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Art --- Philosophy of nature --- Sociology of the family. Sociology of sexuality --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Feminism and art. --- Nature (Aesthetics) --- Renaissance --- Féminisme et art --- Nature (Esthétique) --- Philosophie de la nature --- History. --- Histoire --- Féminisme et art --- Nature (Esthétique) --- Feminism --- Gender --- Art history --- Metaphor --- Painting --- Images of women --- Book
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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer insights from diverse contexts and geographies. These texts examine a year-long program at the Schwules Museum Berlin focused on the perspectives of women, lesbian, inter, non-binary, and trans people at the Schwules Museum; the formation of the Queer Trans Intersex People of Colour Narratives Collective in Brighton; Métis Kitchen Table Talks, organized around indigenous knowledge practices in Canada; complex navigations of motherhood and censorship in China; the rethinking of institutions together with First Nations artists in Melbourne; the reanimation of collectivity in immigrant and diasporic contexts in welfare state spaces in Vienna and Stockholm; struggles against Japanese vagina censorship; and an imagined museum of care for Rojava. Strategies include cripping and decolonizing as well as emergent forms of digital caring labor, including curating, hacking, and organizing online drag parties for pandemic times.
kunst --- ecologie --- politiek --- homoseksualiteit --- gender studies --- feminisme --- eenentwintigste eeuw --- 7.039 --- 069 --- museologie --- tentoonstellingen --- Museology --- Sociology of the family. Sociology of sexuality --- Art --- curating --- Art museums --- Curatorship --- Social justice. --- Museums --- Feminism and art. --- Museums and sexual minorities. --- Sexual minorities in art. --- Musées d'art --- Conservation --- Justice sociale --- Musées --- Féminisme et art --- Musées et minorités sexuelles --- Minorités sexuelles dans l'art --- Social aspects. --- Aspect social
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Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
Iconography --- Gentileschi, Artemisia --- Heldinnen in de kunst --- Heroines in art --- Heroïnes dans l'art --- Italiaanse schilderkunst --- Italian painting --- Painting [Italian ] --- Peinture italienne --- Schilderkunst [Italiaanse ] --- Feminism and art --- Painting, Baroque --- Painting, Italian --- Féminisme et art --- Héroines dans l'art --- Peinture baroque --- Gentileschi, Artemisia, --- Criticism and interpretation --- Critique et interprétation --- 7.071 GENTILESCHI, ARTEMISIA --- 7.071.1-055.2 --- -Painting, Baroque --- -Painting, Italian --- Women heroes in art --- Baroque painting --- Paintings, Baroque --- Art and feminism --- Art --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--GENTILESCHI, ARTEMISIA --- Vrouwelijke kunstenaars --- -Criticism and interpretation --- Painting, Italian. --- Women heroes in art. --- Criticism and interpretation. --- 7.071.1-055.2 Vrouwelijke kunstenaars --- heroines --- women [female humans] --- Féminisme et art --- Héroines dans l'art --- Critique et interprétation --- Gentileschi Lomi, Artemisia, --- Lomi, Artemisia Gentileschi, --- Gentileschi Lomi, Artemisia --- Painting [Baroque ] --- Italy --- Baroque --- vrouw in de kunst
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