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This book is about a distinctive 'abyssal' approach to the crisis of modernity. In this framing, influenced by contemporary critical Black studies, another understanding of the world of modernity is foregrounded - a world violently forged through the projects of Indigenous dispossession, chattel slavery and colonial world-making. Modern and colonial world-making violently forged the 'human' by dividing those with ontological security from those without, and by carving out the 'world' in a fixed grid of space and time, delineating a linear temporality of 'progress' and 'development'. The distinctiveness of abyssal thought is that it inverts the stakes of critique and brings indeterminacy into the heart of ontological assumptions of a world of entities, essences, and universal determination. This is an approach that does not focus upon tropes of rescue and salvation but upon the generative power of negation. In doing so, it highlights how Caribbean experiences and writings have been drawn upon to provide an important and distinct perspective for critical thought. "How is it that ontology has come to be seen as the antidote for modernity? While Foucault denigrated ontology as a mistaken and parochial exercise, contemporary social theory holds out the promise that new modes of planetary knowledge will save us from our own excesses. Drawing together long traditions in Caribbean scholarship with Afro-pessimist thought, Pugh and Chandler illustrate how the search for more emancipatory ontologies - relational ontologies, indigenous ontologies, non-human ontologies, etc. - not only misunderstands the problem of modernity but (more importantly) works to veil the negative force that marks both the limit and cause of all such knowledge practices: what they term the abyss. To engage in abyssal thought - as they lay out - is to inhabit a site of refusal: a determination not to be drawn into the lure of ontological 'correction' and to recognise that the practice of world making cannot not bear the imprint of colonial violence. Articulated in passionate declarative prose, these authors powerfully illuminate the trap of the emancipatory instinct and the promise of a deconstructive ethic." - Mitch Rose, Senior Lecturer in Human Geography, Aberystwyth University, UK "A much-needed intellectual effort in the non-reductionist and non-essentialising style of Pugh and Chandler's previous book. The World as Abyss gives Caribbean thought and culture the place they deserve within critical theory and materialist studies." - Mónica Fernández Jiménez, Valladolid University, Spain "For some time now scholars have questioned the overly general assumptions about the 'anthropos' of the Anthropocene, but much work needs to be done to flesh out what a decolonized Anthropocene might be. Pugh and Chandler's The World as Abyss provides an original, intriguing and compelling counterpoint to bland Anthropocene humanism (and posthumanism). This timely work explores the poetics of the Caribbean and provides a way to think about the Anthropocene and the future beyond the managerialism of the present. This book is essential reading for those working in the environmental humanities or Anthropocene studies." - Claire Colebrook, Professor, Penn State University, USA "This book names an apocalypse that began long ago. Pugh and Chandler patiently follow the journey of thought as it travels from the Middle Passage to the Caribbean. This brings them face-to-face with the horror of anti-Black violence, not as just another resource to strip-mine, but as an unavoidable abyss that confines all thought. Its reminder: that we have still not yet begun to think a truly Black world." - Andrew Culp, Professor, California Institute of the Arts, USA "With the force of a manifesto, the intensity of a polemic, and the nuance of a treatise, this book sets out to disavow the disavowal of Colonial violence in the making of the contemporary world and thought. Learning from Caribbean thinkers, writers, and poets, it sets to work unworking, desedimenting and deconstructing, the violent ontological foundations by which anti-Black worlds maintain and reproduce their innocence and ignorance. Replaying and reiterating, extending and multiplying, gestures of refusal - refusals of subjection, of History, of Geography, of meaning, of Being - there is the refusal of the World as it is and of the World as it could be. The World as Abyss artfully combines a critique of the historical forces which make and unmake the contemporary moment with the suspension of horizons, of ends, of grounds. What emerges in the wake is an intensification of the generative capacity of this refusal; voids, arrhythmia, counter-times, displacements, dislocations, the abyssal. First as threat and then as promise" - Paul Harrison, Associate Professor of Human Geography, Durham University, UK.

Caribbean literature (English)

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This book, edited by Paula Morgan and Valerie Youssef, explores Caribbean discourse through the lens of reassembling fragmented identities and voices. It pays tribute to the contributions of scholars Bridget Brereton, Barbara Lalla, and Ian Robertson, who have significantly impacted the fields of history, literature, and linguistics at the University of the West Indies. The book examines themes of Creolization, language development, and postcolonial challenges, offering insights into the socio-cultural contexts of the Caribbean. It highlights the intellectual legacy of these scholars and their influence on academic and national discourses, with particular focus on the importance of Creole languages and Caribbean literary expression. The book is intended for scholars and students interested in Caribbean studies, linguistics, and postcolonial studies.

Caribbean literature. --- Creole dialects.

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This biography of Aimé Césaire explores the life and influence of the Martinican poet, playwright, essayist, theorist, and politician. Known as a founding member of the Negritude movement, Césaire's work profoundly impacted the discourse around race, identity, culture, and politics. The book highlights Césaire's upbringing in Martinique, his education, and his literary contributions, particularly his seminal work, 'Cahier d'un retour au pays natal'. It details Césaire's role in articulating a Caribbean identity and his influence on subsequent thinkers such as Frantz Fanon. The book is intended for general readers interested in Caribbean culture and history, as well as those studying postcolonial literature and theory.

Negritude (Literary movement) --- Caribbean literature.

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The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet's travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is "a powerful testament of the complexity, pain, and enrichment of inheritance...It is a compelling me

Caribbean poetry (English) --- English poetry --- Caribbean literature (English)

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The first book-length study of gossip's place in the literature of the multilingual Caribbean reveals gossip to be a utilitarian and deeply political practice-a means of staging the narrative tensions, and waging the narrative battles, that mark Caribbean politics and culture. Revising the overly gendered existing critical frame, Rodríguez Navas argues that gossip is a fundamentally adversarial practice that at once surveils identities and empowers writers to skirt sanitized, monolithic historical accounts by weaving alternative versions of their nations' histories from this self-governing discursive material. Reading recent fiction from the Hispanic, Anglophone, and Francophone Caribbean and their diasporas, alongside poetry, song lyrics, journalism, memoirs, and political essays, Idle Talk, Deadly Talk maps gossip's place in the Caribbean and reveals its rich possibilities as both literary theme and narrative device.

Caribbean literature --- Gossip in literature. --- History and criticism.