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Swiss-born artist Pipilotti Rist likens the variety and richness of her often multi-screened video installations with the contents found in a woman's handbag : inside there is room for everything - painting, technology, language, music, movement, lousiness, poetry, commotion, premonition, sex and friendliness. With such works as Ever is over all presented at the 1997 Venice Biennale (which won Rist the Biennale's Premio 2000) showing a princess-like young girl blithely smashing car windows with the approval of an outrageously good-natured policewoman.

Video art --- Installations (Art) --- Art contemporain --- Vidéo art --- Rist, Pipilotti --- Pipilotti Rist --- beeldende kunst --- videokunst --- kunst --- 7.071 --- kunstenaars --- Computerbeelden --- Computerkunst ; technologie in de kunst --- Kunst ; van vrouwen ; 20ste eeuw --- Pipilotti Rist (° 1962, Rheintal, Switzerland) --- Videokunst ; installaties ; environments ; Pipilotti Rist --- 7.071 RIST --- Brautigan Richard --- Peggy Phelan, Hans Ulrich Obrist, Elisabeth Bronfen --- Sexton Anne --- kunst en muziek --- performances --- -705.8 --- foto-kunst --- video artists --- 778.5.07 --- Performances --- Rist Pipilotti --- Zwitserland --- film --- installaties --- muziek --- twintigste eeuw --- video --- video-installaties --- 1990 --- conceptuele kunst --- fotografie --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- kunstgeschiedenis, 20e eeuw --- Switzerland --- Video art - Switzerland. --- Installations (Art) - Switzerland. --- Artists --- Book

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Video art --- Installations (Art) --- Conceptual art --- Art vidéo --- Art conceptuel --- Exhibitions --- Expositions --- Dujourie, Lili --- Art --- Belgium --- Mieke Bal --- Kunst --- twintigste eeuw --- België --- video --- Dujourie Lili --- installaties --- beeldhouwkunst --- 7.071 DUJOURIE --- Lili Dujourie (° 1941, Roeselare) --- Assemblages ; collages --- Installaties ; videokunst ; 1970-1987 ; Lili Dujourie --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 ; België --- Dujourie, Lili, --- wall pieces --- Iglesias, Cristina, --- sculpting --- Sculpture --- video art --- Film --- art [fine art] --- photography [process] --- collages [visual works] --- anno 1900-1999 --- anno 2000-2099 --- multimediakunst --- multimedia works --- Exhibitions. --- Exposition --- München (BRD) --- Vidéo --- Intermedia --- Belgische kunstenaars --- 7.07 --- 73.07 --- 7.038(493) --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- art [discipline] --- Artists --- Book

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assemblages [sculpture] --- installations [visual works] --- Art --- Stockholder, Jessica --- anno 1900-1999 --- United States --- installatiekunst --- Barry Schwabsky, Lynne Tillman, Lynne Cooke --- kunst --- twintigste eeuw --- installaties --- Stockholder Jessica --- Castoriadis Cornelius --- multimedia --- Jaynes Julian --- Canada --- kunst en architectuur --- 7.071 STOCKHOLDER --- Stockholder, Jessica, --- Criticism and interpretation. --- United States of America --- Artists --- Book

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Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body.

Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness.

Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. 

The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.

Hatoum, Mona --- Art --- Lebanon --- Great Britain --- video art --- Hatoum, Mona, --- Michael Archer, Guy Brett, Catherine de Zegher --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London. --- Installaties ; performances ; beeldhouwkunst ; Mona Hatoum --- performances --- Palestinië --- Said Edward --- lichamelijkheid --- ballingschap --- 7.071 HATOUM --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- performance art --- assemblages [sculpture] --- furniture making --- installations [visual works] --- Iconography --- Film --- photography [process] --- Photography --- art [fine art] --- anno 1900-1999 --- Performance art --- Installations (Art) --- Art de performance --- beeldhouwkunst --- Groot-Brittannië --- Hatoum Mona --- installaties --- kunst --- Manzoni Piero --- twintigste eeuw --- video --- videokunst --- 7.038 --- 7.07 --- 73.07 --- Intermedia --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London --- Videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ḥāṭūm, Muná, --- Criticism and interpretation. --- #breakthecanon --- Hatoum, Mona, - 1952 --- -Performance art --- Beeldhouwkunst --- Perfomances --- Kunst; 20ste eeuw --- Palestina --- -Hatoum, Mona --- -Installations (Art) --- art [discipline] --- Artists --- Book

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Marie-Jo Lafontaine (Antwerpen, 1950) is vooral bekend voor haar werk met video, hoewel ze in haar carrière ook andere media gebruikt heeft. Ze gebruikt dikwijls verschillende monitors waarop dezelfde film te zien is met een licht tijdsverschil. Een bekende installatie van haar is 'Les larmes d'acier', te zien op Documenta in Kassel in 1987, waarop powertrainers aan het werk zijn. In deze monografie worden foto's van haar werk van de laatste vijftien jaar gecombineerd met een aantal relevante teksten van diverse herkomst.

ed. by Bernd Barde ; texts from Georges Bataille, Tahar Ben jelloun, Jorge Luis Borges [et al.] --- kunst --- België --- twintigste eeuw --- fotografie --- Lafontaine Marie-Jo --- video --- video-installaties --- 7.071 Lafontaine --- 77.071 LAFONTAINE --- 791.45 LAFONTAINE --- Art --- Lafontaine, Marie-Jo --- Belgium --- Video art --- Portrait photography --- Lafontaine, Marie-Jo, --- Electronic art --- Experimental television --- Photography --- Portraiture --- Portraits --- Lafonṭen, Mari-Z'o, --- לאפונטן, מארי־ז׳ו, --- Art, Modern --- Performance art --- Television --- Experimental films --- Time-based art --- Artists --- Book