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De Oostenrijkse geldt internationaal als een van de belangrijkste kunstenaars van de 20ste eeuw maar is hier nog nagenoeg onbekend. Ze maakte naam met haar 'Körperbewusstseinsbilder' ('body awareness'- werken) waarin zij gewaarwordingen van haar lichaam thematiseerde en op deze manier haar relatie tot de wereld definieerde. Naast haar schilderijen en tekeningen zijn ook een groot deel van haar films en beeldhouwwerken te zien.

kunst --- Oostenrijk --- twintigste eeuw --- 75.071 LASSNIG --- 7.071 LASSNIG --- gender studies --- feminisme --- Lassnig Maria --- beeldhouwkunst --- film --- kunst en politiek --- politiek --- lichamelijkheid --- body art --- schilderkunst --- 75.07 --- Lassnig, Maria 1919-2014 (°Kappel am Krappfeld, Oostenrijk) --- Thema's in de kunst ; het menselijk lichaam --- Kunst en feminisme --- Body Art --- Schilderkunst ; schilders --- Exhibitions --- MAD-faculty 20 --- hedendaagse schilderkunst --- Lassnig, Maria --- tentoonstellingscatalogus --- essays

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7.07 --- Biografieën ; Marina Abramovic --- Abramovic, Marina °1936 (°Belgrado, Servië) --- Beeldende kunst ; 1970-2008 ; Marina Abramovic --- Performances ; Body Art --- Videokunst --- Environments ; installaties --- Conceptuele kunst --- 328 p. --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Performance artists --- Abramovic, Marina. --- Abramovic, Marina °1946 (°Belgrado, Servië) --- Abramovic, Marina --- Abramović, Marina, --- 328 p --- Artists --- departement Beeldende Kunst 10 --- biografieën --- Abramović, Marina

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"The Museum of Modern Art presents a major retrospective devoted to the art of Lygia Clark (Brazilian, 1920-1988), the first comprehensive exhibition in North America of her work. Lygia Clark: The Abandonment of Art, 1948-1988 comprises nearly 300 works made between the late 1940s and her death in 1988. Drawn from public and private collections, including MoMA's own, this survey is organized around three key themes: abstraction, Neo-Concretism, and the 'abandonment' of art. Each of these axes anchors a significant concept or a constellation of works that mark a definitive step in Clark's career. While Clark's legacy in Brazil is profound, this exhibition draws international attention to her work. By bringing together all parts of her radical production, the exhibition seeks to reintroduce her into current discourses of abstraction, participation, and a therapeutic art practice."

sculpting --- psychiatry --- Art --- installations [visual works] --- painting [image-making] --- psychology --- interactive art --- Constructivist --- Clark, Lygia --- History --- Histoire --- Clark, Lygia, --- MAD-faculty 17 --- opleiding art sense(s) lab --- kunst 20-21ste eeuw --- Art, Modern --- Art, Brazilian --- 7.07 --- Conceptuele kunst ; Lygia Clark --- Clark, Lygia 1920-1988 (°Belo Horizonte, Minas Gerais, Brazilië) --- Vrouwelijke kunstenaars --- Body Art --- Performances --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Clark, Ligia, --- Lins, Lygia Pimentel, --- Pimental Lins, Lygia, --- Exhibitions

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Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values --both aesthetic and moral-- that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media --including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors --artists, curators, and historians of art, architecture, and film-- focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work.

performance art --- Sculpture --- texts [documents] --- installations [visual works] --- light art --- neon sculpture --- sculpture [visual works] --- photography [process] --- painting [image-making] --- drawing [image-making] --- Nauman, Bruce --- Postmodernism --- Process art --- Neon lighting in art --- Neon sculpture --- Video art --- Installations (Art) --- Sculpture, Abstract --- Male artists --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- Verenigde Staten --- installaties --- video --- videokunst --- video-installaties --- Nauman Bruce --- 7.071 NAUMAN --- Men artists --- Abstract sculpture --- Sculpture, Neon --- Art, Procedural --- Art, Process --- Procedural art --- Post-modernism --- Postmodernism (Philosophy) --- Nauman, Bruce, --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- Artists --- Sculpture, Modern --- Glass sculpture --- Art, Modern --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 778.5.07 --- Conceptuele kunst ; videokunst ; 1965-2017 ; Bruce Nauman --- Body Art --- Process Art --- Tentoonstellingscatalogi ; New York ; MOMA --- Nauman, Bruce °1941 (°Fort Wayne, Indiana, Verenigde Staten) --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- MAD-faculty 18 --- hedendaagse kunstenaars