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De totale knieoperatie behoort, naast de totale heupoperatie, tot één van de meest succesvolle orthopedische operaties van de afgelopen decennia. Een knieprothese verhoogt in sterke mate de kwaliteit van leven bij patiënten met een invaliderende knieartrose. Het aantal totale knieoperaties neemt ieder jaar toe. Dit komt doordat mensen steeds ouder worden, op hoge leeftijd fysiek actief willen zijn en op steeds jongere leeftijd een totale knieprothese kunnen krijgen. Totale enkelprothesen zijn minder bekend maar ook deze worden inmiddels met succes geïmplanteerd in artrotische enkelgewrichten. Dit boek beschrijft de laatste stand van zaken. In Kunstgewrichten: knie en enkel komen diverse onderwerpen aan bod, zoals: de methode van opereren, de revalidatie na de operatie, veelvoorkomende complicaties en hoe deze kunnen worden herkend. Het boek bevat richtlijnen voor de mate waarin knie- en enkelprothesen belast mogen worden, bijvoorbeeld tijdens sportactiviteiten. Bijlagen achterin het boek tonen hoe knie- en enkelartrose te herkennen zijn. Daarnaast is een revalidatieprogramma toegevoegd dat kan worden toegepast na een knieartroplastiek. Deze wordt rijk geïllustreerd met concrete oefeningen. Zoals gebruikelijk in de boekenreeks van Orthopedische Casuïstiek wordt ieder onderwerp besproken aan de hand van patiëntencasuïstiek uit de dagelijkse praktijk.
Orthopaedics. Traumatology. Plastic surgery --- knees [furniture leg components] --- ankles [animal components] --- kinesitherapie --- orthopedie --- gewrichten --- orthopedische verpleegkunde --- Physiotherapy.
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Teeth. --- Mammals. --- Eutheria --- Mammalia --- Mammalians --- Prototheria --- Theria --- Vertebrates --- Odontography --- Odontology --- Mouth --- Dentistry --- Dentition --- Mammals --- Dentition. --- Teeth --- Dents. --- Mammifères --- Vertébrés --- teeth (animal components). --- Anatomy. --- Eruption. --- Anatomie.
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Born to Jewish radical parents in Chicago in 1939, Judy Cohen grew up to be Judy Chicago-one of the most daring and controversial artists of her generation. Her works, once disparaged and misunderstood by the critics, have become icons of the feminist movement, earning her a place among the most influential artists of her time. In Becoming Judy Chicago, Gail Levin gives us a biography of uncommon intimacy and depth, revealing the artist as a person and a woman of extraordinary energy and purpose. Drawing upon Chicago's personal letters and diaries, her published and unpublished writings, and more than 250 interviews with her friends, family, admirers, and critics, Levin presents a richly detailed and moving chronicle of the artist's unique journey from obscurity to fame, including the story of how she found her audience outside of the art establishment. Chicago revolutionized the way we view art made by and for women and fundamentally changed our understanding of women's contributions to art and to society. Influential and bold, The Dinner Party has become a cultural monument. Becoming Judy Chicago tells the story of a great artist, a leader of the women's movement, a tireless crusader for equal rights, and a complicated, vital woman who dared to express her own sexuality in her art and demand recognition from a male-dominated culture.
Women artists --- Artists --- Feminism and art --- Chicago, Judy, --- Art --- sculpture [visual works] --- installations [visual works] --- feminism --- gender issues --- genitals [animal components] --- Chicago, Judy
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Drawing on a rich array of textual and visual primary sources, including medicine, satires, play scripts, dictionaries, natural philosophy, and texts on collecting wonders, this book provides a fresh perspective on monstrosity in early modern European culture. The essays explore how exceptional bodies challenged social, religious, sexual and natural structures and hierarchies in the sixteenth, seventeenth and early eighteenth centuries and contributed to its knowledge, moral and emotional repertoire. Prodigious births, maternal imagination, hermaphrodites, collections of extraordinary things, powerful women, disabilities, controversial exercise, shapeshifting phenomena and hybrids are examined in a period before all varieties and differences became normalized to a homogenous standard. The historicizing of exceptional bodies is central in the volume since it expands our understanding of early modern culture and deepens our knowledge of its specific ways of conceptualizing singularities, rare examples, paradoxes, rules and conventions in nature and society.
History of civilization --- anno 1500-1599 --- anno 1600-1699 --- anno 1700-1799 --- E-books --- Abnormalities, Human --- Congenital Abnormalities --- History. --- history --- Europe --- Monsters --- Social aspects. --- bodies [animal components] --- mismaakte mens
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Eye in art. --- Sculpture --- Polychromy. --- Color in sculpture --- History. --- Color --- sculpture [visual works] --- physiognomy --- polychromy --- eyes [animal components] --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699
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This book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body's reflexive movements, Elise Archias argues convincingly that Yvonne Rainer, Carolee Schneemann, and Vito Acconci forged a dialogue between modernist aesthetics and their own artistic community's embrace of all things ordinary through work that explored the abstraction born of the body's materiality. Rainer's task-like dances, Schneemann's sensuous appropriations of popular entertainment, and Acconci's behaviorist-inflected tests highlight the body's unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era.
Modernism (Aesthetics) --- Aesthetics --- Rainer, Yvonne, --- Schneemann, Carolee, --- Acconci, Vito, --- Acconi, Vito, --- Performance art --- Performance artists --- Arts, American --- American arts --- Artists --- Arts, Modern --- Happenings (Art) --- Performing arts --- History --- Criticism and interpretation. --- Art de performance --- Histoire --- Art --- dance [discipline] --- performance art --- bodies [animal components] --- Rainer, Yvonne --- Schneemann, Carolee --- Acconci, Vito --- anno 1960-1969 --- Arts américains --- Arts, American. --- Performance art. --- Performance artists. --- Performance --- Performers --- Tanz. --- Critique et interprétation. --- 1900-1999. --- New York (State) --- USA. --- United States. --- 1900-1999 --- AB --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērik --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené obce severoamerick --- Spojené staty americk --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheirice --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA --- Umschulungswerkstätten für Siedler und Auswanderer --- Umschulungswerkstätte für Siedler und Auswanderer --- Bitterfeld --- ABŞ --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- É.-U. --- ÉU --- Saharat ʻAmērikā --- Spojené obce severoamerické --- Spojené staty americké --- Stáit Aontaithe Mheiriceá --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- dance [performing arts genre]
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