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Het wonder van de Nederlandse Gouden eeuw is nooit verbleekt. De namen van Rembrandt, Vermeer, Ruisdael en Hals behouden onverminderd hun magische klank. Alle specialismen waarin de kunst van onze Gouden Eeuw excelleerde zijn present: imposante schuttersstukken en flamboyante zelfportretten, stemmige doorkijkjes in het schemerige Hollandse binnenhuis naast panoramische landschappen, stille waters en onstuimige zeeën, bonte hoenderhoven en monochrome visstillevens, de lofzang op het Italiaanse landschap naast een oer-Hollands ijsgezicht.
Painting --- anno 1600-1699 --- Belgium --- Netherlands --- Art [Dutch ] --- 16th century --- 17th century
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Swanenburg, van, Isaac Claesz. --- Swanenburg, van, Jacob Isaacsz. --- Claesz. van Swanenburg, Isaac --- Painting [Dutch ] --- 16th century --- Catalogs --- Exhibitions
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During the late 16th century the cross became a popular theme in art, particularly in Italy and southern Germany. This study focuses on the cross as a triumphal symbol of the spiritual and worldly claim to power.
Christian religion --- Iconography --- anno 1500-1599 --- Holy Cross in art --- Christianity and art --- Art, Italian --- Art --- Religious architecture --- Catholic Church --- Oratorianen --- crucifixes --- Beieren, Sint-Michaelskerk --- München, St. Michaelskerk --- beeldenstorm --- H. Kruis --- obelisks [monumental pillars] --- relics --- Borromeo, Charles --- Baronius, Caesar --- Society of Jesus --- Jerusalem --- Rome --- Milan --- Christianity and art - Catholic Church --- Art, Italian - 16th century --- Art - Germany, Southern - 16th century --- Religious architecture - Italy - 16th century --- Religious architecture - Germany, Southern - 16th century --- Croix --- Contre-Réforme --- Christelijke kunst
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Vasari, Giorgio --- Drawing --- Catalogs --- Vasari, Giorgio, --- Musée du Louvre. --- Dessin --- Italie --- Drawing - 16th century - Italy - Catalogs --- Vasari, Giorgio, - 1511-1574
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L'objet de cette exposition est la présentation d'oeuvres gravées dans les ateliers du nord de l'Europe au début du XVIe siècle et d'artistes peu connus du public. Situé entre l'oeuvre de Dürer et l'activité de l'école de Fontainebleau, entre 1520 et 1550, cet ensemble de gravures frappe par certains aspects tels que l'audace des cadrages, la liberté des compositions...
Graphic arts --- Cabinet des estampes et des dessins [Strasbourg] --- anno 1500-1599 --- Germany --- Engraving, German --- Engraving, German - 16th century
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Environmental planning --- anno 1600-1699 --- anno 1500-1599 --- Netherlands --- Iconography --- Humanism --- History --- 16th century --- 17th century --- Belgium --- Gardens
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Er war einer der eigenwilligsten Kunstler des 16. Jahrhunderts: Hans Baldung, genannt Grien (1484/85-1545). Als origineller Interpret traditioneller und Erfinder neuer Bildthemen schuf Baldung intime Andachtsbilder und imposante Altarwerke, sinnliche Allegorien und Aktdarstellungen, drastische Hexenszenen, humanistische Denkbilder und markante Portrats. Den tiefgreifenden Umwalzungen seines Zeitalters setzte er ein hochst individuelles, oftmals exzentrisches und stets faszinierendes Werk entgegen, das neben koloristisch ausdrucksstarken Tafelgemalden virtuose Zeichnungen und kraftvolle Holzschnitte umfasst. Die Staatliche Kunsthalle Karlsruhe wurdigt mit der Groen Landesausstellung Baden-Wurttemberg das einer breiten Offentlichkeit wenig bekannte uvre dieses auergewohnlichen Renaissance-Kunstlers. Nach der ersten und bislang einzigen Retrospektive seines Schaffens, die 1959 ebenfalls in der Karlsruher Kunsthalle gezeigt wurde, wird 60 Jahre spater Baldung im Lichte aktueller Forschungsfragen neu entdeckt und neu bewertet.
Baldung Grien, Hans --- Painting --- Prints --- Holiness --- Christian art and symbolism --- Art, German --- Baldung, Hans, --- heiligen --- humanisme --- iconografie --- reformatie --- Dürer, Albrecht --- 16de eeuw --- Painting - 16th century - Exhibitions. --- Prints - 16th century - Exhibitions. --- Holiness - Exhibitions. --- Christian art and symbolism - Exhibitions. --- Art, German - 16th century - Exhibitions. --- Baldung, Hans, - -1545 - Exhibitions. --- humanisme. --- heiligen. --- iconografie. --- reformatie. --- Baldung Grien, Hans. --- Dürer, Albrecht. --- 16de eeuw. --- Baldung, Hans, - -1545
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Trading Places is winner of the triennial Historical Research Award of Italy Studies (2012). This book deals with the Netherlandish merchant community in sixteenth- and seventeenth-century Venice. It examines the merchants’ commercial activities, their social and communal relations, as well as their interaction with the Venetian state, which was accustomed to protect its own trade. The Netherlandish merchants in Venice, as part of an extensive international trading network, were ideally placed to connect Mediterranean and Atlantic commerce. They quickly became the most important group of foreign merchants in the city at a time of rapid economic changes. Drawing on a wide variety of primary sources, this book shows how these immigrant traders used their strong commercial position to secure a place in Venice. It demonstrates how the changing balance of international commerce affected early modern Venetian society.
trade [function] --- History of Italy --- dealers --- History of the Low Countries --- anno 1500-1599 --- Venice --- Merchants, Foreign --- Dutch --- Venise --- --Commerce --- --Histoire économique et sociale --- --Pays-Bas --- --Condition économique --- --Marchand --- --XVIIe s., --- History --- Venice (Italy) --- Commerce --- Economic conditions --- Dutch --Italy --Venice --History --16th century. --- Merchants, Foreign --Italy --Venice --History --16th century. --- Venice (Italy) --Commerce --Netherlands. --- Venice (Italy) --Economic conditions --16th century. --- Commerce - General --- Business & Economics --- Dutchmen (Dutch people) --- Hollanders --- Foreign merchants --- Bneci (Italy) --- Mleci (Italy) --- Mleti (Italy) --- Venecia (Italy) --- Venezia (Italy) --- Venedig (Italy) --- Venetik (Italy) --- Venetsii︠a︡ (Italy) --- Velence (Italy) --- Benetia (Italy) --- Venetia (Italy) --- Wenecja (Italy) --- Venise (Italy) --- Fenice (Italy) --- Benetke (Italy) --- Vinegia (Italy) --- Ethnology --- Burano (Italy) --- Murano (Italy) --- Venice (Lombardo-Venetian Kingdom) --- Kooplieden. --- Nederlanders. --- Venetië (stad) --- Venet︠s︡ii︠a︡ (Italy) --- Merchants, Foreign - Italy - Venice - History - 16th century. --- Dutch - Italy - Venice - History - 16th century. --- Histoire économique et sociale --- Condition économique --- Marchand --- XVIIe s., 1601-1700 --- Pays-Bas --- Venice (Italy) - Commerce - Netherlands. --- Venice (Italy) - Economic conditions - 16th century. --- trade [general function] --- economische geschiedenis
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Painting --- exhibitions [events] --- art market --- easel paintings [paintings by form] --- studios [work spaces] --- Baroque --- Naples --- Painting, Baroque --- Art and society --- Economic aspects --- History --- Naples (Italy) --- Economic conditions --- Painting, Baroque - Italy - Naples --- Painting - Economic aspects - Italy - Naples - History - 16th century --- Painting - Economic aspects - Italy - Naples - History - 17th century --- Art and society - Italy - Naples - History - 16th century --- Art and society - Italy - Naples - History - 17th century --- Naples (Italy) - Economic conditions - 16th century --- Naples (Italy) - Economic conditions - 17th century --- Napels, school of
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History of civilization --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Revival --- Economic history --- 15th century --- 16th century --- material culture [discipline] --- material culture [genre] --- economische geschiedenis
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