing techniques. The second focuses intrinsically on finishing work by examining the contribution of this craft domain to the organisation, comfort and ornamentation of houses
Carpentry --- Joinery --- Woodwork --- Wood finishing --- Charpenterie --- Menuiserie --- Travail du bois --- Bois --- History --- Histoire --- Finissage --- carpentry work --- joinery [woodwork] --- 72.01 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- wood [plant material] --- Building materials. Building technology --- Architecture --- anno 1500-1799 --- anno 1800-1899 --- anno 1400-1499 --- anno 1300-1399 --- Europe --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- History.
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21098
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anno 1600-1699
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book history
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Netherlands
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Polo, Marco
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Vancouver
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Japan
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09 <081 DE LA FONTAINE VERWEY, HERMAN>
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094:82-84
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912 <09> <492>
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094:82-84 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Emblemen. Spreuken. Citaten
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Emblemen. Spreuken. Citaten
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09 <081 DE LA FONTAINE VERWEY, HERMAN> Handschriften. Oude en merkwaardige drukken. Curiosa--Verzameld werk van individuele auteurs--DE LA FONTAINE VERWEY, HERMAN
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Handschriften. Oude en merkwaardige drukken. Curiosa--Verzameld werk van individuele auteurs--DE LA FONTAINE VERWEY, HERMAN
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Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ...--Nederland
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094.1 <492>
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76:655.5 <492>
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76:655.5 <492> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Nederland
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Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Nederland
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094.1 <492> Oude drukken: bibliografie--
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