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filmmaking --- Film --- filmproducties --- Motion pictures --- Aesthetics --- Filmtaal --- Filmtechnieken --- #KVHA:Film --- #KVHA:Media --- 798.42 --- narratologie --- the virgin suicides --- film, geschiedenis der filmkunst, België --- Filmtaal. --- Filmtechnieken. --- CDL --- 791.41 --- MAD-faculty 13 --- literatuurwetenschap --- filmkunde --- Motion pictures - Aesthetics

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Sociology of culture --- motion pictures [visual works] --- Film --- photography [process] --- Photography --- History of civilization --- beeldcultuur --- cultuursociologie --- film --- fotografie

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"Imagine a museum in which the portrait of Carlotta Valdes, an important prop in Alfred Hitchcock’s Vertigo, hangs on a wall next to the painted portrait of the title character of Otto Preminger’s Laura and opposite the uncanny portraits of the desired or murdered women in Fritz Lang’s Scarlet Street, George Cukor’s Gaslight, and Nicholas Ray’s Born to Be Bad. In an adjacent gallery, the visitor of this imaginary museum can contemplate the portraits of patriarchs that feature in films such as House of Strangers, Suspicion, Gilda, and Strangers on a Train. This is precisely the concept of this book. Dark Galleries deals with American (and some British) films of the 1940s and 1950s, in which a painted portrait plays an important part in the plot or the mise-en-scène. Particularly noir crime thrillers, gothic melodramas, and ghost stories feature painted portraits that seem to have a magical power over their beholders. Apart from an extensive introductory essay, this museum guide presents more than eighty entries on the artistic and cinematic aspects of noir painted portraits."

film --- kunst --- schilderkunst --- film en kunst --- film en schilderkunst --- twintigste eeuw --- film noir --- melodrama's --- museologie --- Verenigde Staten --- Groot-Brittannië --- 791.43 --- Art in motion pictures --- United States --- Motion pictures --- History --- 20th century --- MAD-faculty 13 --- kunst en psychologie --- portret --- filmkunst --- Groot-Brittannië

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Guy Mees's (1935-2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications. A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art. 'The Weather is Quiet, Cool, and Soft' is published on the occasion of the eponymous exhibition at Kunsthalle Wien, Vienna (February 1-April 8, 2018), and at Mu.ZEE, Ostend (November 25, 2018-March 10, 2019). Borrowed from a note the artist jotted down on one of his works on paper, the title pays homage to the atmospheric impermanence of Mees's works, as well as his infra-ordinary, relativistic, and poetic approach. With emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s, the publication emphasizes the idiosyncrasy and significance of Mees's practice and personality. These are complemented by two new essays by Lilou Vidal and François Piron; a translation of a text by Fernand Spillemaeckers from the 1970s; and an interview conducted with Mees's friend and accomplice Wim Meuwissen, his long-standing gallerist Micheline Szwajcer, and Dirk Snauwaert, who produced the first retrospective and a definitive monograph dedicated to Mees's work.

Mees, Guy --- Fotografie --- Photography --- Motion pictures --- Motion pictures. --- Paper art --- Paper art. --- Photography, Artistic --- Photography, Artistic. --- Mees, Guy, --- Belgium. --- MAD-faculty 19 --- hedendaagse kunstenaars --- kunst --- geometrische abstractie --- abstractie --- conceptuele kunst --- concept art --- minimal art --- minimalisme --- 7.071 MEES --- Mees Guy --- twintigste eeuw --- België --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Paper work --- History and criticism --- Exhibitions --- papierkunst --- artistieke fotografie

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A l'occasion de son exposition au Centre Pompidou qui propose un regard rétrospectif sur son oeuvre, le catalogue Pierre Huyghe, premier ouvrage de référence sur cet artiste majeur de la scène internationale, permet une traversée de sa recherche nourrie de près de 800 images et de 90 projets, depuis ses premières oeuvres il y a plus de vingt ans, jusqu'à aujourd'hui.

community art --- motion pictures [visual works] --- video recordings --- Art --- Huyghe, Pierre --- France --- Installations (Art) --- Huyghe, Pierre, --- Catalogues d'exposition --- kunst --- Frankrijk --- twintigste eeuw --- eenentwintigste eeuw --- Huyghe Pierre --- video --- videokunst --- architectuur --- design --- film --- 7.071 HUYGHE --- Exhibitions --- Catalogues d'exposition. --- MAD-faculty 17 --- hedendaagse kunstenaars --- Installations (Art) - France - Exhibitions --- Huyghe, Pierre, - 1962- - Exhibitions --- Huyghe, Pierre, - 1962 --- -Installations (Art) --- -Art --- Huyghe, Pierre (1962-....) -- Catalogues d'exposition --- -kunst --- video recordings [physical artifacts] --- -Huyghe, Pierre