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This work offers readings of five of the most interesting and original voices to have emerged in Britain since the millennium as they tackle the challenges of portraying the new century. Through close readings of the work of Ali Smith, Andrew O'Hagan, Tom McCarthy, Sarah Hall and Jon McGregor, Daniel Lea opens a window onto the formal and thematic concerns that characterise a literary landscape troubled by both familiar and unfamiliar predicaments. These include questions about the meaning of humanness in an age of digital intercourse; about the need for a return to authenticity in the wake of postmodernism; and about the dislocation of self from the other under neoliberal individualism.
English fiction. --- 2000-2099 --- Ali Smith. --- Andrew O'Hagan. --- Authenticity. --- Connectivity. --- Contemporary British Fiction. --- Jon McGregor. --- Materiality. --- Sarah Hall. --- Tom McCarthy. --- Twenty-First Century Literature.
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This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper- knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the ‘campus novel' of the mid-twentieth century. Martin Paul Eve's engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it. Professor Martin Paul Eve is Chair of Literature, Technology and Publishing at Birkbeck, University of London. He is also the author of Pynchon and Philosophy (2014), Open Access and the Humanities (2014), and Password (2016).
Literature --- Fiction --- Criticism --- Popular literature --- Study and teaching (Higher) --- Authorship. --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Literary style --- Fiction writing --- Writing, Fiction --- Authorship --- Appraisal --- Evaluation --- History and criticism --- Theory, etc. --- university english --- roberto bolaño --- ishmael reed --- contemporary fiction --- sarah waters --- metafiction --- jennifer egan --- tom mccarthy --- percival everett --- academia --- Literary criticism --- Postmodernism
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This book is about the destruction of art, both in terms of objects that have been destroyed -- lost in fires, floods or vandalism -- and the general concept of art operating through object and form. Through re-examinations of such events as the Momart warehouse fire in 2004 and the activities of art thief Stephane Breitwieser, the book proposes an idea of solvent form hinging on the dual meaning in the words solvent and solvency, whereby art, while attempting to make secure or fixed, simultaneously undoes and destroys through its inception. Ultimately, the book questions what is it that may be perceived in the destruction of art and how we understand it, and further how it might be linked to a more general failure.
Art and society. --- Art --- Defacement of art --- Mutilation of art --- Malicious mischief --- Mutilation --- Vandalism --- Art and sociology --- Society and art --- Sociology and art --- Mutilation, defacement, etc. --- Defacement --- Social aspects --- art [fine art] --- defacement --- mutilation --- philosophy of art --- art [discipline] --- Art and loss. --- Art. --- Contemporary art. --- Destruction of art. --- Destruction. --- Disappearance. --- Gallery of lost art. --- Georges Bataille. --- Georges Perec. --- Jake and Dinos Chapman. --- Lost Art. --- Momart warehouse fire. --- Momart. --- Remainder. --- Sacrifice. --- Sarah Winchester. --- Solvency. --- Tom McCarthy. --- Winchester Mystery House.
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