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reliefs [sculptures] --- Madonna-beeld --- Michelozzo di Bartolommeo
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Conservation. Restoration --- Painting --- restoration [process] --- provenance [history of ownership] --- easel paintings [paintings by form] --- technical art history --- Padua, school van --- Venetiaanse school --- Parentino, Bernardo --- Bissolo, P. Francesco --- Bellini, Jacopo --- Mantegna, Andrea --- Bellini, Giovanni --- Squarcione, Francesco --- Staatliche Museen zu Berlin
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Aby Warburg, einer der bedeutendsten Kunsthistoriker des späten 19. und frühen 20. Jahrhunderts, studierte das "Nachleben" antiker Motive in der europäischen Kultur seit der Renaissance in der Überzeugung, dass die Antike für Künstler der Renaissance eine urbildhafte, emotionale Bedeutung besitzt, die sich in Schlüsselmotiven und Kernthemen offenbart. Warburgs letztes Werk war sein "Mnemosyne Bilderatlas", eine Sammlung von fast 1.000 Abbildungen, die seine Studien resümierte und neue Wege in der Bildwissenschaft aufzeigte. Das Buch zur Ausstellung in der Gemäldegalerie, Berlin, präsentiert knapp 50 originale Kunstwerke aus zehn Sammlungen der Staatlichen Museen zu Berlin, die von Warburg für den Atlas ausgewählt wurden. Sie verdeutlichen die Beziehungen von Werken und Kulturen über Raum- und Zeitgrenzen hinweg und erläutern zugleich exemplarisch das komplexe Denken, das Warburgs Bilderatlas zugrunde liegt.
Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Historiography --- Warburg, Aby, --- Exhibitions --- History of civilization --- art [fine art] --- Warburg, Aby --- Berlin --- Art, Primitive --- art [discipline] --- cultuurgeschiedenis --- receptiegeschiedenis
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Influence littéraire, artistique, etc. --- Peinture --- Enluminure --- Bellini, Giovanni --- Bellini, Jacopo --- Mantegna, Andrea --- Appréciation. --- Sculpture --- Drawing --- Painting --- influence --- Venetiaanse school --- Bellini, Giovanni. --- Bellini, Jacopo. --- Mantegna, Andrea. --- van Eyck, Jan. --- Memling, Hans. --- 15de eeuw. --- 16de eeuw. --- Venetië. --- Italië. --- Nederlanden. --- van Eyck, Jan --- Memling, Hans --- 15de eeuw --- 16de eeuw --- Venetië --- Italië --- Nederlanden --- Influence (Literary, artistic, etc.) --- Bellini, Giovanni, --- Influence
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early works --- Donatello
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Art styles --- Sculpture --- reliefs [sculptures] --- terracottas [sculptural works] --- bronzes [visual works] --- Renaissance --- Donatello --- Italy --- renaissance --- reliëfs --- beeldhouwkunst --- madonnabeelden --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa) --- restauratie --- Von Bode, Wilhelm --- Firenze --- Londen --- Duitsland --- Padua --- renaissance. --- reliëfs. --- sculptuur. --- madonnabeelden. --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa). --- restauratie. --- Donatello. --- Von Bode, Wilhelm. --- Firenze. --- Londen. --- Duitsland. --- Padua. --- sculptuur
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Iconography --- Painting --- Mantegna, Andrea --- Bellini, Giovanni --- Jesus Christ
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This exhibition catalogue focuses on the transfer of 202 paintings from the Berlin State Museums-including many of the greatest 15th to 18th-century works in the Gemäldegalerie-to the United States in the aftermath of World War II. In November 1945, the U.S. military government in Germany ordered that "at least 200 German works of art of greatest importance" be sent to Washington for safekeeping. After two years in storage, they were exhibited at the National Gallery of Art, Washington D.C., and in thirteen other cities across the country in 1948-49, before returning to Germany. The essays in the catalogue explore the controversy that surrounded this transfer of patrimony, as well as the reception of the paintings themselves in the United States. At the heart of the book is Walter I. Farmer, who served in the US Army as a Monuments, Fine Arts, and Archives officer-a 'Monuments Man'-and as Director of the Wiesbaden Central Collecting Point (1945-46), which housed thousands of artworks recovered at the end of the war. Farmer is responsible for the Wiesbaden Manifesto, which protested the shipment of paintings to the United States and was signed by two-thirds of the Monuments officers active in Europe. Following the war, he was a resident of Cincinnati and stalwart supporter of the arts in the region for almost fifty years
Painting --- traveling exhibitions --- easel paintings [paintings by form] --- Staatliche Museen zu Berlin --- anno 1940-1949 --- Germany --- United States --- Painting, European --- Traveling exhibitions --- Cultural property --- Political aspects United States --- History --- Moral and ethical aspects. --- Repatriation. --- Masterpieces from the Berlin Museums (Exhibition) --- kunst en politiek --- United States of America
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Italian Renaissance-Baroque styles --- drawings [visual works] --- prints [visual works] --- easel paintings [paintings by form] --- influence --- Bellini, Giovanni --- Mantegna, Andrea --- Exhibitions --- tekeningen --- prenten --- invloed --- schilderijen --- Italiaanse renaissance- en barokstijlen --- Influence littéraire, artistique, etc. --- Influence (Literary, artistic, etc.) --- Mantegna, Andrea, --- Bellini, Giovanni, --- renaissance --- techniek --- Bellini, Jacopo --- Zoppo, Marco --- 15de eeuw --- 16de eeuw --- Italië --- zebra --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- techniek. --- Mantegna, Andrea. --- Bellini, Jacopo. --- Bellini, Giovanni. --- Zoppo, Marco. --- 15de eeuw. --- 16de eeuw. --- Italië. --- Influence littéraire, artistique, etc.
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