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"Based on multiple decades of research on and experience with Egyptian dance and music, this book is a unique exploration into the history, expansion, aesthetics, social reality, regulation, and transformation of different forms of dance and dance music in Egypt. The book covers raqs sharqi (Oriental dance, known as belly dance or danse du ventre), raqs sha'biyya (regional or group-specific dances and rituals), sha'bi (lower-class urban music and a dance style), mulid (drawing on Sufi tradition and the festive character of saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). Each chapter touches on a different aspect of Egyptian dance, including genres and sub-genres and evolution, the demeanor of dancers, trends old and new, and social and political criticism using the imagery of dance or a dancer. It also considers the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the adoption of the dance as a hobby, competitive dance form, and focus of international dance festivals"-- "This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers raqs sharqi (Oriental dance, known as belly dance or danse du ventre), raqs sha'biyya (regional or group-specific dances and rituals), sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals"--

Dance --- Music and dance --- Dance music --- History. --- Social aspects --- History and criticism.

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"In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music."--Jacket. "In recent years, there has been an upsurge of interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without" selling out.""

Musique folklorique --- Sound recording industry --- Folk music --- Histoire et critique. --- Social aspects --- History and criticism. --- Rounder Records (Firm) --- North American Folk Music and Dance Alliance. --- North American Folk Music and Dance Alliance --- History. --- USA. --- USA --- United States.

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In the summer of 1972, a group of young people in Bloomington, Indiana, began a weekly gathering with the purpose of reviving traditional American old-time music and dance. In time, the group became a kind of accidental utopia, a community bound by celebration and deliberately void of structure and authority. In this joyful and engaging book, John Bealle tells the lively history of the Bloomington Old-Time Music and Dance Group -- how it was formed, how it evolved its unique culture, and how it grew to

Country dancing --- Old-time music --- Contra dancing --- Contradancing --- Country-dance --- Longways dancing (Country dancing) --- Dance --- Country music --- Hillbilly music --- Mountain music --- Old-time country music --- Old-time mountain music --- Old timey music --- Folk music --- Popular music --- Bluegrass music --- History. --- History and criticism. --- Bloomington Old-Time Music and Dance Group --- Wednesday Night Dance

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Demonstrates how songs and dances are performative and contribute to performances beyond narrative. Challenges the view that musical theatre's songs and dances are integrated into a narrative. Broadens the perception of music theatre to embrace a wide range of performance forms.

Chant. --- Musique et danse. --- Musique --- Théâtre musical. --- Exécution. --- Music and dance. --- Music --- Musical theater. --- Singing. --- Performance. --- Singing and voice culture --- Vocal culture --- Beatboxing --- Throat singing --- Lyric theater --- Theater --- Musical performance --- Performance of music --- Dance and music --- Dance --- Performance --- Music theater. --- Théâtre musical.

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This volume looks forward and re-examines present day education and pedagogical practices in music and dance in the diverse cultural environments found in Oceania. The book also identifies a key issue of how teachers face the prospect of taking a reflexive view of their own cultural legacy in music and dance education as they work from and alongside different cultural worldviews. This key issue, amongst other debates that arise, positions Intersecting Cultures as an innovative text that fills a gap in the current market with highly appropriate and fresh ideas from primary sources. The book offers commentaries that underpin and inform current pedagogy and bigger picture policy for the performing arts in education in Oceania, and in parallel ways in other countries.               .

Education. --- Performing arts. --- Art education. --- Anthropology. --- Arts Education. --- Performing Arts. --- Music and dance. --- Music --- Dance --- Multicultural education. --- Instruction and study. --- Study and teaching. --- Intercultural education --- Education, Musical --- Music education --- Musical education --- Musical instruction --- Dance and music --- Study and teaching --- Education --- Culturally relevant pedagogy --- Creativity and Arts Education. --- Show business --- Arts --- Performance art --- Human beings --- Art --- Art education --- Education, Art --- Art schools --- Analysis, interpretation, appreciation --- Primitive societies --- Social sciences --- Theater. --- Theatre and Performance Arts. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors