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History --- Art --- bibliographies --- Eastern and Central Europe --- Mannerism (Architecture) --- Mannerism (Art)
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History --- Art --- bibliographies --- Eastern and Central Europe --- Mannerism (Art) --- Europe [Central ] --- Bibliography --- Mannerism (Architecture)
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Art --- Beccafumi, Domenico --- Siena --- Art, High Renaissance --- Mannerism (Art) --- Exhibitions. --- Beccafumi, Domenico,
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Art --- Caravaggio, da, Michelangelo M. --- Mannerism (Art) --- Maniérisme (Art) --- Exhibitions. --- Expositions --- Caravaggio, Michelangelo Merisi da, --- Caravaggio --- Maniérisme (Art)
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Mannerist [Renaissance-Baroque style] --- Art --- Parmigianino --- anno 1500-1599 --- Mannerism (Art) --- Maniérisme (Art) --- Exhibitions. --- Exhibitions --- Expositions --- Parmigianino, --- Maniérisme (Art)
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This weighty exhibition catalogue includes introductory essays by Serrão, "Entre a Maneira moderna e a ideia de Decoro: bravura e conformismo na pintura do maneirismo português" (pp. 16–57); Deswarte, "Francisco de Holanda: maneira e idea" (pp. 58–89); Annemarie Jordan, "O Maneirismo e o retrato da corte em Portugal" (pp. 114–21); and Pedro Dias, "As outras imagens: o maneirismo na escultura portuguesa" (pp. 134–63). The actual catalogue, which occupies pp. 174–457, has six sections: I. "Do Renascimento ao Maneirismo . . . 1535–1560"; II. "A rebelião de Campelo. . . 1560–1580"; III. "A contra–reforma militante e o decoro . . . 1580–1620"; IV. "O retrato áulico e burgués"; V. "O desenho maneirista e a iluminação de livros"; and VI. "O azulejo." Cataloguing of individual items was done mostly by Serrão, Deswarte, Caetano, Jordan, Dias, and José Alberto Seabra Carvalho. There is a useful section with biographies of artists (pp. 458–99), followed by a bibliography (pp. 500–11).
Mannerist [Renaissance-Baroque style] --- painting [image-making] --- Portuguese [culture or style] --- Art --- anno 1500-1599 --- Painting, Portuguese --- Mannerism (Art) --- Peinture portugaise --- Maniérisme (Art) --- Exhibitions --- Expositions --- -Painting, Portuguese --- -Exhibitions --- Portugal --- Colonies --- -Bibliography. --- -Historiography. --- Maniérisme (Art) --- Mannerism (Art) - - Exhibitions - Portugal --- -Painting, Portuguese - - Exhibitions --- -Art --- -Mannerism (Art) --- -Painting, Portuguese -
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History --- congres / 1972 --- Fontainebleau, kasteel --- Art --- Mannerism (Art) --- Congresses --- 7 <089> --- -Mannerism (Art) --- -Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<089> --- -Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<089> --- 7 <089> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<089> --- -Art, Occidental --- Art, Primitive --- Art - France - Fontainebleau - Congresses --- Mannerism (Art) - France - Fontainebleau - Congresses --- Fontainebleau, school van
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Cock, de, Jan Wellens --- Painters --- Painting --- Art, Flemish --- Mannerism (Art) --- Peintres --- Peinture --- Art flamand --- Maniérisme (Art) --- Catalogs. --- Catalogues --- Cock, Jan de, --- Maniérisme (Art)
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Painting --- Perino del Vaga --- Painting, Italian --- Artists' preparatory studies --- Mannerism (Art) --- Peinture italienne --- Esquisses (Art) --- Maniérisme (Art) --- Perino, --- Maniérisme (Art)
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Celebrated for his erotically charged allegories with amorous couples entwined in intimate poses, Bartholomeus Spranger (1546-1611) was a leading master of Mannerism, working for influential patrons across Europe, including the Emperor Rudolf II in Prague, where he was known as one of the first truly international artists. This comprehensive book, the first publication devoted to Spranger's influential life and career, features nearly all the paintings, drawings and etchings by this artist from some of the most renowned museums and private collections in the world. Despite the widespread fame and influence he achieved during his lifetime, Spranger has become an elusive and misunderstood figure. This book rectifies that omission, examining Spranger's extraordinary life and work against the backdrop of European culture, politics and intellectual history and tracing his artistic journey from apprenticeship in Antwerp to triumph in Prague, with sojourns in France, Italy and Austria. This sumptuous publication is a major contribution to art history, restoring Bartholomeus Spranger to his rightful position as one of the most important and influential artists of the era.0Exhibition: The Metropolitan Museum of Art, NYC, USA (14.11.2014-1.2.2015).
Spranger, Bartholomeus --- Painting --- Mannerism (Art) --- Painters --- Peinture --- Maniérisme (Art) --- Peintres --- Biography --- Biographies --- Spranger, Bartholomeus, --- Maniérisme (Art) --- Art, Netherlandish --- Netherlandish art --- Spranger, Bartholomäus, --- Exhibitions
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