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Drawing --- autobiography [genre] --- drawing [image-making] --- forgery [crime] --- Hebborn, Eric
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A travers les conférences et les entretiens rassemblés dans cet ouvrage, lʹhistorien de l'art F. Zeri (1921-1998) montre que le faussaire se trahit toujours en important, sans sʹen apercevoir, des éléments caractéristiques de son époque. S'il montrait l'impossiblité de rendre le style, le critique nʹen admirait pas moins certains dʹentre eux, et possédait même quelques-unes de leurs oeuvres.
Forgers --- Forgery --- Faussaires --- Faux --- History --- Histoire --- Art --- forgery [crime] --- forgeries [derivative objects]
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Jephonias, Damiens, Caravage, Lantier, Troppman, réels ou imaginaires, connus ou anonymes, les criminels son présents dans un éventail extraordinaire d’images et de textes qui tentent à leur manière de dresser leur portrait moral et physique. Mais, ces représentations du criminel, où se conjuguent peinture, dessin, gravure, photographie, descriptions littéraires, journalistiques, médicales ou judiciaires laissent-elles entrevoir un visage spécifique du crime – un « criminel né » – qui serait facilement reconnaissable grâce à un ou plusieurs signes distinctifs, telle la marque apposée par Dieu sur le front de Caïn ?Fruit des réflexions menées lors d’un colloque international tenu à l’Académie de France à Rome – Villa Médicis en 2015, cet ouvrage pose quelques jalons de réponse en croisant les approches d'historiens de l’art, d'historiens, de juristes, d'anatomistes ou de spécialistes de la littérature dans une période chronologique volontairement étendue allant du début du XVe siècle au début du XXe siècle. Ce faisceau de points de vue montre que la figure du criminel se déploie en une myriade de portraits possibles, sans véritable typicité, ce qui fait de lui un outil de persuasion efficace, régulièrement utilisé en tant que tel, notamment par les représentants des pouvoirs politique et religieux.
criminals --- History of civilization --- depictions [visual works] --- anno 1500-1799 --- anno 1800-1999 --- France --- Italy --- Criminels --- Dans l'art --- Histoire --- Criminals --- In art --- Crime in art --- Criminals in literature --- Crime in literature --- Dans l'art. --- Histoire. --- Crime in art - Congresses --- Criminals in literature - Congresses --- Crime in literature - Congresses
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The art of forgery: Case Studies in Deception' explores the stories, dramas and human intrigues surrounding the world's most famous forgeries - investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.
art history --- Art --- Criminology. Victimology --- forgeries [derivative objects] --- Pictures --- Illustrations, images, etc. --- Forgeries --- History. --- Copying --- Expertising. --- Faux --- Histoire --- Reproduction --- Expertise --- criminology --- forgery [crime] --- counterfeiters --- kunstvervalsingen
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"Picturing Punishment examines representations of criminal bodies as they moved in, out, and through publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, especially inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge. Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society."--
Art --- Art, Dutch --- Crime --- Crime. --- Criminals --- Dead in art. --- Justice in art. --- Prosecution in art. --- Punishment in art. --- Punishment --- Punishment. --- Themes, motives --- Themes, motives. --- History --- Death --- 1600-1699. --- Netherlands. --- Dead in art --- Justice in art --- Prosecution in art --- Punishment in art --- History of the law --- Criminology. Victimology --- Iconography --- History of the Netherlands --- punishing --- dead [people] --- visual culture --- criminals --- anno 1600-1699 --- Torture --- Exécution --- Mort --- Criminalité --- XVIIe s. -- 1601-1700 --- Pays-Bas
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"Picturing Punishment examines representations of criminal bodies as they moved in, out, and through publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civic authority. Certain types of objects related to criminal punishments served a key role in asserting republican ideals and demonstrating the ability of officials to maintain order and control. Conversely, the circulation of other types of images, especially inexpensive paintings and prints, had the potential to subvert official messages. As Gobin shows, visual culture thus facilitated a space in which potentially dissenting positions could be formulated while also bringing together seemingly disparate groups of people in a quest for new knowledge. Combining a diverse array of sources including architecture, paintings, prints, anatomical illustrations, and preserved body parts, Picturing Punishment demonstrates how the criminal corpse was reactivated, reanimated, and in many ways reintegrated into society."--
Art, Dutch --- Crime --- Crime. --- Criminals --- Dead in art. --- Justice in art. --- Prosecution in art. --- Punishment in art. --- Punishment --- Punishment. --- Themes, motives --- Themes, motives. --- History --- Death --- 1600-1699. --- Netherlands. --- History of the law --- Criminology. Victimology --- Iconography --- History of the Netherlands --- punishing --- dead [people] --- visual culture --- criminals --- anno 1600-1699 --- Art --- Torture --- Exécution --- Mort --- Criminalité --- XVIIe s. -- 1601-1700 --- Pays-Bas --- Dead in art --- Justice in art --- Prosecution in art --- Punishment in art --- Penalties (Criminal law) --- Penology --- Corrections --- Impunity --- Retribution --- Crime and criminals --- Delinquents --- Offenders --- Persons --- Criminal justice, Administration of --- Criminology --- City crime --- Crimes --- Delinquency --- Felonies --- Misdemeanors --- Urban crime --- Social problems --- Criminal law --- Transgression (Ethics) --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Social aspects --- Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Koninkrijk der Nederlanden --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederland --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Royaume des Pays-Bas --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden --- 1600-1699 --- Dutch Republic. --- Renaissance. --- afterlife. --- art and crime. --- art history. --- criminals. --- deviance. --- early modern. --- execution rituals. --- gallows. --- history of crime. --- material culture. --- public spectacles. --- punishment.
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"Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed. Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting".
Trade theory --- Art --- History of Italy --- cultural property --- art market --- anno 1800-1899 --- anno 1900-1909 --- Cultural property --- Smuggling --- Illegalität --- Kulturerbe --- Kunst --- Kunsthandel --- Renaissance --- Schmuggel --- Protection --- History --- Economic aspects --- 1800-1999 --- Italy --- Italien --- Contraband trade --- Crime --- Customs administration --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Art, Renaissance --- Marketing --- Art, Primitive --- smuggling --- kunstroof --- art looting
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History of the law --- rechtsgeschiedenis --- anno 1500-1799 --- anno 1300-1399 --- Antwerp --- Antwerpen (provincie) --- Anvers (province) --- Gerecht --- Histoire locale --- Justice --- Plaatselijke geschiedenis --- Criminal law --- Criminal procedure --- Droit pénal --- Procédure pénale --- History --- Histoire --- Antwerpen --- Histoire de la jurisprudence --- 34 <09> <493> --- Criminal courts --- -Criminal justice, Administration of --- -#gsdb8 --- 343 <09> <493> --- 938.1 antwerpen --- Antwerpen (stad) --- Nieuwe Tijd --- Rechtspraak --- Administration of criminal justice --- Criminal justice, Administration of --- Justice, Administration of --- Crime --- Criminals --- Courts, Criminal --- Correctional institutions --- Courts --- Rechtsgeschiedenis --(algemeen)--België --- Strafwetenschappen--(geschiedenis van)--België --- Law and legislation --- History. --- 343 <09> <493> Strafwetenschappen--(geschiedenis van)--België --- 34 <09> <493> Rechtsgeschiedenis --(algemeen)--België --- urban history --- law [discipline] --- Droit pénal --- Procédure pénale --- #gsdb8 --- Antwerp (Belgium) --- #gsdb8. --- Rechtsgeschiedenis --(algemeen)--België. --- Strafwetenschappen--(geschiedenis van)--België. --- E-books --- geschiedenis
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