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jewelry --- treasuries [rooms] --- Applied arts. Arts and crafts --- anno 1600-1699 --- United Kingdom --- MAD-faculty 14 --- juweelkunst --- middeleeuwen --- Engeland --- collecting, United Kingdom
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absolutisme --- wereldgeschiedenis --- nieuwe tijd --- World history --- anno 1700-1799 --- anno 1800-1899 --- anno 1600-1699 --- geschiedenis --- verlichting --- Absolutisme --- Ancien Régime ; Frankrijk --- E080230.jpg --- Kolonialisme --- Louis XIV [King of France]
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Haecht, van, Willem
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collections [object groupings]
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verzamelingen
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1600-1700
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Antwerpen
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Haecht, Willem van
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Tourism
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History of civilization
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History of Europe
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anno 1600-1699
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anno 1500-1599
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910.4 <4>
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094:910.4
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Ontdekkingsreizen. Reizen. Expedities. Reisverhalen--
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Na een aanloop die omstreeks 1560 begint, komt de Nederlandse letterkunde vanaf 1600 tot een grote bloei, die tot na 1650 zal voortduren. Uitgebreide geschiedenis van deze renaissanceperiode, met aandacht voor de rederijkers, de boekproductie, cultuurpolitiek en beroemde schrijvers zoals Hooft, Cats, Huygens, Bredero etc. en de positie van vrouwen in het literaire circuit. Recensie in: Ons Erfdeel. 51(2008)4(nov. 154-157).
Dutch literature --- History and criticism. --- anno 1600-1699 --- anno 1500-1599 --- Littérature néerlandaise --- History and criticism --- Histoire et critique --- geschiedenis --- literatuur --- literatuurgeschiedenis --- Nederlands --- rederijkers --- Academic collection --- #GGSB: Literatuur (letterkunde) --- 839.3 <09> --- 632 Literatuurgeschiedenis --- 839.3 <09> Nederlandse literatuur--Geschiedenis van ... --- Nederlandse literatuur--Geschiedenis van ... --- Nederlandse literatuur --- 16e eeuw --- 17e eeuw --- Literatuurgeschiedenis --- E-books --- Nederlandse literatuur--Geschiedenis van .. --- Nederlandse literatuur--Geschiedenis van --- PXL-Education 2020 --- Nederlandse letterkunde --- Nederlandse literatuurgeschiedenis --- Literatuur (letterkunde) --- Littérature néerlandaise --- Dutch literature - 16th century --- Dutch literature - 27th century --- literatuur, Nederlanden
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Franse titel : N17317 : Architecture renaissance et baroque en Belgique
Architecture --- Belgium --- architectuur --- History --- Renaissance --- Baroque --- barokkunst --- renaissancekunst --- Art styles --- architecture [discipline] --- Rubens, Peter Paul --- Gossaert, Jan --- Caus, de, Salomon --- Scamozzi, Vincenzo --- Coebergher, Wenzel --- Coecke van Aelst, Pieter --- Bos, Cornelis --- Lombard, Lambert --- Frankaert, Jacob II --- Orley, van, Bernard --- Alessi, Galeazzo --- Brœucq, du, Jacques --- Vredeman de Vries, Hans --- Michelangelo --- anno 1600-1699 --- anno 1500-1599 --- Barok (stijl) --- Baroque (style) --- Belgique --- België --- Nederland --- Pays-Bas --- Renaissance (art) --- Renaissance (kunst) --- Architecture, histoire --- Patrimoine architectural --- Pays-Bas (anciens) --- Urbanisme, histoire --- Renaissancistische architectuur ; België --- Barokke architectuur ; België --- 72 <493> --- #A0002A --- 626 Bouwkunst --- 72.03 --- 72.034 --- 72.034.7 --- Zuidelijke Nederlanden --- Architectuur ; België ; Renaissance ; Barok --- 72(03) --- 17e eeuw --- barok --- renaissance --- 716.4 --- Barokke architectuur --- Renaissancistische kunst ; België --- Architectuur. Bouwkunst--België --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Renaissancearchitectuur --- Renaissance (architectuur) --- Barok (architectuur) --- Barokarchitectuur --- Architectuurgeschiedenis ; Renaissance ; Barok ; Rococo --- Architectuur ; encyclopedieën --- architectuur - renaissance, barok, rococo, koloniale stijl --- 72 <493> Architectuur. Bouwkunst--België --- 710 --- bouwkunst --- architecture --- Buonarroti, Michelangelo --- Renaissancistische architectuur ; België --- Barokke architectuur ; België --- Mont, van der, Deodatus
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Painting --- Aesthetics of art --- anno 1600-1699 --- Netherlands --- 75.047.4 --- 75 <492> "16" --- 742 --- kunsttheorie --- realisme --- stillevens --- trompe-l'oeil --- perspectief --- zeventiende eeuw --- Nederland --- schilderkunst --- Benjamin Walter --- anamorfose --- Damisch Hubert --- Panofsky Erwin --- Pascal Blaise --- Lacan Jacques --- Merleau-Ponty Maurice --- 75.034 --- kunst --- Iconografie van de schilderkunst: stillevens --- Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- Perspectieftekenen --- Realism in art --- Still-life painting, Dutch --- Visual perception. --- 742 Perspectieftekenen --- 75.047.4 Iconografie van de schilderkunst: stillevens --- 75 <492> "16" Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- Visual perception --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Dutch still-life painting --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Psychological aspects --- PHL-Research 13 --- kunst en filosofie
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Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.
Art and Philosophy --- Aesthetics, Modern --- Visual communication in art --- Art, Renaissance. --- Art, Modern --- 930.85 "15/17" --- 1 "15/17" --- 1 "15/17" Filosofie:--Moderne Tijd --- Filosofie:--Moderne Tijd --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Art, Renaissance --- Renaissance art --- Art --- Aesthetics --- Philosophy and art --- Philosophy --- History. --- History --- Philosophie et art --- Esthétique --- 76:655.5 "15/17" --- 76.049 :1 --- 655.533 --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Philosophy and psychology of culture --- Painting --- anno 1600-1699 --- anno 1700-1799 --- anno 1500-1599 --- anno 1500-1799 --- philosophy --- visual literacy --- philosophy of art --- pictorial views --- visual aids [education tools] --- visual culture --- MAD-faculty 18 --- kunst en filosofie --- kunstgeschiedenis --- visuele cultuur --- Europa --- Philosophie et art. --- Art and Philosophy - Europe --- Aesthetics, Modern - 17th century --- Aesthetics, Modern - 18th century --- Visual communication in art - Europe - History --- Art, Modern - 18th century
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"The Cultural History of the Senses set delves into the sensory foundations of Western civilization, taking a comprehensive period-by-period approach which provides a broad understanding of the life of the senses from antiquity to the modern day. Each of the volumes explores the following topics: The Social Life of the Senses; Urban Sensations; The Senses in the Marketplace; The Senses in Religion; The Senses in Philosophy and Science; Medicine and the Senses; The Senses in Literature; Art and the Senses; and Sensory Media. Superbly illustrated, this six-volume set is the most authoritative and comprehensive historical survey of the senses available."--Page 4 of cover.
Cognitive psychology --- Affective and dynamic functions --- Physiology of nerves and sense organs --- Antiquity --- Sensation. --- Perception --- Cultural Characteristics --- Western World --- History of Medicine --- history --- anno 1900-1999 --- anno 1800-1999 --- anno 1600-1699 --- anno 1700-1799 --- anno 1400-1499 --- anno 1500-1599 --- anno 500-1499 --- senses --- History of Europe --- History of civilization --- Aesthetics of art --- History of Medicine. --- history. --- Perception. --- Psychische functies --- Cultuurgeschiedenis --- Geschiedenis van Europa --- Senses and sensation --- Enlightenment --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- History --- Civilization, Ancient --- Civilization, Greco-Roman --- Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Supraliminal perception --- Cognition --- Apperception --- Thought and thinking --- Greco-Roman civilization --- Civilization, Classical --- Ancient civilization --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- MAD-faculty 17 --- opleiding art sense(s) lab --- cultuurgeschiedenis --- middeleeuwen --- moderne tijd --- antieke wereld --- Verlichting --- Ancient history --- 15.10 subdisciplines of history. --- 20.08 art psychology. --- Civilization, Ancient. --- Civilization, Greco-Roman. --- Senses and sensation. --- History. --- 930.85 --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- Cultuurgeschiedenis. Kultuurgeschiedenis
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