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Distant Prospects: landscape painting from the Collections of the Prince von und zu Liechtenstein, 15th to 19th Century
Authors: --- --- --- --- --- et al.
Year: 2008 Publisher: Wenen Liechtenstein Museum

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Abstract

Landscapes form a central core of the princely picture gallery, covering the entire span of the collection from the late 14th to the mid-19th century. If the landscape at first appears not as the actual theme of the work, but only a view, a background staffage, it subsequently acquires increasing weight as a genre in its own right, and enjoys its first golden age in the 17th century, most of all among the Flemish and Dutch painters. These same artists have been represented by incomparable major works in the Princely Collections ? the introduction to the 1948 Lucerne catalogue observes that ?the eyes of the princely collectors have always been aimed at Belgium and Holland both in the past and in the present day. The exhibition covers the entire spectrum of landscape painting, through to recently acquired examples of urban landscapes, shown here for the first time. In the late 18th and early 19th centuries Arcadian landscapes were produced, ideal landscapes that were supposed to lead the visitor away to an imagined ancient world that had never existed in that form; a generation later, painters such as Ferdinand Georg Waldm?ller sought the light of the south and during the time of Biedermeier discovered plein-air painting, which would lead without a break to Impressionism. This period in particular could not be better covered than by the material of the Princely Collections; all the great names of the day are represented here by significant major works.

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