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Art --- Verhulst, Mayken --- Catalogues d'expositions --- Coecke van Aelst, Pieter --- Histoire de l'art --- Kunstgeschiedenis --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Verhulst , Mayken, --- Painting --- anno 1500-1599 --- Artists --- Book
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Catalogues d'expositions --- Femmes --- Tentoonstellingscatalogi --- Vrouwen --- Exposition --- Nieuwenrode --- Peinture --- Sociology of the family. Sociology of sexuality --- Art --- Belgium --- Women in art --- Artists --- Tentoonstellingscatalogus --- Images of women --- Visual arts --- Book
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Het tweede luik van de Borderline-tentoonstelling is gewijd aan het beeldend werk van Bracha Lichtenberg Ettinger. Deze Frans-Israëlische kunstenares en psychoanalytica ontwikkelde in haar feministische, theoretische geschriften onder meer een radicaal nieuwe esthetica waarin het begrip 'matrixialiteit' centraal staat. Het matrixiaal model gaat uit van het beeld van de zwangerschap of het pre-natale stadium: een proces waarin asymmetrische deelsubjecten (het nog-niet-kind en de nog-niet-moeder) in uitwisseling staan met elkaar, elkaar kennend, elkaar niet-kennend.Hieruit groeit een ethiek van uitwisseling, aanvaarding, afstemming en verbondenheid. Er komt een betekenisgeving tot ontwikkeling, langs de steeds wisselende grenslijnen -'borderlines'- tussen de deel(subjecten). Deze kijk op de totstandkoming van betekenis wordt door Lichtenberg Ettinger ook gebruikt als model voor de totstandkoming van kunst. De catalogus geeft een overzicht van het werk van de kunstenares van de laatste vijftien jaar, en bevat tevens vijf essays (o.a. van Griselda Pollock) over haar werk.
Lichtenberg-Ettinger, Bracha --- Catalogues d'expositions --- Lichtenberg Ettinger, Bracha --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Women artists --- Art, Israeli --- Femmes artistes --- Art israélien --- Exhibitions --- Exhibitions. --- Expositions --- Ettinger, Bracha, --- 7.071 LICHTENBERG --- Auschwitz --- Israël --- Lichtenberg Ettinger Bracha --- Piet Coessens, Brian Massimi, Bracha Lichtenberg Ettinger [et al.] --- copy art --- feminisme --- fotokopies --- gender studies --- jodendom --- kunst en politiek --- kunst en psychoanalyse --- kunst --- matrixialiteit --- psychoanalyse --- schilderkunst --- twintigste eeuw --- 1980 --- -1990 --- -20e eeuw --- 737.8 --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Art israélien --- Artists --- Tentoonstellingscatalogus --- Book
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Artists --- 7.038 --- 7.07 --- 73.07 --- 741.07 --- 75.07 --- Arte Povera --- Catalogues raisonnés --- Hesse, Eva 1936-1970 (° Hamburg, Duitsland) --- Kunst ; van vrouwen ; 20ste eeuw --- Minimal Art ; Post-Minimal --- Process Art --- Schilderkunst ; beeldhouwkunst ; installaties ; 1960-1970 ; Eva Hesse --- Biography --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; schilders --- Hesse, Eva, --- Art --- Hesse, Eva --- United States --- United States of America --- Book
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Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.
Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.
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sculpting --- wars --- Sculpture --- Painting --- blankets [coverings] --- mixed media --- installations [visual works] --- Equus caballus [species] --- Iconography --- painting [image-making] --- Art --- Homo sapiens [species] --- psychology --- Bruyckere, De, Berlinde --- Belgium --- Catalogues d'expositions --- De Bruyckere, Berlinde --- Tentoonstellingscatalogi --- Bruyckere, Berlinde de --- (069) --- 7.038(493) --- 7.07 --- Beeldhouwkunst ; installaties ; 1989-2002 ; B. De Bruyckere --- Belgische kunstenaars --- Berlinde De Bruyckere (° 1964, Gent, B.) --- Dekens --- Dieren in de kunst ; o.a. paarden --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Mixed media --- Tentoonstellingscatalogi ; Gent ; Caermersklooster --- 7.071 DE BRUYCKERE --- Barbara Baert, Jan Braet, Peter De Graeve, Dirk Draulans, Jef Lambrecht, Marc Ruyters ; in een redactie van Hans Martens ; woord vooraf Herman Balthazar, Jean-Pierre Van der Meiren --- België --- De Bruyckere Berlinde --- beeldhouwkunst --- installaties --- kunst --- tekenkunst --- twintigste eeuw --- 1990 --- -20e eeuw --- 706.8 --- conceptuele kunst --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 ; België --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- kunstgeschiedenis, België, 20e eeuw --- menselijk lichaam --- human figures [visual works] --- Flanders --- sculpture [visual works] --- watercolors [paintings] --- mixed media works --- België --- Kunstgeschiedenis ; 1950 - 2000 ; België --- kunstgeschiedenis, België, 20e eeuw --- De Bruyckere, Berlinde. --- Artists --- Tentoonstellingscatalogus --- Book
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