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art criticism --- Art --- kunstkritiek --- Art criticism --- Art--Critique --- Critique d'art --- Kunst--Kritiek --- Kunstkritiek --- Commentaries --- MAD-faculty 15
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Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noël Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
Art criticism. --- Arts, Modern. --- Art --- Philosophy and psychology of culture --- Aesthetics --- Art criticism --- Arts, Modern --- Modern arts --- Arts --- Criticism --- Analysis, interpretation, appreciation --- departement Beeldende Kunst 09 --- kunstkritiek
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Throughout the 20th and in the beginning of the 21st century, many artists take up a double role as both art practitioner and writer. In recent years, scholars and the general public have become increasingly interested in artists' writings. A growing number of collected writings by many major 20th and 21st century artists is now being published in carefully edited publications. What is much less present, however, is a focus on how to understand these artists' writings. That is the aim of the present volume, which contains contributions by artists, academics and curators who undertake a reflection on artists' writings from the 20th and the 21st centuries. Emphasizing the visual arts, including performance art, 'Not a day without a line' focuses on artists' writings that do not resemble the more explanatory kinds of writings by art critics, art philosophers or art historians, but which challenge our understanding of them as a text or an instance of reflection. The intricate relations between writing and art practice, between text and image, and between writing and the life of the artist, are important factors in what could be called the artist's methodological promiscuity in writing.
art criticism --- kunstbeschouwing --- kunstenaarsgeschriften --- Artists --- MAD-faculty 14 --- kunst en filosofie
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In the last 50 years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines and online, and has become the subject of debate by readers, writers and artists worldwide. Equal parts oral history and analysis of craft, What it Means to Write About Art offers an unprecedented overview of American art writing. Jarrett Earnest's wide-ranging conversations with critics, historians, journalists, novelists, poets and theorists each of whom approaches the subject from a unique position illustrate different ways of writing, thinking and looking at art. These in-depth conversations about writing and art are situated within individual life experiences: for instance John Ashbery recalls finding Rimbaud's poetry through his first crush at 16; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmie Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women's Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard.
Kunst --- interviews --- kunstkritiek --- essayisten --- critici --- Kunstesthetica --- Aesthetics of art --- art criticism --- MAD-faculty 19 --- Art critics --- Art criticism --- Art criticism. --- Art critics. --- 20.07 art criticism, art review. --- 2000-2099. --- kunst --- 7.01 --- Verenigde Staten --- kunsttheorie --- eenentwintigste eeuw --- twintigste eeuw --- Art --- Arts --- Criticism --- Critics --- Analysis, interpretation, appreciation --- aesthetics
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Part how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society. The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery. In a self-reflexive, critically questioning process, contributions by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Transmission Gallery, Gavin Wade, and Katherine Waugh, discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today?
art criticism --- Art --- sociale relaties --- art theory --- MAD-faculty 17 --- hedendaagse kunst --- kunst en maatschappij --- projects [artistic concepts]
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art criticism --- contemporary [generic time frame] --- cultural heritage --- Contemporary [style of art] --- Art --- Alÿs, Francis --- Fraser, Andrea --- MAD-faculty 16 --- kunst en filosofie --- kunst en maatschappij
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art criticism --- public art --- art theory --- site-specific works --- urban planning --- Art --- MAD-faculty 19 --- kunst en maatschappij --- hedendaagse kunst en cultuur
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Art --- Aesthetics --- Art, Modern --- Masterpiece, Artistic --- Art criticism --- Chefs d'oeuvre --- Critique d'art --- History --- Histoire --- Art appreciation --- kunst --- negentiende eeuw --- twintigste eeuw --- kunsttheorie --- museologie --- tentoonstellingen --- romantiek --- 7.01 --- MAD-faculty 13 --- kunstbeschouwing --- moderne kunst --- 19de eeuw --- 20ste eeuw --- Art, Modern - 20th century --- Art appreciation - History --- Art criticism - History
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Open. Cahier over kunst en het publieke domein. 2009/16
7.01 --- Kunsttheorie ; kunstbiënnales en globalisering --- Kunsttentoonstellingen ; internationale --- Kunst en politiek --- Geopolitiek --- kunst --- kunsttheorie --- cultuursociologie --- kunst en sociologie --- tentoonstellingen --- Kunst ; theorie, filosofie, esthetica --- Philosophy and psychology of culture --- Art --- exhibitions [events] --- art criticism --- kunstbeschouwing
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art criticism --- Art --- kunstkritiek --- Aesthetics of art --- 7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- departement Beeldende Kunst 11 --- Arteconomy --- Kunst ; theorie, filosofie, esthetica
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