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In 1908 wordt de Irish Universities Act door het parlement goedgekeurd. Vrouwen krijgen hiermee toegang tot de universiteit, een mijlpaal voor het emancipatieproces van de Ierse vrouwen. Beroepen zoals arts, advocaat en wetenschappelijke beroepen liggen in hun bereik en meteen veroveren ze ook een deel van de publieke ruimte. Veel is reeds geschreven over de strijd om de universiteiten open te stellen voor vrouwen, maar niet zo veel over wat er gebeurde eens ze er hun plaats innamen. Historici stellen zich dan ook de vraag in hoever vrouwen een verschil gemaakt hebben. Heeft de aanwezigheid van vrouwen de universitaire wereld veranderd? Welke impact had het studeren aan de universiteit op het leven van de studentes? Vragen die een rode draad vormen doorheen de verschillende bijdragen in dit boek.

Sociology of the family. Sociology of sexuality --- Sociology of occupations --- Community organization --- Higher education --- Nursing --- Gender --- Higher education --- Participation --- Health care practitioner --- Academic sector --- Book --- Waddell, Helen --- O'Kelly, Mary Kate --- anno 1800-1899 --- anno 1900-1999 --- anno 2000-2099 --- Ireland

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Arts, Modern --- Feminism and the arts --- Women artists --- 7.01 --- 7.038/039 --- feminisme --- Gallagher Ellen --- gender studies --- Hamilton Ann --- Kelly Mary --- kunst --- kunst en feminisme --- kunsttheorie --- Mann Sally --- Moffatt Tracey --- Rainer Yvonne --- Rosler Martha --- twintigste eeuw --- vrouwen --- Woodman Francesca --- 7.038 --- 7.039 --- Beeldende kunst ; vrouwelijke kunstenaars ; 20ste eeuw --- Gender Studies --- Kunst en feminisme --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Artists, Women --- Women as artists --- Artists --- Arts and feminism --- Arts --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Sociology of the family. Sociology of sexuality --- Art --- psychology --- sociology --- sexuality --- feminism --- Contemporary [style of art] --- hedendaagse kunst --- kunstenaarschap --- anno 1900-1999 --- #breakthecanon --- vrouwelijke kunstenaar --- Feminism --- Feminist art --- Visual arts --- Book

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Iconography --- Art --- art [discipline] --- art theory --- lichaam (van de mens) --- Body --- Images of men --- Male body --- Images of women --- Female body --- Visual arts --- Book --- Wallinger, Mark --- Wurm, Erwin --- Marioni, Tom --- Pope.L, William --- Neto, Ernesto --- Brown, Cecily --- Ataman, Kutlug --- Breakwell, Ian --- Sehgal, Tino --- Collins, Phil --- Brisley, Stuart --- Creed, Martin --- Shonibare, Yinka --- Hein, Jeppe --- Altmejd, David --- González, Lázaro Saavedra --- Bellmer, Hans --- Chen, Zhen --- Fischer, Urs --- Kozyra, Katarzyna --- Krystufek, Elke --- Kulik, Oleg --- McQueen, Steve --- Piccinini, Patricia --- Wilke, Hannah --- Zhang Huan --- La Ribot --- Lee, Bul --- Station House Opera --- Albarracín, Pilar --- Baker, Bobby --- Barbieri, Olivo --- Baseman, Jordan --- Beban, Breda --- Benohoud, Hicham --- Bodzianowski, Cezary --- Bourriaud, Nicolas --- Bowery, Leigh --- Catts, Oron --- Costantino, Nicola --- Cuoghi, Roberto --- Dahlgren, Jacob --- Menezes, de, Marta --- Enright, Brock --- Fairhurst, Angus --- Flanagan, Bob --- Manders, Mark --- Fosso, Samuel --- Franko B. --- Fusco, Coco --- Galindo, Regina José --- Bourgeois, Louise --- Goicolea, Anthony --- Gonzales-Torres, Felix --- Grannan, Katy --- Bruyckere, De, Berlinde --- Gupta, Sunil --- Harrison, Paul --- Hawkinson, Tim --- He Yunchang --- Kac, Eduardo --- Khurana, Sonia --- Kling og Bang --- Lee, Nikki S. --- Abramovic, Marina --- Liu Zheng --- Luna, James --- Manchot, Melanie --- Delvoye, Wim --- Marepe --- Martin, Daria --- Martinez, Daniel Joseph --- Martinez, Ursula --- Mattes, Eva --- Dumas, Marlene --- Pollock, Jackson --- Beuys, Joseph --- Newman, Hayley --- Okada, Hiroko --- O'Reilly, Kira --- Pope, Simon --- Rockman, Alexis --- Rose, Tracey --- Rosefeldt, Julian --- Sadovská, Dorota --- Shiraga, Kazuo --- Sifuentes, Roberto --- Song Dong --- Sprinkle, Annie --- Stevens, Gary --- Sumégné, Joseph --- Bergson, Henri --- von Zwehl, Bettina --- Alexander, Jane --- Warren, Rebecca --- White, Charlie --- White, Neal --- Wood, John --- Bel, Jérôme --- West, Franz --- Schlemmer, Oskar --- Mauss, Marcel --- Klein, Yves --- Manzoni, Piero --- Athey, Ron --- Manet, Edouard --- Sherman, Cindy --- Hatoum, Mona --- Export, Valie --- McCarthy, Paul --- Ray, Charles --- Viola, Bill --- Beecroft, Vanessa --- Kelley, Mike --- Rauschenberg, Robert --- Mapplethorpe, Robert --- Graham, Dan --- Wearing, Gillian --- Kelly, Mary --- Cattelan, Maurizio --- Eliasson, Olafur --- Dijkstra, Rineke --- Larsson, Annika --- Barney, Matthew --- Eykelboom, Hans --- Chapman, Jake --- Clark, Lygia --- Currin, John --- Emin, Tracey --- Gilbert and George --- Goldin, Nan --- Graham, Rodney --- Lucas, Sarah --- Mori, Mariko --- Nauman, Bruce --- Rist, Pipilotti --- Schneider, Gregor --- Sugimoto, Hiroshi --- Walker, Kara --- Smith, Kiki --- Alÿs, Francis --- Gober, Robert --- Rosler, Martha --- Neshat, Shirin --- Orlan --- Althamer, Paweł --- Benglis, Lynda --- Bromová, Veronika --- Fischer, Roland --- Gormley, Antony --- Hill, Gary --- Isaacs, John --- Opie, Catherine --- Orta, Lucy --- Quinn, Marc --- Lockhart, Sharon --- Saville, Jenny --- Cutler, Amy --- Stelarc --- Tunick, Spencer --- Sierra, Santiago --- Kaprow, Allan --- Gelitin --- IRWIN [Ljubljana] --- Critical Art Ensemble --- Forced Entertainment --- Gutai Group --- anno 2000-2099