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Feminism and the arts --- Feminist art criticism --- Art criticism --- Feminist criticism --- Arts and feminism --- Arts --- Feminism and the arts. --- Feminist art criticism. --- Art --- Feminist art --- Artists --- Anthology --- Book

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In this groundbreaking volume, contemporary art historians--all of them women--probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told.

Feminist art criticism. --- Women artists. --- Women artists - Biography - History and criticism. --- Feminist art criticism --- Women artists --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History and criticism --- Biography --- Artists, Women --- Women as artists --- Artists --- Art criticism --- Feminist criticism --- History and criticism. --- Sociology of the family. Sociology of sexuality --- Art --- Painting --- Photography --- History --- Mann, Sally --- Catlett, Elizabeth --- Cassatt, Mary --- Gentileschi, Artemisia --- Hawarden, Clementina [Lady] --- Hopper, Jo Nivison --- Powers, Harriet --- Stettheimer, Florine --- Leyster, Judith --- Art history --- Book

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In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings, merged her art-world concerns with those of the then-fledgling women’s movement. In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way of thinking about art and its role in the feminist movement.

This new collection of previously published essays covers more than two decades of Lippard’s thinking on the ever-evolving definitions of feminist art, the convergence of high and low art, political and activist art, and the contributions of feminist theory to the politics of identity that infuses the production and exhibition of much of today’s fine and popular art.

With a new introduction from the author, The Pink Glass Swan brings together selections from two of Lippard’s leading works, From the Center: Feminist Essays on Art and Get the Message?: A Decade of Art for Social Change, and numerous other articles written for newspapers, magazines, and art catalogs across the country.

Feminism and art --- Feminist art criticism --- 7.01 --- Beeldende kunst ; 20ste eeuw ; in relatie tot de prehistorie --- Art criticism --- Feminist criticism --- Art and feminism --- Art --- Kunst ; theorie, filosofie, esthetica --- social issues --- feminism --- gender issues --- gender [sociological concept] --- vrouw in de kunst --- United States --- United States of America --- Feminism --- Feminist art --- Photography --- Artists --- Body --- Drawing --- Exhibitions --- Theory --- Book --- Activism --- Discrimination

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"A new manifesto for cyberfeminism. The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution."--

Cyberfeminism. --- Social change --- Cyberfeminism --- Internet and women --- Feminism and art --- Feminist art criticism --- Self-knowledge in art --- Identité de genre --- Féminisme --- Média --- Internet --- 7.01 --- Art criticism --- Feminist criticism --- Art and feminism --- Art --- Women and the Internet --- Women --- Feminist theory --- Kunst ; theorie, filosofie, --- Kunst en feminisme --- Cyberfeminisme --- Internet and women. --- Feminism and art. --- Feminist art criticism. --- Digitalisierung. --- Fehler. --- Feminismus. --- Geschlechtsidentität. --- Internet. --- Self-knowledge in art. --- Society. --- 2000-2099. --- Cyberfeminism - 21st century --- Internet and women - 21st century --- Feminism and art - 21st century --- 396 --- 13 --- Feminisme --- Kunst (theorie) --- Kunsttheorie --- Cultuurfilosofie --- Feminism --- Gender --- Artists --- Body --- Technology --- Cyber-feminism

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Judy Chicago’s meesterwerk “The Dinner Party” is wellicht een van de bekendste feministische kunstwerken uit de Verenigde Staten. Het symboliseert een geschiedenis van vrouwen in de westerse beschaving en nodigt de toeschouwer uit om na te denken over hoe de geschiedschrijving eruit zou zien als de bijdragen van vrouwen op evenveel waarde worden geschat als die van mannen. Het werd voor het eerst tentoongesteld in 1979, waarna het een tour maakte doorheen het land. Dat bleek niet evident, want veel musea vonden het werk te radicaal. Vrijwilligers kwamen in actie en zochten naar alternatieve plaatsen om het werk tentoon te stellen.Dit boek onderzoekt hoe feministische ideeën zich vanuit de activistische en intellectuele sfeer weten te verspreiden naar de mainstream cultuur. Het gaat over de totstandkoming van het werk in de jaren zeventig en hoe Judy Chicago de praktijk van het feminisme introduceerde in haar kunstworkshops. De reacties en commentaren op het werk, alsook de kritiek van postmoderne feministen die het werk als té essentialistisch en te weinig multicultureel beschouwden, komen eveneens aan bod. Zelfs in de jaren negentig bleven sommige politici zich verzetten tegen het tentoonstellen van het werk, omdat ze het obsceen vonden. Gelukkig valt het vandaag nog steeds te bewonderen in het Brooklyn Museum te New York.

Chicago, Judy --- anno 1970-1979 --- anno 1900-1999 --- anno 2000-2099 --- United States --- Judy Chicago --- United States of America --- Feminism --- Feminist art --- Art --- Artists --- Art criticism --- Curriculum --- Second feminist wave --- Book