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Photography --- Swinnen, Malou --- Fotografie --- Photographie --- Art --- Femmes --- Academic collection --- fotografie --- twintigste eeuw --- België --- Swinnen Malou --- portretfotografie --- portret --- naakt --- naaktfotografie --- 77.071 SWINNEN --- Swinnen, Malou,

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kunst --- galeries --- tentoonstellingen --- Amsterdam --- Nederland --- twintigste eeuw --- eenentwintigste eeuw --- 069 --- Art museums --- Art museums. --- Museum. --- Kunstgalerie. --- Kunstbetrieb. --- 1900-2099. --- Netherlands --- Amsterdam. --- MAD-faculty 16 --- musea --- kunstgalerijen

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Richter Gerhard --- kunst --- kunstenaarsgeschriften --- schilderkunst --- twintigste eeuw --- grafiek --- multiples --- Duitsland --- 75.071 RICHTER --- departement Beeldende Kunst 09 --- schilderkunst 20ste eeuw --- Richter, Gerhard

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Peter Beyls is a Belgian pioneering interdisciplinary artist who has been exploring computer programming for nearly four decades. His work extends into the visual arts, music and hybrid experimental formats. In light of the publication of a monograph by MER Paperkunsthalle, IMAL organises the first major survey exhibition of Peter Beyls in Belgium featuring a significant selection of works from 1974 until today.A comprehensive selection of machine drawings is shown reflecting the wide range of algorithmic approaches explored by the artist. Initial experiments focus on uncertainty and conditional randomness, typically organised as grid structures. Further grid-based work employs cellular automata; a kind of virtual machines growing complexity from simple beginnings. Inspired on Chomsky's writings, much work explores linguistic principles. At some point, abstract generative thinking gave way to the notion on creative intelligence, the delegation of aspects of human creativity to machines. This work is based on principles of the discipline of artificial intelligence. A major transition gradually evolved starting in the late 1980s; a conceptual swing from knowledge-based systems to self-organisation. The latter approach is characterized as speculative, simple components interact locally to give rise to emergent overall complexity. Since the genesis of intricate structures is captured in a series of drawings, the notion of time is implicit. The exhibition will thus provide an overview of the various computational paradigms implemented by the artist. In addition, a wide range of media and presentation formats are employed such as over 100 machine drawings and unique photographic prints. A few large-scale interactive audio-visual installations provide a dynamic interface between the onlooker and a virtual world inside the computer.

Beyls, Peter --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- artificiële intelligentie --- tekenkunst --- kunst en technologie --- computerkunst --- kunst en muziek --- muziek --- Beyls Peter --- België --- Criticism and interpretation --- MAD-faculty 15 --- hedendaagse kunstenaars --- Art and computers --- Computer art --- Drawing, Belgian --- Beyls, P. --- Beyls, Peter,

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fotografie --- Photography --- Streuvels, Stijn --- Photographie --- Vlaanderen --- 77 <493> --- Jan Coppens, Karel van Deuren, Piet Thomas --- Streuvels Stijn --- twintigste eeuw --- België --- 77.071 STREUVELS --- Fotografie--België --- 77 <493> Fotografie--België --- 790 --- kunstenaars --- artistes