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Dylan at Play offers a selection of writings that can challenge and engross readers eager for new ways to meet the singularity of Bob Dylan's work. We have no interest in competing Other the almost numberless and ever-increasing quantity of critical and encyclopedic writing on Dylan. Instead, our goal Other this collection has been play and not categorizing or defining. We solicited material that might, in sum, create a vision of both reverent scrutiny and mischief. In this collection, you'll...
Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Criticism and interpretation. --- Dylan, Bob
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In tracing the various phases of a career that has lasted almost half a century, Negus stresses the centrality of performance to Dylan's life as a musician and songwriter, as well as detailing the way he has treated his songs as continually open to change and rearrangement in concert. Through listening to Dylan's words as sounds, rhythms and tunes in the air rather than reading them as prose on a page, we can gain an insight into one of the most enigmatic, enthralling, yet unpredictable, of contemporary popular musicians.
Singers --- Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Dylan, Bob
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For fifty years, Bob Dylan's music has been a source of wonder to his fans and endless fodder for analysis by music critics. In Counting Down Bob Dylan, rock journalist Jim Beviglia dares to rank these songs in descending order from Dylan's 100th best to his #1 song.
Popular music --- History and criticism. --- Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Criticism and interpretation. --- Dylan, Bob
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Many critics have interpreted Bob Dylan's lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock 'n' roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as "poems." Dylan's Autobiography of a Vocation instead focuses on how all of Dylan's 1965-1967 songs manifest traces of his ongoing, internal "autobiography" in which he continually declares and questions his relation to a self-determined existential summons.
Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Criticism and interpretation. --- Dylan, Bob
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In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Ranci
Rock music --- History and criticism. --- Dylan, Bob, --- Hendrix, Jimi --- Bowie, David --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Jones, David Robert --- Jones, Davy, --- Stardust, Ziggy --- Ziggy Stardust --- Hendrix, James Marshall --- Hendrix, Jimmy --- Hendrix, Johnny Allen --- Hendrix, Jimmi --- Khendriks, Dzhimi --- Хендрикс, Джими --- Criticism and interpretation. --- Dylan, Bob --- Hendrix, Jimi,
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Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Political aspects --- Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Criticism and interpretation. --- Political and social views. --- Dylan, Bob
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Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan’s musical and literary production. Significantly distinct in approach, each chapter draws attention to the function and implications of certain aspects of Dylan's work—his tendency to confuse, question, and subvert literary, musical, and performative traditions. Polyvocal Bob Dylan places Dylan’s textual and performative art within and against a larger context of cultural and literary studies. In doing so, it invites readers to reassess how Dylan’s Nobel Prize–winning work fits into and challenges traditional conceptions of literature.
Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Literature, Modern-20th century. --- Poetry. --- Music. --- Contemporary Literature. --- Poetry and Poetics. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern --- 20th century. --- 21st century.
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