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On the grounds of the interpretation of Rainer Maria Rilke’s poetry and Paul Cézanne’s paintings the book attempts to approach the work of art as a thing. This lets to overcome a one-sided aesthetical interpretation of the origin of the work of art and to indicate its place in the cosmos of uncreated, id est not hominized things. So, the second fundamental issue raised is a try to point out a metaphysical difference between a hominized and not hominized (natural) thing. Such a non-aesthetical point of view is called ontotopy by the author and is opposed to traditional ontology and the philosophy of art.

Art --- Haecceity (Philosophy) --- Hecceity (Philosophy) --- Thisness (Philosophy) --- Ontology --- Individuation (Philosophy) --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation --- Rilke, Rainer Maria, --- Cézanne, Paul, --- Rilke, René Maria Cäsar, --- Li-erh-kʻo, --- Rielke, Rainer Maria, --- Rilkʻe, Rainŏ Maria, --- Rilḳeh, Rainer Mariyah, --- Rilke, Reiner Marie, --- רילקה, ראינר מריה, --- רילקה, ריינר מריה --- רילקה, ריינר מריה, --- רילקה, רינר מריה --- רילקה, רינר מריה, --- רילקה, רץ מ. --- רילקה, ר.מ --- Saishang, Baoluo, --- Sezan, Pol, --- Sezanas, P., --- Sezann, Polʹ, --- סזאן, פאול, --- セザンヌ, --- Saishang, --- Criticism and interpretation. --- Cézanne, Paul --- Saishang, Baoluo --- Sezan, Pol --- Sezanas, P. --- Sezann, Polʹ --- Saishang --- リルケ, ライナー マリア --- Rilke, Rainer Maria