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"Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization"--
Art
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art history
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globalization
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replicas
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Vos, de, Maarten
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Michael [Archangel]
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anno 1500-1799
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Art and globalization
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Art and globalization.
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Rezeption.
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Druckgrafik.
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Illustration.
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History
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Reproduction
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Copying
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Reproduction.
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Vos, Maarten de,
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Nadal, Gerónimo
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Michael
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Vos, Maarten <
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A landmark publication that catalogues the history and development of the printed image Gutenberg's invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press. Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe. Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important.
copper engravings [visual works] --- printing [process] --- Book history --- Graphic arts --- wood engravings [prints] --- illustrations [layout features] --- anno 1500-1799 --- anno 1800-1899 --- Europe --- 76 <4> --- 76 "15/18" --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Prints --- Prints, European --- 21.32 history of the graphic arts. --- Prints, European. --- Druckgrafik. --- Handel. --- Sammeln. --- Technik. --- Technique --- History. --- Technique. --- 1500-1799. --- Europa. --- 2132 history of the graphic arts. --- Estampe européenne --- Estampe --- Histoire.
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Perceptions of the Dutch Revolt continue to this day to be shaped by Frans Hogenberg's visual reports on its events. In his book Das Auge der Geschichte, Ramon Voges offers for the first time a comprehensive historical analysis of these prints. By examining the broadsheets not as reflections of past events, but as a form of complex visual historiography, he approaches the well-known depictions made at the Hogenberg workshop in Cologne from a new angle.His study provides insights into how the visual reports tell the story of great European conflicts in the age of the Wars of Religion. The book not only contributes to the history of historiography, it also reveals how Hogenberg’s prints participated in conflicts about power, faith, and violence. Die Bildberichte Franz Hogenbergs prägen bis heute die Vorstellungen vom Aufstand der Niederlande. In seinem Buch Das Auge der Geschichte macht Ramon Voges die Druckgraphiken erstmals zum Gegenstand einer umfassenden historischen Untersuchung. Indem er die Blätter nicht als Abbilder eines früheren Geschehens, sondern als vielschichtige Form einer Geschichtsschreibung in Bildern analysiert, wirft er einen neuen Blick auf die vertrauten Darstellungen aus Hogenbergs Kölner Werkstatt.Seine Studie gibt darüber Aufschluss, wie die Bildberichte die Geschichte der europäischen Großkonflikte im Zeitalter der Religionskriege erzählen. Sie leistet damit nicht nur einen Beitrag zur Geschichte der Geschichtsschreibung. Sie legt auch offen, wie Hogenbergs Druckgraphiken in die Auseinandersetzungen um Glauben, Herrschaft und Gewalt eingegriffen haben.
Hogenberg, Frans, --- Netherlands --- France --- History --- In art. --- Achtzigjähriger Krieg --- Achtzigjähriger Krieg. --- Druckgrafik. --- Hugenottenkriege --- Hugenottenkriege. --- Hogenberg, Franz, --- Eighty Years' War (Netherlands : 1568-1648). --- Wars of the Huguenots (France : 1562-1598). --- 1562-1648. --- France. --- Netherlands. --- Iconography --- History of France --- History of the Low Countries --- Hogenberg, Frans --- anno 1500-1599 --- anno 1600-1699 --- Hogenbergus, Franciscus, --- E-books --- Hogenberg, Frans, - approximately 1539-1590. --- Netherlands - History - Eighty Years' War, 1568-1648. --- Netherlands - In art. --- France - History - Wars of the Huguenots, 1562-1598. --- France - In art.
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Catalogus bij de tentoonstelling 'Zwart' over zwarte mensen in de schilderkunst van de 17e eeuw, o.a. in werk van Rembrandt.
Sociology of minorities --- Iconography --- History of the Netherlands --- negro --- anno 1600-1699 --- figures [representations] --- Druckgrafik. --- Schwarze --- Bildnismalerei. --- Geschichte 1600-1700. --- Niederlande. --- figures [representations]. --- kunstcatalogi. --- schilderkunst. --- Zwarten. --- Schilderkunst. --- Nederland. --- 17e eeuw. --- Tentoonstellingscatalogi. --- Etskunst. --- Tekenkunst. --- black --- zwarten --- kleuren, pigmenten en kleurstoffen: zwart --- geschiedenis --- kolonisatie --- menselijk lichaam --- De Castro, Miguel (Dom) --- Rembrandt van Rijn --- Bruijn, Pieter Claesz --- Becx, Jasper --- Becx, Jeronimus --- Pieters, Lijsbeth --- Christiaan van Africa --- 17de eeuw --- Noordelijke Nederlanden --- Amsterdam --- 7.041 --- 7.034(492) --- Thema's in de kunst ; zwarte mensen ; geschiedenis --- Zwarten ; mensen met een donkere huidskleur ; in de kunst --- Iconografie ; de mens, portretten --- Kunstgeschiedenis ; Renaissance. Barok. Rococo ; Nederland --- Rembrandt --- zwarten. --- kleuren, pigmenten en kleurstoffen: zwart. --- geschiedenis. --- kolonisatie. --- menselijk lichaam. --- De Castro, Miguel (Dom). --- Rembrandt. --- Bruijn, Pieter Claesz. --- Becx, Jasper. --- Becx, Jeronimus. --- Pieters, Lijsbeth. --- Christiaan van Africa. --- 17de eeuw. --- Noordelijke Nederlanden. --- Amsterdam.
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