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MAD-faculty 12 --- kunst en filosofie --- Garcia, Dora --- Art and literature --- Words in art --- Conceptual art --- conceptuele kunst --- 7.071 GARCIA --- kunst en literatuur --- Spanje --- eenentwintigste eeuw --- Garcia Dora --- woord en beeld --- concept art --- kunst --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- García, Dora,

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Guy Mees's (1935-2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications. A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art. 'The Weather is Quiet, Cool, and Soft' is published on the occasion of the eponymous exhibition at Kunsthalle Wien, Vienna (February 1-April 8, 2018), and at Mu.ZEE, Ostend (November 25, 2018-March 10, 2019). Borrowed from a note the artist jotted down on one of his works on paper, the title pays homage to the atmospheric impermanence of Mees's works, as well as his infra-ordinary, relativistic, and poetic approach. With emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s, the publication emphasizes the idiosyncrasy and significance of Mees's practice and personality. These are complemented by two new essays by Lilou Vidal and François Piron; a translation of a text by Fernand Spillemaeckers from the 1970s; and an interview conducted with Mees's friend and accomplice Wim Meuwissen, his long-standing gallerist Micheline Szwajcer, and Dirk Snauwaert, who produced the first retrospective and a definitive monograph dedicated to Mees's work.

Mees, Guy --- Fotografie --- Photography --- Motion pictures --- Motion pictures. --- Paper art --- Paper art. --- Photography, Artistic --- Photography, Artistic. --- Mees, Guy, --- Belgium. --- MAD-faculty 19 --- hedendaagse kunstenaars --- kunst --- geometrische abstractie --- abstractie --- conceptuele kunst --- concept art --- minimal art --- minimalisme --- 7.071 MEES --- Mees Guy --- twintigste eeuw --- België --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Paper work --- History and criticism --- Exhibitions --- papierkunst --- artistieke fotografie

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Artists' books --- Livres d'artistes --- Feldmann, Hans-Peter, --- Feldmann, Hans Peter --- kunst --- fotografie --- verzamelingen --- collecties --- archieven --- archivering --- Feldmann Hans-Peter --- Duitsland --- fotomontage --- eenentwintigste eeuw --- 77.071 FELDMANN --- 7.07 --- 77.092.07 --- Beeldende kunst ; verzamelen ; (her)ordenen van associatieve beelden --- Re-presenting images --- Archivering en collectioneren van foto's --- Conceptuele kunst --- Concept Art --- Installaties ; van alledaagse dingen --- Kunst en fotografie ; 2de h. 20ste eeuw en 21ste eeuw --- Feldmann, Hans-Peter °1941 (°Düsseldorf, Duitsland) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fotografen A - Z --- MAD-faculty 19 --- kunstenaars 20-21ste eeuw --- Feldman, Hans-Peter --- artists' books [books] --- Feldmann, Hans-Peter

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As one of the most innovative artists of the last six decades, Walter De Maria challenged art in profound ways. He is known worldwide for his important sculptures such as Lightning Field, but his contributions to the practices of music, drawing, photography, and film have been largely forgotten. Featuring in-depth analysis of many previously unknown works and correspondence, this book offers the first major critical account of de Maria s broader range of interests. In a 1960 score, Walter De Maria called for meaningless work: art that does not accomplish a conventional purpose. He followed this call with a dizzying period of experimentation. The resulting work reflected shifts in how we understand the sites of art during an era of moon shots and road trips, of wars that moved from jungles into living rooms via electromagnetic waves. It helped us understand ourselves and how race, gender, and sexuality vie for space in the social realm. By bringing to light de Maria s lesser-known works, this book challenges established histories and methodologies for the art of the 1960s and 70s, while also exploring de Maria's own obsessions with arts uttermost possibilities.

earthworks [sculpture] --- Sculpture --- installations [visual works] --- preparatory studies --- public spaces --- sculpture [visual work] --- photographs --- outdoor sculpture --- Minimal --- site-specific works --- Conceptual --- Maria, de, Walter --- sculpture [visual works] --- kunst --- 7.071 DE MARIA --- land art --- minimal art --- minimalisme --- concept art --- conceptuele kunst --- Verenigde Staten --- De Maria Walter --- twintigste eeuw --- MAD-faculty 17 --- hedendaagse kunstenaars --- sculpturen --- monografieën kunstenaars --- 7.07 --- 73.07 --- Beeldende kunst ; 2de helft 20ste eeuw ; W. De Maria --- Conceptuele kunst --- Minimal Art --- Land Art ; omgevingskunst --- De Maria, Walter 1935-2013 (°Albany, Californië, Verenigde Staten) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z

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A close look at the Mexico City-based artist's lyrical expansions of art into life. He employs a range of media - including painting, video, and other more unorthodox materials - in innovative takes on observation, participation and performance. Alÿs's work stems from his interest in the powers that shape urban existence, as well as the innovative schemes that ordinary individuals devise to subvert them. Alÿs invents his own fables, weaving them into the social fabric of such cities as Venice, London and Mexico City, his home for nearly 20 years. Alÿs's work has been included in the world's top international exhibitions, including the Venice Biennale (2001), the Carnegie International (2004) and the São Paulo Biennial (2004).

Alÿs, Francis --- Photographie d'art --- Intervention artistique --- Alys, Francis --- Alÿs, Francis, --- Alijs, Francis --- Alÿs, Francis, --- Alÿs, Francis. --- 7.071 ALYS --- Beeldende kunst ; 1995-2007 ; Francis Alÿs --- Francis Alÿs °1959 (°Antwerpen). Woont sinds 1986 in Mexico City. --- Kunst en maatschappij ; Mexico --- Videokunst ; performances --- Conceptual art --- Alÿs Francis --- België --- fotografie --- kunst --- Mexico --- schilderkunst --- twintigste eeuw --- video --- videokunst --- 7.07 --- Belgische kunstenaars --- Francis Alÿs °1959 (°Antwerpen). Woont sinds 1986 in Mexico City --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Smedt, Francis de, --- De Smedt, Francis, --- Installation-art --- departement Beeldende Kunst 08 --- hedendaagse kunstenaars --- Conceptual art - Mexico --- Alÿs, Francis, - 1959 --- -Alijs, Francis --- -Mexico