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thomas Mann's novella, "The Law" portrays the events of the Exodus of the Children of Israel from Egypt in a similar fashion as Mann told the story of Joseph in his Joseph novels - with gentle rationality and delicate irony. The commentaries by Volker Ladenthin and Thomas Vormbaum take up specific aspects of the story from a literary and judicial perspective.

Mann, Thomas. --- Thomas Mann. --- LAW / General. --- Moses --- Moïse --- Moiseĭ --- Moisés --- Mosè --- Mosheh --- Mosheh, --- Mosis --- Moyshe, --- Mózes --- Mūsá --- Nabī Mūsá --- משה --- משה,

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Infolge der Moderne schwinden absolute Erklärungsprinzipien: Man sucht Orientierung, um seine Lebenswelt und den erfahrungswissenschaftlich aufgeschlossenen Kosmos zu überschauen. Seine sich in diesem Kontext ausbildende, nie ganz bewusst gestaltete Weltanschauung artikuliert der Mensch auch in der Literatur. Antonia Bräutigam analysiert anhand von Jenseitsreisen in Werken von Autoren wie Thomas Mann, Samuel Beckett und C.S. Lewis die durch die Moderne geprägte Weltanschauung und reflektiert diese philosophisch-theologisch. Literatur erweist sich dabei als locus theologicus, als Erkenntnisort für die Theologie, das Motiv der Jenseitsreise als Daseinsmetapher von hoher theologischer Relevanz. »Die Analysen, das Poetisch-Ästhetische der jeweiligen Texte etwas vernachlässigend, leisten einen instruktiven Beitrag für den in jüngster Zeit wieder viel diskutierten Zusammenhang von Literatur und Religion.« Nils Rottschäfer, Germanistik, 61/1-2 (2020) Besprochen in: www.der-schwache-glaube.de, Konrad Schrieder, 02.08.2019

Jenseitsreisen; Himmelsreise; Literaturtheologie; Religionssoziologie; Moderne; Thomas Mann; Samuel Beckett; C. S. Lewis; Religion; Literatur; Kulturgeschichte; Kulturphilosophie; Religionswissenschaft; Allgemeine Literaturwissenschaft; Philosophie; Afterlife Journeys; Literature Theology; Sociology of Religion; Modernity; Literature; Cultural History; Philosophy of Culture; Religious Studies; General Literature Studies; Philosophy --- C. S. Lewis. --- Cultural History. --- General Literature Studies. --- Literature Theology. --- Literature. --- Modernity. --- Philosophy of Culture. --- Philosophy. --- Religion. --- Religious Studies. --- Samuel Beckett. --- Sociology of Religion. --- Thomas Mann.

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The year 1930 can be seen as the dawn of a period of darkness, the beginning of a decade that Auden would style "low, dishonest." That year was one of the most reflective moments in modernity. After the optimism of the nineteenth century, the West had stumbled into war in 1914. It managed to survive a conflagration, but it failed in the aftermath to create something valued. In 1930, Europe was questioning itself and its own viability. Where are we heading? a number of public intellectuals asked. Who are we and how do we build moral social and political structures? Can we continue to believe in the insights and healing quality of our culture? Major thinkers-Mann, Woolf, Ortega, Freud, Brecht, Nardal, and Huxley- as well as a number of artists, including Picasso and Magritte, and musicians, such as Weill, sought to grapple with issues that remain central to our lives today: the viability of a secular Europe with Enlightenment values coming to terms with a darker view of human nature mass culture and its dangers; the rise of the politics of irrationality identity and the "other" in Western civilization new ways to represent the postwar world the epistemological dilemma in a world of uncertainty; and the new Fascism-was it a new norm or an aberration? Arthur Haberman sees 1930 as a watershed year in the intellectual life of Europe and with this book, the first to see the contributions of the public intellectuals of 1930 as a single entity, he forces a reconsideration and reinterpretation of the period.

Intellectuals --- History --- Europe --- Intellectual life --- 1930s. --- Aldous Huxley. --- Bertolt Brecht. --- Europe between the wars. --- European public intellectuals. --- Jose Ortega y Gasset. --- Kurt Weill. --- Modernism in art and society. --- Sigmund Freud. --- Thomas Mann. --- Virginia Woolf. --- cultural pessimism. --- irrationality in politics society. --- mass culture. --- the 'Other' in the West.

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In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870's through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past-the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.

Art and music. --- Modernism (Art) --- Modernism (Music) --- Music --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Music and art --- History and criticism. --- Musique --- Modernisme (musique) --- Modernisme (art) --- Art et musique. --- 19th century european music. --- 20th century european music. --- ambivalent modernism. --- arnold schoenberg. --- austro german music. --- california studies in 20th century music. --- early modernism. --- eugen dalbert. --- franz schreker. --- german modernism. --- german naturalism. --- gustav mahler. --- hans pfitzner. --- historicist modernism. --- late richard wagner. --- max reger. --- max von schillings. --- modernism. --- modernist music. --- modernity. --- music and visual arts. --- music history. --- music. --- musicians. --- nietzsche. --- richard strauss. --- thomas mann. --- wagner.

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"Thomas Mann owes his place in world literature to the dissemination of his works through translation. Indeed, it was the monumental success of the original English translations that earned him the title of 'the greatest living man of letters' during his years in American exile (1938-52). This book provides the first systematic exploration of the English versions, illustrating the vicissitudes of literary translation through a principled discussion of a major author. The study illuminates the contexts in which the translations were produced before exploring the transformations Mann's work has undergone in the process of transfer. An exemplary analysis of selected textual dimensions demonstrates the multiplicity of factors which impinge upon literary translation, leading far beyond the traditional preoccupation with issues of equivalence. Thomas Mann in English thus fills a gap both in translation studies, where Thomas Mann serves as a constant but ill-defined point of reference, and in literary studies, which has focused increasingly on the author's wider reception."--Bloomsbury Publishing.

Translating and interpreting. --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Translating --- Mann, Thomas, --- Mann, Paul Thomas --- Mann, Thomas --- マン・トオマス --- マン, トーマス --- Translations into English --- History and criticism. --- Man, Tomas, --- Man, Tʻomasŭ, --- Mān, Tūmās, --- Manas, Tomas, --- Mani, Tʻomas, --- Mann, Paul Thomas, --- Mann, Tomas, --- Mann, Tomasz, --- Thomas, Paul, --- Манн, Томас, --- מאן, תומאס --- מאן, תומאס, --- מאן, טאמאס --- מאן, טאמאס, --- מן, תומס --- מן, טומס --- מן, טומס, --- مان، توماس --- Literair vertalen. --- Thomas Mann --- Vertalingen. --- vertalingen in het Engels --- geschiedenis en kritiek.