Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

More than thirty years have passed since the publication of All the Women are White, All the Blacks are Men, But Some of Us are Brave. Given the growth of women's and gender studies in the last thirty-plus years, this updated and responsive collection expands upon this transformation of consciousness through multiracial feminist perspectives. The contributors here reflect on transnational issues as diverse as intimate partner violence, the prison industrial complex, social media, inclusive pedagogies, transgender identities, and (post) digital futures. This volume provides scholars, activists, and students with critical tools that can help them decenter whiteness and other power structures while repositioning marginalized groups at the center of analysis.

United States --- Feminism --- African American women. --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Race relations. --- Race question --- United States of America --- Racism --- Blackness --- Black feminism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Black women in the United States and across the African diaspora have historically linked national concerns to global ones. This interdisciplinary collection explores the varied ways black women have engaged in internationalism since the late nineteenth century through political agitation, consumption activities and activities and economic pursuits, leisure and religious practices, as well as performance and artistic expression. The essays in this collection employ diverse and innovative methodological approaches and explore new sites of internationalism, including Australia, Germany, and Spain. By highlighting the range and complexity of black women's ideas and activities across time and space, this volume expands the contours of black internationalism in the United States and across the globe.

African American women --- African American women political activists --- Internationalism --- Intellectual cooperation --- International cooperation --- Cosmopolitanism --- International education --- Nationalism --- Afro-American women political activists --- Women political activists, African American --- Women political activists --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Politics and government --- History --- Political philosophy. Social philosophy --- Sociology of the family. Sociology of sexuality --- anno 1800-1999 --- International --- Migration --- Black feminism --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how"--

Sociology of culture --- African American women musicians. --- African American women --- Musical criticism --- African American feminists. --- Music --- History and criticism. --- Intellectual life. --- History. --- History --- Musicians --- Pop music --- Women --- Blackness --- Black feminism --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Inclusive Feminism, Naomi Zack provides a universal, relational definition of women, critically engages both Anglo and French feminists and shows how women can become a united historical force, with the political goal of ruling in place of men.

African American women --- Feminist theory --- Third-wave feminism --- #SBIB:316.346H10 --- 396 --- 396 Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Vrouwenproblematiek, feminisme: algemeen --- Philosophy --- African American women. --- Feminist theory. --- Psychology --- Social sciences (general) --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Politics --- Human rights --- Gender --- History --- Sex --- Social sciences --- Theory --- Book --- Intersectionality

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

'boek bevat een schokkende verzameling gegevens over een vorm van racisme die tot nu toe in Nederland nauwelijks is onderzocht: uitingen van diepgeworteld, vaak impliciet racisme (...).'

African American women. --- Racism --- Sex discrimination against women --- Women, Surinamese --- Sociology of minorities --- Netherlands --- Sociologie van de minderheden --- Nederland --- Women --- Blackness --- Book --- Experiences