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Feminist films --- Experimental films --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- History and criticism. --- Rainer, Yvonne, --- Film --- Rainer, Yvonne --- United States --- United States of America --- Film directors --- Book
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In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--That is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Facts recalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.
Rainer, Yvonne --- kunst --- autobiografie --- Verenigde Staten --- choreografie --- dans --- film --- experimentele film --- twintigste eeuw --- Rainer Yvonne --- 7.071 RAINER --- anno 1900-1999 --- anno 2000-2099 --- United States --- Choreographers --- Dancers --- Independent filmmakers --- Rainer, Yvonne, --- Chorégraphe --- Danse --- Cinéma --- Theatrical science --- dance [discipline] --- choreographers --- United States of America --- dance [performing arts genre] --- Film directors --- Book --- Dancing
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Experimental films. --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Film --- Theatrical science --- Art --- Rainer, Yvonne --- United States --- United States of America --- Feminist art --- Movies --- LGBTQIA culture --- Homosexuality --- Film directors --- Book --- Dancing
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Arts, Modern --- Feminism and the arts --- Women artists --- 7.01 --- 7.038/039 --- feminisme --- Gallagher Ellen --- gender studies --- Hamilton Ann --- Kelly Mary --- kunst --- kunst en feminisme --- kunsttheorie --- Mann Sally --- Moffatt Tracey --- Rainer Yvonne --- Rosler Martha --- twintigste eeuw --- vrouwen --- Woodman Francesca --- 7.038 --- 7.039 --- Beeldende kunst ; vrouwelijke kunstenaars ; 20ste eeuw --- Gender Studies --- Kunst en feminisme --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Artists, Women --- Women as artists --- Artists --- Arts and feminism --- Arts --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Sociology of the family. Sociology of sexuality --- Art --- psychology --- sociology --- sexuality --- feminism --- Contemporary [style of art] --- hedendaagse kunst --- kunstenaarschap --- anno 1900-1999 --- #breakthecanon --- vrouwelijke kunstenaar --- Feminism --- Feminist art --- Visual arts --- Book
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Deze publikatie biedt een volledig historische overzicht van de Amerikaanse feministische kunstbeweging. Het materiaal in dit rijk geïllustreerde boek is thermatisch gerangschikt in vier hoofdstukken, met in totaal zestien essays, geschreven door kunstenaressen, criticae en kunsthistoricae die sinds de beginjaren actief betrokken zijn geweest bij de feministische kunstbeweging. Deel I is gewijd aan het feministische kunstonderwijs, deel II gaat in op netwerken en organisaties die feministen opzetten om hun positie in de kunstwereld te versterken, in deel III komt het hele scala van feministische kunst uitvoerig aan bod, en deel IV handelt over de erkenning en doorwerking van feministische kunst in de jaren tachtig en negentig.
Iconography --- History --- feminism --- Art styles --- Pattern painting --- Art --- performance art --- art history --- art [fine art] --- Kozloff, Joyce --- Fishman, Louise --- Greenstein, Ilise --- MacConnel, Kim --- Lacy, Suzanne --- Jones, Cleve --- Kruger, Barbara --- Holzer, Jenny --- Montano, Linda --- Baca, Judith Francisca --- Cassatt, Mary --- Schapiro, Miriam --- Edelson, Mary Beth --- Zakanitch, Robert S. --- Rosenthal, Rachel --- Levrant de Bretteville, Sheila --- Silas, Susan --- Ingberman, Jeanette --- Jaudon, Valerie --- Johnson, Buffie --- Rahmani, Aviva --- Las Mujeres Muralistas --- Kaufman, Jane --- Hodgetts, Vicki --- Antin, Eleanor --- Weltsch, Robin --- Schneemann, Carolee --- Smith, Kiki --- Flack, Audrey --- Wilson, Martha --- Oppenheim, Meret --- Chicago, Judy --- Huberland, Kathy --- Wayne, June --- Stevens, May --- Applebroog, Ida --- Marchessault, Josette --- Benglis, Lynda --- Hartigan, Grace --- Kushner, Robert --- Sleigh, Sylvia --- Sisters of Survival --- Bernstein, Judith --- Simpson, Lorna --- Kahlo, Frida --- Gerber, Ava --- Fischl, Eric --- Antoni, Janine --- Semmel, Joan --- Hayden, Sophia G. --- Saar, Betye --- Granet, Ilona --- Schiff, Robbin --- López, Yolanda M. --- Wolverton, Terry --- Mailman, Cynthia --- Gilmore, Jane Ellen --- Orgel, Sandy --- Sherk, Bonnie --- Cooling, Janet --- Salle, David --- Bontecou, Lee --- Murray, Elisabeth --- Douglas, Bob --- Prussian, Claire --- Benning, Sadie --- Smith, Mimi --- Ukeles, Mierle Laderman --- Frankenthaler, Helen --- Hernández, Ester --- Wilding, Faith --- Leonard, Zoe --- Brody, Sherry --- Frazier, Susan --- Mesa-Bains, Amalia --- Bourgeois, Louise --- O'Keeffe, Georgia --- Yamamoto, Lynn --- Piper, Adrian --- Youdelmann, Nancy --- Mitchell, Joan --- Wollenman, Shawnee --- Yarfitz Denise --- Bachenheimer, Beth --- Mendieta, Ana --- Spero, Nancy --- Kelly, Mary --- O'Grady, Lorraine --- Rosler, Martha --- Torr, Diane --- Ringgold, Faith --- Lin, Maya --- Posey, Willi --- Schor, Mira --- Rainer, Yvonne --- Azara, Nancy --- Krasner, Lee --- Arai, Tomie --- Sigler, Holly --- Clemente, Francesco --- Levine, Sherrie --- Carlson, Cynthia J. --- Williams, Sue --- Chang, Kathleen --- Colo, Papo --- Donegan, Cheryl --- Henes, Donna --- Wilke, Hannah --- Grey, Camille --- Rush, Chris --- Hesse, Eva --- Anderson, Laurie --- Damon, Betsy --- Hershman, Lynn --- Hammond, Harmony --- Norvell, Patsy --- Gauldin, Anne --- Pindell, Howardena --- Blum, June --- Neel, Alice --- Labowitz, Leslie --- LeCoq, Karen --- Sherman, Cindy --- Koons, Jeff --- anno 1900-1999 --- United States --- jaren 70 --- Sociology of the family. Sociology of sexuality --- anno 1970-1979 --- America --- Murray, Elizabeth --- Graphic arts --- Museology --- Amerika --- Museologie --- Sociologie van het gezin. Sociologie van de seksualiteit --- Kunst --- Grafische kunsten --- Verenigde Staten van Amerika --- Feminism and art --- Art, American --- Performance art --- Social aspects --- Art and society --- United States of America --- art [discipline] --- kunst en politiek --- vrouwelijke kunstenaar --- Feminist art --- Artists --- Museums --- Drawing --- Theory --- Images of women --- Book
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