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This volume brings together twenty-two authors from various countries who analyze travelogues on the Ottoman Empire between the fifteenth and nineteenth centuries. The travelogues reflect the colorful diversity of the genre, presenting the experiences of individuals and groups from China to Great Britain. The spotlight falls on interdependencies of travel writing and historiography, geographic spaces, and specific practices such as pilgrimages, the hajj, and the harem. Other points of emphasis include the importance of nationalism, the place and time of printing, representations of fashion, and concepts of masculinity and femininity. By displaying close, comparative, and distant readings, the volume offers new insights into perceptions of "otherness", the circulation of knowledge, intermedial relations, gender roles, and digital analysis.
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Josef Wünsch (1842 - 1907) undertook a three-year research activity in the eastern provinces of the Ottoman Empire. In this volume his estate (cartographic and ethnographic works and collections) is brought together and evaluated from today's scientific point of view.
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This book provides a detailed account of a journey through Alsace-Lorraine in August 1901, offering insights into the region's historical and cultural landscape during that period. The author describes the itinerary from Metz to Nancy, Saverne, and through the Vosges to Belfort, capturing the ambience of the annexed territories. The narrative delves into the military presence, German fortifications, and the cultural tensions between French and German influences. The text reflects on the resilience of the local French population amidst Germanization efforts. Intended for readers interested in travel, history, and cultural studies, the book highlights the region's complex identity and historical significance.
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Travel reports have shaped the emergence of early U.S. culture and its "geographical imagination" (David Harvey). Framing the Nation, Claiming the Hemisphere examines the trans-national imagination in travel reports by American authors written between 1770 and 1830. Its range is from John and William Bartram's pre-revolutionary travelogues and Jonathan Carver's exploratory report on his journey in the Great Lakes region (1778), to Olaudah Equiano's The Interesting Narrative (1789), to early nineteenth-century reports, such as Anne Newport Royall's Sketches of History, Life, and Manners, in the United States (1826) and William Duane's A Visit to Colombia (1826). The chapters of the monograph concentrate on writing about journeys to the North American 'interior', the Caribbean, Latin America, and Africa. The primary sources were written between the beginning of the struggle against British rule, following the end of the French and Indian War, and the beginning of Andrew Jackson's presidency. The decades between 1770 and 1830 were times of shifting colonial boundaries, nation-building, and emergent discourses of collective identification in North America. The study reads travel writing in the context of the identity-generating discourses of nation-building, imperialism, anti-colonialism, and cosmopolitanism. In contrast to scholarship that engages a notion of Americanness based primarily on 'domestic' outlooks and experiences such as westward expansion (the frontier), the study highlights the function of categories such as the outside world, neighboring nations, and colonial empires in the emergence of U.S. national literary imagination. How does a shift in focus from a discursive 'domestication' of North American space to an interest in the Othering of what lies beyond national borders affect the understanding of the emergent national self? These are the kind of questions that begin by seeing the transnational as a fundamental element of national emergence. The monograph ultimately works to demonstrate how travel writing - with very few exceptions - supports and affirms processes of nation-building. Thus, the national narrative evolves from representations of contact scenarios in North America, in the transatlantic world, and around the globe. Without ignoring the roles of national mythology, the analysis concentrates on the continual co-existence of fluid notions of both 'home' and 'abroad' in times of shifting geographical borders. From such a perspective, travel writing not only contributes to shaping the national imagination and its conceptions of superiority but is also complicit in territorial expansionism and its subjugation of conquered peoples and their respective cultural histories. The present study emphasizes the significance of accounts of non-voluntary movement that embrace captivity narratives, slave narratives, sailor narratives, and reports by individuals who had access to neither publishing nor public culture. Accounts by such authors have often been published posthumously, promoted by printers, professional authors, or scholars. The central focus of analysis, however, examines how American self-fashioning and self-positioning in the world appear in the travel writing of the period. The trans-national imagination engages in a symbolic construction both of the collective national 'Self' and of the outside world as the nation's 'Other.' Travel writing functions as a tool in the nation-building process of the United States: a tool that reflects the mindset of the time, a tool that imagines a national community, and a tool that shapes the mindset of a people. The study maintains that travel writing, as a literary format, negotiates the triangular relationship between American post-revolutionary nation-building, continued European colonial expansion in the Americas, and the ongoing existence of indigenous nations. Underlying each of the readings is a common thesis that travel writing defines and negotiates borders, limits, and territorial expansion, and that it does so within the parameters of nation-building.
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“In an age where 'anyone might be a travel writer', this is a provocative and illuminating handbook for writers and a rigorous, thoughtful study for critics.” · Dr Patrick Mullins, Prime Minister’s Literary Award for Non-Fiction winner 2020, Douglas Stewart prize for Non-Fiction winner 2020. Australian National University National Centre of Biography. “This both readable and rigorous work is a solid addition to the study of one of literature’s most enduring, shape-shifting genres.” · Dr John Borthwick, Australian Society of Travel Writers’ Travel Writer of the Year 2022, Pacific Asia Travel Association Gold Award winner 2022. This book stems from the question that we as co-authors grappled with for the past 3-plus years while in our own periods of stasis during the pandemic: What place does the travel writing genre hold in a post-COVID world? With the massive interruptions to travel and travel writing across 2020-2023 as the pandemic forced us indoors and into isolation, it also raised many other pertinent questions about the practice of and future of travel writing. Part of the prompt for this book comes from the post-pandemic assumption that in an ecologically fraught, less mobile, and more uncertain world, there may not be a place for travel writing as we know it to exist in any meaningful way. We examine the problems and solutions apparent for travel writing as it engages with a period of re-thinking, prompted by the pandemic, though necessary for a plethora of other reasons as well. As academics and travel writing practitioners, with decades of experience in the field, we offer a unique perspectiveon this topic – as we have the in-the-field experience of professional travel writers, and we have the academic grounding to better understand the history, theoretical concerns and contradictions of the genre to provide a more in-depth perspective to our travel writing colleagues. This grounding allows us to access a unique and valuable perspective for Re-thinking Travel Writing: The Journey of a Genre for academics, aspiring travel writers and contemporary colleagues in the field. Dr. Ben Stubbs is a senior lecturer in journalism and creative writing at the University of South Australia. Dr. Lee Mylne is a media academic who also maintains a successful career as a freelance journalist, specializing in travel and tourism.
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This book reflects, comments on and adds to a fast growing field of travel writing studies. The twenty-five papers in this volume rely on a variety of theoretical and methodological approaches and explore a diverse body of travel writing texts created over the last three hundred years in English, Polish, Hungarian and French. The book is divided into three parts. The first one includes papers which apply the findings of post-structuralism, generic and cultural criticism as well as narratology...
Travel writing --- Travel --- Authorship --- History and criticism.
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Travel writing. --- Marvelous, The. --- Supernatural --- Miracles --- Travel --- Authorship
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In eighteenth- and nineteenth-century Britain, books of travel and exploration were much more than simply the printed experiences of intrepid authors. They were works of both artistry and industry-products of the complex, and often contested, relationships between authors and editors, publishers and printers. These books captivated the reading public and played a vital role in creating new geographical truths. In an age of global wonder and of expanding empires, there was no publisher more renowned for its travel books than the House of John Murray. Drawing on detailed examination of the John Murray Archive of manuscripts, images, and the firm's correspondence with its many authors-a list that included such illustrious explorers and scientists as Charles Darwin and Charles Lyell, and literary giants like Jane Austen, Lord Byron, and Sir Walter Scott-Travels into Print considers how journeys of exploration became published accounts and how travelers sought to demonstrate the faithfulness of their written testimony and to secure their personal credibility. This fascinating study in historical geography and book history takes modern readers on a journey into the nature of exploration, the production of authority in published travel narratives, and the creation of geographical authorship-a journey bound together by the unifying force of a world-leading publisher.
Travelers' writings --- Travel writing --- Travel --- Publishing --- History --- John Murray (Firm)
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This book revisits images of the Balkans in twentieth-century travel writing that vividly mirrors the turbulent changes that the region went through. As such, it provides a vital basis for research into the variety of possibilities, or obstacles, present on the region's path to accession, when its unique heritage will have to be reconciled with a more European identity. This volume explores the work of well-known authors, such as Rebecca West, Paul Theroux, Robert D. Kaplan, and also contributes to travel writing theory by addressing less-known travellers who recorded their thoughts on the soc
Travel writing. --- Travel writing --- Travel --- Authorship --- History and criticism. --- Balkan Peninsula --- Balkan States --- Balkans --- Europe, Southeastern --- Southeastern Europe --- In literature.
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Travel in literature --- Travel writing --- Travel in literature. --- Travel writing. --- Travel --- Voyages and travels in literature --- Authorship --- Voyage dans la littérature --- Voyage --- Art d'écrire
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