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Visual thinking and drawing are both becoming increasingly important in today's business settings. A picture really can tell a thousand words. Visualisation is a crucial part of the journey for companies seeking to boost enterprise agility, break down silos and increase employee and customer engageƠment. Visualising thought processes can help break down complex problems. It empowers teams and staff to build on one another's ideas, fosters collaboration, jump-starts co-creation and boosts innovation. This book will help brush aside misconceptions that may have prevented you using these techniques in your workplace. You don't need Van Gogh's artistic talent or Einstein's intelligence to harnass the power of visual thinking and make your company more successful.
415.4 --- visualiseren --- schetsen --- brainstormen --- mapping --- presentatietechnieken --- algemene psychologie, hogere geestelijke functies (oa. leren, kennen, denken, begaafdheid, fantasie, geheugen, leerpsychologie) --- Communicatie; organisaties --- Graphics industry --- Mass communications --- illustratieve vormgeving --- visuele communicatie --- beeldtaal --- PXL-Business 2018 --- grafische communicatie --- Visueel denken. --- Communication visuelle Visuele communicatie --- Créativité Creativiteit --- Innovation Innovatie --- Graphic signs --- graphic design --- Prise de notes --- Perception visuelle --- Visualisation --- Self Efficacy --- Visual Perception --- Thinking --- Efficiency
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In this book the authors investigate how iconology as a field and method, which originated within art history, relates to recent developments in the Humanities such as Anthropology and Visual Studies. The main questions are: How has iconology evolved in the past decennia, could it incorporate Anthropology and Visual Studies towards a new science of images? How have new disciplines profited from iconology and how can they in turn inspire and/or reinvent iconology? These questions are addressed within a wide historical and geographical scope, as we regard the tracing of pictorial meaning throughout time and space an essential characteristic of iconology. The selected specialists of this volume all have a specific involvement with the new tendencies in iconology today. The authors share their lectures, ideas, methods, old and current research for one common goal: the further study and exploration of the making, the meaning and the migration of images in art history.
Academic collection --- 7.04 --- 39 --- 39 Volkenkunde. Zeden en gebruiken. Culturele antropologie --- Volkenkunde. Zeden en gebruiken. Culturele antropologie --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Art and anthropology. --- Art and society. --- Art --- Visual perception. --- History. --- Themes, motives. --- Philosophical anthropology --- Iconography --- Illustrations, images, etc. --- Interprétation --- Art et société --- Perception visuelle --- Art et anthropologie --- Histoire --- Symbolism in art --- Arts --- Themes, motives --- MAD-faculty 12 --- iconologie --- antropologie
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The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. 'Unflattening' is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.
741.571 --- Verenigde Staten --- Sousanis Nick --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst en wetenschap --- kennisleer --- waarneming --- perceptie --- kunsttheorie --- kunst --- strips --- tekenkunst --- Visual perception --- Knowledge, Theory of --- Imagery (Psychology) --- Communication --- Graphic novels. --- Methodology --- kunstfilosofie --- hedendaagse kunst --- Art --- Identité (psychologie) --- Perception (philosophie) --- Théorie de la connaissance --- Romans graphiques --- Imagerie (psychologie) --- Méthodologie --- MAD-faculty 15 --- grafische novellen --- Romans graphiques. --- Graphic novels --- Perception visuelle --- Imagerie (Psychologie) --- #SBIB:39A5 --- #SBIB:39A3 --- #SBIB:309H241 --- Kunst, habitat, materiële cultuur en ontspanning --- Antropologie: geschiedenis, theorie, wetenschap (incl. grondleggers van de antropologie als wetenschap) --- Andere media: functies, genres, historiek --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc. --- Fiction --- Popular literature --- Communication, Primitive --- Mass communication --- Sociology --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Imagination --- Visualization --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychological aspects --- art history. --- cartoons. --- cognition. --- comic book. --- drawing. --- graphic storytelling. --- neurodiversity. --- panels. --- pedagogy. --- perspective. --- scott mccloud. --- sequential art. --- teaching through comics. --- theorizing comics. --- visual literacy. --- visual metaphors. --- written v visual communication.
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