Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Griekse literatuur --- klassieke literatuur --- Aristotle

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

busts [general, figures] --- Boselli, Orfeo --- Duquesnoy, Frans --- Plato --- Aristotle

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sculpture --- busts [general, figures] --- beeldhouwkunst --- Boselli, Orfeo --- Duquesnoy, Frans --- Dyck, van, Anthony --- Plato --- Rubens, Peter Paul --- Aristotle --- Rijksmuseum [Amsterdam]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Late in his life Titian created a series of paintings& the & Four Sinners,& the & 'poesie& 'for his patron Philip II of Spain, and the & Final Tragedies& & that were dark in tone and content, full of pathos and physical suffering. In this major reinterpretation of Titian's art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist's increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle's 'Poetics 'that permeated learned discourse in Italy in the mid-sixteenth century. The 'Poetics 'led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian's late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.

Painting --- Aristotle --- Titian --- Michelangelo --- anno 1400-1499 --- anno 1500-1599 --- Tragic [The ] in art --- Tragique [Le ] dans l'art --- Tragische [Het ] in de kunst --- Ut pictura poesis (Aesthetics) --- Ut pictura poesis (Esthetica) --- Ut pictura poesis (Esthétique) --- Painters --- Painting, Renaissance --- Tragic, The, in art. --- Social conditions --- History --- Titian, --- Influence. --- Criticism and interpretation. --- Ut pictura poesis (Aesthetics). --- Criticism and interpretation --- Influence --- Painting [Renaissance ] --- Italy --- 16th century --- Buonarroti, Michelangelo