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7.038 --- Beeldende kunst ; 20ste eeuw ; 1969-1974 --- Curatoren --- Tentoonstellingsmakers ; 20ste eeuw ; Lucy Lippard --- Tentoonstellingen ; organisators ; "Numbers Shows 1969-74" --- Lippard, Lucy --- Kunst en feminisme --- Gender Studies --- Conceptuele kunst --- Concept Art --- Exhibition histories --- Kunst en maatschappij --- Sociaal geëngageerde kunst --- Kunst en politiek ; kunst in Argentinië ; Buenos Aires --- tentoonstellingen --- Verenigde Staten --- Canada --- twintigste eeuw --- Lippard Lucy R. --- concept art --- conceptuele kunst --- feminisme --- gender studies --- kunst en politiek --- Argentinië --- 069 --- Kunstgeschiedenis ; 1950 - 2000 --- Feminism and art. --- Conceptual art. --- Lippard, Lucy R. --- art criticism --- exhibiting --- feminism --- art [fine art] --- Conceptual --- Museology --- Art --- anno 1960-1969 --- anno 1970-1979 --- exhibition curators --- Lippard Lucy R --- art [discipline] --- Feminism --- Feminist art --- Exhibitions --- Tentoonstellingscatalogus --- Visual arts --- Book
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Deze publicatie is tot stand gekomen naar aanleiding van de eerste retrospectieve van het werk van Martha Rosler. Sinds de jaren zeventig is deze invloedrijke Amerikaanse kunstenares op verschillende terreinen actief zoals in de fotografie, videokunst, performance en schrijven. Zij engageert zich voor een kunst die een breder publiek wil bereiken dat dit in het artistieke milieu. Naast de toegankelijkheid van haar werk, is de rol van de toeschouwer als deelnemer in het proces van betekenis geven aan haar kunst één van haar grote bekommernissen. Zij wil de toeschouwer ertoe brengen om de grenzen tussen openbaar en privé en de grenzen tussen het sociale en het politieke te herzien.
Rosler, Martha --- Photography, Artistic --- Photographie artistique --- Exhibitions. --- Expositions --- ed. by Catherine de Zegher ; interview by Benjamin Buchloh ; essays by Alexander Alberro, Silvia Eiblmayr, Jodi Hauptman [et al.] --- kunst --- twintigste eeuw --- Rosler Martha --- Verenigde Staten --- politiek --- kunst en politiek --- feminisme --- gender studies --- fotografie --- performances --- installaties --- video --- 7.071 ROSLER --- United States --- United States of America --- Artists --- Book
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"Architecture and the arts have long been on the forefront of socio-spatial struggles, in which equality, access, representation and expression are at stake in our cities, communities and everyday lives. Feminist spatial practices contribute substantially to new forms of activism, expanding dialogues, engaging materialisms, transforming pedagogies, and projecting alternatives. 'Feminist Futures of Spatial Practice' traces practical tools and theoretical dimensions, as well as temporpralities, emergence, histories, events, durations - and futures - of feminist practices. Authors include international practitioners, researchers, and educators, from architecture, the arts, art history, curating, cultural heritage studies, environmental sciences, futures studies, film, visual communication, design and design theory, queer, intersectional and gender studies, political sciences, sociology, and urban planning. Established as well as emerging voices write critically from within their institutions, professions, and their activist, political and personal practices."--
7.01 --- Kunsttheorie ; 21ste eeuw ; over kunst en politiek activisme --- Architectuurtheorie ; architectuur en feminisme --- Kunst en feminisme --- Iconografie ; verschillende onderwerpen --- Feminism and architecture. --- Space (Architecture) in art. --- Art and architecture. --- Architecture and society. --- Architecture, Modern --- Féminisme et architecture --- Espace (Architecture) dans l'art --- Art et architecture --- Architecture et société --- 7.049 --- Kunst ; theorie, filosofie, esthetica --- Feminism --- Public spance --- Art --- Architecture --- Design --- Book
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Barnette, Sadie ; Bartana, Yael ; Basquiat, Jean-Michel ; Böttcher, Jürgen (Strawalde) ; Calle, Sophie ; Delat, Chto ; Contemporary And ; Edwards, Melvin ; Ferreira, Angela ; Franke, Bernhard ; Fusco, Coco ; Gallagher, Ellen ; Martinez Garay, Claudia ; Abum Hamdan, Lawrence ; Jafa, Arthur ; Jemison, Steffani ; Hicks, Justin ; Mikrokosmos ; Kensmil, Iris ; Khan, Hassan ; Kiwanga, Kapwani ; Lubinetzki, Raja ; Schramm, Petra ; Mehretu, Julie ; Moosdorf, Heinz-Detlef ; Nengudi, Senga ; Ögut, Ahmet ; Phillips, Julia ; Martinis Roe, Alex ; Rosenfeld, Elske ; Sala, Anri ; Sitte, Willi ; Slavs and Tatars ; Smith, Cauleen ; Spero, Nancy ; Stötzer, Gabriele ; Tur, Nasan ; Watts, Lewis ; Weems, Carrie Mae ; Wetzel, Christoph ; White, Charles ; Wodzicka, Heinz
Art, Modern --- Women revolutionaries --- kunst --- 7.038/039 --- eenentwinitgste eeuw --- twinitgste eeuw --- Verenigde Staten --- kunst en politiek --- racisme --- Afro-Amerikaanse kunst --- feminisme --- Women revolutionists --- Revolutionaries --- Davis, Angela Y. --- Davis, Angela, --- Dėvis, Andzhela, --- Exhibitions --- Community organization --- Davis, Angela --- Germany (GDR) --- Black feminism --- Book
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kunst --- 7.01 --- cultuurfilosofie --- 130.2 --- 7.038/039 --- Afrika --- activisme --- kunst en politiek --- eenentwintigste eeuw --- twintigste eeuw --- nineties --- gender studies --- racisme --- feminisme --- kunsttheorie --- Art --- interviews --- painting [image-making] --- photography [process] --- revolutions --- performance art --- political art --- computers --- educators --- activists --- Böhm, Kathrin --- Chetwynd, Spartacus --- Ndiritu, Grace --- Sambunaris, Victoria --- Emsley, Laura --- Bacos, Nina --- Popp, Nancy --- Sterling, Lisha --- anno 1990-1999 --- Popular culture --- Book
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Het tweede luik van de Borderline-tentoonstelling is gewijd aan het beeldend werk van Bracha Lichtenberg Ettinger. Deze Frans-Israëlische kunstenares en psychoanalytica ontwikkelde in haar feministische, theoretische geschriften onder meer een radicaal nieuwe esthetica waarin het begrip 'matrixialiteit' centraal staat. Het matrixiaal model gaat uit van het beeld van de zwangerschap of het pre-natale stadium: een proces waarin asymmetrische deelsubjecten (het nog-niet-kind en de nog-niet-moeder) in uitwisseling staan met elkaar, elkaar kennend, elkaar niet-kennend.Hieruit groeit een ethiek van uitwisseling, aanvaarding, afstemming en verbondenheid. Er komt een betekenisgeving tot ontwikkeling, langs de steeds wisselende grenslijnen -'borderlines'- tussen de deel(subjecten). Deze kijk op de totstandkoming van betekenis wordt door Lichtenberg Ettinger ook gebruikt als model voor de totstandkoming van kunst. De catalogus geeft een overzicht van het werk van de kunstenares van de laatste vijftien jaar, en bevat tevens vijf essays (o.a. van Griselda Pollock) over haar werk.
Lichtenberg-Ettinger, Bracha --- Catalogues d'expositions --- Lichtenberg Ettinger, Bracha --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Women artists --- Art, Israeli --- Femmes artistes --- Art israélien --- Exhibitions --- Exhibitions. --- Expositions --- Ettinger, Bracha, --- 7.071 LICHTENBERG --- Auschwitz --- Israël --- Lichtenberg Ettinger Bracha --- Piet Coessens, Brian Massimi, Bracha Lichtenberg Ettinger [et al.] --- copy art --- feminisme --- fotokopies --- gender studies --- jodendom --- kunst en politiek --- kunst en psychoanalyse --- kunst --- matrixialiteit --- psychoanalyse --- schilderkunst --- twintigste eeuw --- 1980 --- -1990 --- -20e eeuw --- 737.8 --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Art israélien --- Artists --- Tentoonstellingscatalogus --- Book
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Feminism in art --- Symbolism in art --- Women in art --- Women's studies --- 7.01 --- Althusser Louis --- Deleuze Gilles --- feminisme --- Foucault Michel --- gender studies --- Gramsci Antonio --- kunst --- kunst en politiek --- kunsttheorie --- Marx Karl --- Munch Edvard --- politiek --- Segantini Giovanni --- von Stuck Franz --- Allegory (Art) --- Signs and symbols in art --- Art --- Female studies --- Feminist studies --- Women --- Women studies --- Education --- Study and teaching --- Curricula --- Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- History --- Feminism in art. --- Symbolism in art. --- Women in art. --- Women's studies. --- Art history --- Images of women --- Book --- Cultural movements
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"'To become two: propositions for feminist collective practice' offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today. These practices include those of the Milan Women's Bookstore co-operative; Psychanalyse et Politique, Paris; Gender Studies (formerly Women's Studies) at Utrecht University; a network in Sydney including people involved in the Sydney Filmmakers Co-operative, Feminist Film Workers, Working Papers Collective, and the Department of General Philosophy at Sydney University; and Duoda-Women's Research Centre and Ca la Dona, a women's documentation centre and encounter space in Barcelona. Drawing from their practices and experiences, Martinis Roe's research forms a proposal for a transgenerational approach to feminist politics. This is further developed as a practical handbook of twenty new propositions for feminist collective practice, which were formed in collaboration with a network of contributors through experiments with these historical practices"--Publisher's website.
Feminism --- Group work in art --- Féminisme --- Identité de genre --- History --- Martinis Roe, Alex, --- kunst --- twintigste eeuw --- 7.038/039 --- 7.039 --- 7.071 MARTINIS ROE --- 7.01 --- activisme --- kunst en politiek --- teamwerk --- groepswerk --- Martinis Roe Alex --- Australië --- eenentwintigste eeuw --- gender studies --- feminisme --- kunsttheorie --- Teamwork in art --- Artistic collaboration --- Roe, Alex Martinis, --- Sociology of culture --- anno 2000-2099 --- Europe --- Australia --- Feminism - History --- Martinis Roe, Alex, - 1982 --- -Martinis Roe, Alex, 1982 --- -Sociology of culture --- -Feminism --- Martinis Roe, Alex, 1982 --- -Martinis Roe, Alex, - 1982 --- -Féminisme --- Theory --- Second feminist wave --- Women's organizations --- Book
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Sex role --- literauur --- LMovedu --- Lodewijk XIV --- Madame de Maintenon --- matrilineariteit --- Mende --- Mexico --- Mosuo --- Mwera --- Ngada --- Ngulu --- Nietzsche Friedrich --- Nieuw-Guinea --- Nieuw-Zeeland --- Olymia --- Oostenrijk --- opera --- opvoeding --- Palau --- Plato --- popmuziek --- prostitutie --- religie --- Rome --- Sami --- sjamanisme --- sociologie --- Tanzania --- televisie --- Tibet --- transseksualiteit --- travestie --- utopie --- Warao --- wetenschapsfilosofie --- Yelamma --- Zambia --- Zigua --- Zuni-Indianen --- Zweden --- 7.03 --- Afrika --- androgynie --- antropologie --- archeologie --- Aristoteles --- Ashanti --- Australië --- Azteken --- biseksualiteit --- Boeddhisme --- Bourgeois Louise --- Bulsa --- Butler Judith --- Catal Hüyük --- christendom --- cultuurgeschiedenis --- etnologie --- feminisme --- gender studies --- Ghana --- Gimbutas Marija --- Goldwater Robert --- Griekenland --- Herakles --- Hercules --- Hijura --- Hindoeïsme --- homoseksualiteit --- Hopi-Indianen --- hrsg. von Gisela Völger --- Indonesië --- Islam --- Jodendom --- Kamasutra --- kunst --- kunst en maatschappij --- kunst en politiek --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Sociology of the family. Sociology of sexuality --- Ethnology. Cultural anthropology --- History of civilization --- men [male humans] --- women [female humans] --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- Philosophy --- Gender --- Sex --- Heterosexuality --- Homosexuality --- Multiculturalism --- Power --- Images of men --- Matriarchy --- Patriarchy --- Archaeology --- Religion --- Tentoonstellingscatalogus --- Kinship --- Images of women --- Visual arts --- Book --- Sex differences --- Gender identity --- Anthropology
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Deze publikatie biedt een volledig historische overzicht van de Amerikaanse feministische kunstbeweging. Het materiaal in dit rijk geïllustreerde boek is thermatisch gerangschikt in vier hoofdstukken, met in totaal zestien essays, geschreven door kunstenaressen, criticae en kunsthistoricae die sinds de beginjaren actief betrokken zijn geweest bij de feministische kunstbeweging. Deel I is gewijd aan het feministische kunstonderwijs, deel II gaat in op netwerken en organisaties die feministen opzetten om hun positie in de kunstwereld te versterken, in deel III komt het hele scala van feministische kunst uitvoerig aan bod, en deel IV handelt over de erkenning en doorwerking van feministische kunst in de jaren tachtig en negentig.
Iconography --- History --- feminism --- Art styles --- Pattern painting --- Art --- performance art --- art history --- art [fine art] --- Kozloff, Joyce --- Fishman, Louise --- Greenstein, Ilise --- MacConnel, Kim --- Lacy, Suzanne --- Jones, Cleve --- Kruger, Barbara --- Holzer, Jenny --- Montano, Linda --- Baca, Judith Francisca --- Cassatt, Mary --- Schapiro, Miriam --- Edelson, Mary Beth --- Zakanitch, Robert S. --- Rosenthal, Rachel --- Levrant de Bretteville, Sheila --- Silas, Susan --- Ingberman, Jeanette --- Jaudon, Valerie --- Johnson, Buffie --- Rahmani, Aviva --- Las Mujeres Muralistas --- Kaufman, Jane --- Hodgetts, Vicki --- Antin, Eleanor --- Weltsch, Robin --- Schneemann, Carolee --- Smith, Kiki --- Flack, Audrey --- Wilson, Martha --- Oppenheim, Meret --- Chicago, Judy --- Huberland, Kathy --- Wayne, June --- Stevens, May --- Applebroog, Ida --- Marchessault, Josette --- Benglis, Lynda --- Hartigan, Grace --- Kushner, Robert --- Sleigh, Sylvia --- Sisters of Survival --- Bernstein, Judith --- Simpson, Lorna --- Kahlo, Frida --- Gerber, Ava --- Fischl, Eric --- Antoni, Janine --- Semmel, Joan --- Hayden, Sophia G. --- Saar, Betye --- Granet, Ilona --- Schiff, Robbin --- López, Yolanda M. --- Wolverton, Terry --- Mailman, Cynthia --- Gilmore, Jane Ellen --- Orgel, Sandy --- Sherk, Bonnie --- Cooling, Janet --- Salle, David --- Bontecou, Lee --- Murray, Elisabeth --- Douglas, Bob --- Prussian, Claire --- Benning, Sadie --- Smith, Mimi --- Ukeles, Mierle Laderman --- Frankenthaler, Helen --- Hernández, Ester --- Wilding, Faith --- Leonard, Zoe --- Brody, Sherry --- Frazier, Susan --- Mesa-Bains, Amalia --- Bourgeois, Louise --- O'Keeffe, Georgia --- Yamamoto, Lynn --- Piper, Adrian --- Youdelmann, Nancy --- Mitchell, Joan --- Wollenman, Shawnee --- Yarfitz Denise --- Bachenheimer, Beth --- Mendieta, Ana --- Spero, Nancy --- Kelly, Mary --- O'Grady, Lorraine --- Rosler, Martha --- Torr, Diane --- Ringgold, Faith --- Lin, Maya --- Posey, Willi --- Schor, Mira --- Rainer, Yvonne --- Azara, Nancy --- Krasner, Lee --- Arai, Tomie --- Sigler, Holly --- Clemente, Francesco --- Levine, Sherrie --- Carlson, Cynthia J. --- Williams, Sue --- Chang, Kathleen --- Colo, Papo --- Donegan, Cheryl --- Henes, Donna --- Wilke, Hannah --- Grey, Camille --- Rush, Chris --- Hesse, Eva --- Anderson, Laurie --- Damon, Betsy --- Hershman, Lynn --- Hammond, Harmony --- Norvell, Patsy --- Gauldin, Anne --- Pindell, Howardena --- Blum, June --- Neel, Alice --- Labowitz, Leslie --- LeCoq, Karen --- Sherman, Cindy --- Koons, Jeff --- anno 1900-1999 --- United States --- jaren 70 --- Sociology of the family. Sociology of sexuality --- anno 1970-1979 --- America --- Murray, Elizabeth --- Graphic arts --- Museology --- Amerika --- Museologie --- Sociologie van het gezin. Sociologie van de seksualiteit --- Kunst --- Grafische kunsten --- Verenigde Staten van Amerika --- Feminism and art --- Art, American --- Performance art --- Social aspects --- Art and society --- United States of America --- art [discipline] --- kunst en politiek --- vrouwelijke kunstenaar --- Feminist art --- Artists --- Museums --- Drawing --- Theory --- Images of women --- Book
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