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Ernest Christopher Dowson (1867-1900) is best known as a the author of a number of exquisite lyrics which epitomise the mood and style of the English 1890s - verses like 'cynara' and 'They are not long'. Yet Arthur Symons was only repeating what Dowson often himself asserted when he said that 'Dowson was the only poet I ever knew who cared more for his prose than his verse'. Monica Borg's Introduction suggests for the first time what lay behind Dowson's opinion of the importance of his prose, seeing withing it a programme of aesthetic and cultural radicalism. She places him firmly in relation to the late-nineteenth-century crisis of values, self and representation which Dowson both expressed and sought to precipitate, and she indicates that it is in his stories rather than his verse that Dowson shows how deeply implicated he was in the politics of resistance and cultural change that characterized the decadent literary and artistic movement. This edition provides texts of all of Dowson's short stories, thoroughly corrected from the original editions and with detailed notes on their genesis and development.
English literature --- Literature, Victorian --- Victorian literature
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Since 2012, Public Books has championed a new kind of community for intellectual engagement, discussion, and action. An online magazine that unites the best of the university with the openness of the internet, Public Books is where new ideas are debuted, old facts revived, and dangerous illusions dismantled. Here, young scholars present fresh thinking to audiences outside the academy, accomplished authors weigh in on timely issues, and a wide range of readers encounter the most vital academic insights and explore what they mean for the world at large.Think in Public: A Public Books Reader presents a selection of inspiring essays that exemplify the magazine's distinctive approach to public scholarship. Gathered here are Public Books contributions from today's leading thinkers, including Jill Lepore, Imani Perry, Kim Phillips-Fein, Salamishah Tillet, Jeremy Adelman, Nathan Connolly, Namwali Serpell, and Ursula K. Le Guin. The result is a guide to the most exciting contemporary ideas about literature, politics, economics, history, race, capitalism, gender, technology, and climate change by writers and researchers pushing public debate about these topics in new directions. Think in Public is a lodestone for a rising generation of public scholars and a testament to the power of knowledge.
English literature --- Literature, Victorian --- Victorian literature
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First published in 1999, this book asks what kind of advice was available to somebody wishing to embark upon oil painting in England between 1850 and 1900. It is a fascinating collection of Victorian instruction on how and what to paint, linked to crucial advice about art, its meaning and its relation to contemporary life, given by practising artists, important and often popular in their time, but whose lectures and writings are long overdue for reappraisal: Leslie, Hamerton, O'Neil, Poynter, Watts, Leighton, Armitage, Quilter and Herkomer. Here, beyond the familiar voices of Ruskin, Whistler and Pater, we have a whole range of experience from an age in which issues about painting were hotly debated by large numbers of people: professional artists, amateurs, critics, gallery-goers and Academy students. This anthology brings back to life the humour, seriousness, ambitions, eccentricities and controversies of people whose work shaped the nature of mainstream Victorian art.
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
English literature --- Clare, John, --- Literature, Victorian --- Victorian literature
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary repsonses to a writer's work, enabling students and researchers to read the material themselves.
English literature --- Swinburne, Algernon Charles, --- Literature, Victorian --- Victorian literature
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Travel literature has always been associated with the construction of utopias which were founded on the idea of unknown lands. During their journeys in foreign lands, British travelers tended to formulate various critical opinions based on their background knowledge of the country visited. Their attempts to interpret other nations were often misinterpretations of the peoples in question as the Other. At the close of the eighteenth century, when Grand Tourism started to fade away and travelling became a mainstream activity for the middle-class Briton, travel writers attempted to identify with
English literature --- Literature, Victorian --- Victorian literature --- History and criticism.
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.
English literature --- Clough, Arthur Hugh, --- Literature, Victorian --- Victorian literature --- Clough, A. H.
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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
English literature --- Crabbe, George, --- Criticism and interpretation. --- Literature, Victorian --- Victorian literature --- Crabbe,
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The author suggests that the full significance of Clare's contribution to English literature is found not in his social criticism, but in his refusal to dissociate himself from his past or to become assimilated into the mainstream of English culture at the expense of his class-identity. She argues that a clear set of aesthetic principles informs his finest work and provides the first thematic and structural classification of his poetry. Focussing on the major vocational poems and selected passages from the prose, she shows how Clare formulated the creative ideas and rhetorical techniques that allowed him to give unified expression to both his social and literary concerns. Clare's deep involvement with nature and rural England was not only the basis for his poetry, but also enabled him to articulate beliefs which opposed the inhumane values of his time.
English literature --- Literature, Victorian --- Victorian literature --- Clare, John, --- Criticism and interpretation. --- Political and social views.
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