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À la Renaissance, si le medium de la gravure permet désormais aux artistes de rivaliser entre eux à distance, dès la fin du xve siècle, la diffusion des modèles gravés par l’atelier du prestigieux peintre de cour des marquis de Mantoue, Andrea Mantegna, a suscité sur le territoire germanique une véritable émulation d’ordre culturelle, dans laquelle la question du rapport à l’identité occupe une place fondamentale. Dès lors, dans les images, deux paradigmes se dessinent : d’une part le Welsch, qui désigne ce qui est romain, de style à l’antique, et, plus généralement, italien ; d’autre part le Deutsch, qui renvoie à une tradition artistique et aux coutumes typiquement germaniques. Inscrite dans la problématique des transferts culturels, cette étude analyse, dans une approche résolument pluridisciplinaire, les différentes transformations iconographiques, formelles et stylistiques dont les motifs empruntés aux estampes de Mantegna ont fait l’objet ainsi que l’appareil rhétorique qui accompagne ces transformations pour mieux leur donner du sens (comparaison, parodie, dissimulation, etc.). De Dürer à Peter Vischer le Jeune à Nuremberg, de l’atelier de Daniel Hopfer à celui de Jörg Breu l’Ancien à Augsbourg, d’Hans Baldung Grien à Matthias Grünewald dans la région rhénane et en Alsace, d’Urs Graf à Hans Holbein le Jeune à Bâle, de l’atelier d’Altdorfer implanté à Ratisbonne à celui de Wolf Huber, situé à Passau : tous les centres artistiques et humanistes de la Renaissance germanique sont abordés.

Graphic arts --- prints [visual works] --- cultural diffusion --- invloed van Italiaanse school --- receptiegeschiedenis --- Mantegna, Andrea --- anno 1500-1599 --- Germany --- Estampe italienne --- Estampe de la Renaissance --- Influence. --- Critique et interprétation. --- Appréciation. --- Engraving, Renaissance. --- Engraving, German. --- Art, Renaissance --- Gravure de la Renaissance. --- Art de la Renaissance --- Gravure allemande. --- History. --- Histoire. --- Mantegna, Andrea, --- Dürer, Albrecht, --- Criticism and interpretation. --- Engraving, Italian --- Gravue italienne

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This richly illustrated publication reproduces and describes effectively every early modern German colour print held at the British Museum. It is one of the world?s most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German colour printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. 0This richly illustrated publication reproduces and describes effectively every early modern German colour print held at the British Museum. It is one of the world?s most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German colour printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s.

761.1 --- 761 <43> --- 761 <43> Hoogdruktechnieken in de grafische kunst--Duitsland voor 1945 en na 1989 --- Hoogdruktechnieken in de grafische kunst--Duitsland voor 1945 en na 1989 --- 761.1 Hoogdruktechnieken: houtsneden --- Hoogdruktechnieken: houtsneden --- Color prints, German --- Catalogs. --- Graphic arts --- woodcuts [prints] --- color prints [prints] --- British Museum [London] --- anno 1500-1799 --- anno 1400-1499 --- Germany --- Color prints --- Color prints, German. --- Color prints. --- Estampe de la Renaissance --- Estampe en couleurs allemande --- Estampe en couleurs --- Gravure sur bois allemande --- Prints --- Prints, Renaissance --- Prints, Renaissance. --- Prints. --- Wood-engraving --- Wood-engraving, German --- Wood-engraving, German. --- Wood-engraving. --- British Museum --- British Museum. --- England --- Träsnitt. --- Renässansen. --- Tyskland. --- Catalogs

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Graphic arts --- Vasari, Giorgio --- Painters --- Prints, Renaissance --- Peintres --- Estampe de la Renaissance --- Biography --- Biographies --- Vasari, Giorgio, --- Prints --- Social aspects --- Criticism and interpretation --- Criticism and interpretation. --- 76 <45> "14/15" --- 76 VASARI, GIORGIO --- 094 VASARI, GIORGIO --- 76 "14/15" --- Grafische kunsten. Grafiek. Prentkunst--Italië--15e-16e eeuw. Periode 1400-1599 --- Grafische kunsten. Grafiek. Prentkunst--VASARI, GIORGIO --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--VASARI, GIORGIO --- Grafische kunsten. Grafiek. Prentkunst--15e-16e eeuw. Periode 1400-1599 --- 094 VASARI, GIORGIO Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--VASARI, GIORGIO --- prints [visual works] --- Fine prints --- Vazari, Dzhordzho, --- Vasari, Georges, --- Вазари, Джорджо, --- Grafische kunsten. Grafiek. Prentkunst--Itali&#xEB;--15e-16e eeuw. Periode 1400-1599 --- &#x412;&#x430;&#x437;&#x430;&#x440;&#x438;, &#x414;&#x436;&#x43E;&#x440;&#x434;&#x436;&#x43E;, --- ヴァザリ, ジョルジョ --- Prints, Renaissance - Italy --- Prints - Social aspects --- Vasari, Giorgio, - 1511-1574 - Criticism and interpretation --- Vasari, Giorgio, - 1511-1574

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History --- Graphic arts --- Raimondi, Marcantonio --- Dürer, Albrecht --- Raphael --- anno 1500-1599 --- Italy --- Prints, Renaissance --- Artistic collaboration --- Art --- Estampe de la Renaissance --- Collaboration artistique --- Reproduction --- Histoire --- Raimondi, Marcantonio, --- Raphael, --- Dürer, Albrecht, --- Criticism and interpretation. --- Copying --- Dürer, Albrecht, --- Criticism and interpretation --- 76 <45> "15" --- 7.026 --- 094.1 <45 VENEZIA> --- Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- Kunstwerken: copiëren; reproduceren; facsimile's --- Oude drukken: bibliografie----Italië--VENEZIA --- Copying. --- 76 <45> "15" Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- 094.1 <45 VENEZIA> Oude drukken: bibliografie----Italië--VENEZIA --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Prints --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Marcantonio, --- Marcantonio Bolognese, --- Raimondi, Marc Antonio, --- Raĭmondi, Markantonio, --- Durer, Albert --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- prints [visual works] --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Art, Primitive --- Prints, Renaissance - Italy --- Artistic collaboration - Italy - History - 16th century --- Art - Copying --- Raimondi, Marcantonio, - ca. 1480-ca. 1534 - Criticism and interpretation --- Raphael, - 1483-1520 - Criticism and interpretation --- Dürer, Albrecht, - 1471-1528 - Criticism and interpretation --- Italiaanse school --- Raimondi, Marcantonio, - ca. 1480-ca. 1534 --- Raphael, - 1483-1520 --- Dürer, Albrecht, - 1471-1528