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Lela Wilson's biography is an engaging personal perspective on Wilson's career as a painter and muralist, and as an advocate for the arts in Canada. This biography also provides an insider's view of a critical, but somewhat neglected, era in the development of Canadian art.
Painters --- Peintres --- Wilson, York,
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Dutch literature --- Painters --- Peintres --- Biography --- Biographies --- Munch, Edvard, --- Bjolstad, Karen,
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"Since her death in 2011, the legendary Surrealist Leonora Carrington has been reconstructed and reinvented many times over. In this book, Gabriel Weisz Carrington draws on remembered conversations and events to demythologise his mother, revealing the woman and the artist behind the iconic persona. He travels between Leonora's native England and adopted homeland of Mexico, making stops in New York and Paris and meeting some of the remarkable figures she associated with, from Max Ernst and Andre Breton to Remedios Varo and Alejandro Jodorowsky. At the same time, he strives to depict a complex and very real Surrealist creator, exploring Leonora not simply in relation to her romantic partners or social milieus but as the artist she always was. A textured portrait emerges from conversations, memories, stories and Leonora's engagement with the books that she read. Using the act of writing to process and understand the death of his mother, the author has produced a moving and fascinating account of life, art, love and loss."--Publisher description.
Peintres --- Femmes peintres --- Painters --- Women painters --- Weisz Carrington, Gabriel. --- Carrington, Leonora, --- Mexico. --- England. --- Chiki Weisz. --- George Gurdjieff. --- Leonora Carrington. --- Max Ernst. --- Mexico City. --- Surrealism. --- magic. --- memoir. --- painting. --- the body.
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A fascinating exploration of the life and work of one of America’s most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
Painters --- Rothko, Mark, --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ, --- Painting, American --- Peintres --- Peinture américaine --- Biography. --- Biographies
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The personal journals of Charles Burchfield reveal the unique vision and approach to life that established him as America's preeminent watercolorist and painter of nature. When he died in 1967 at the age of seventy-three, Burchfield had filled seventy-two bound notebooks with his personal entries, comprising some 10,000 pages. He included sketches, doodles, quotations, clippings, weather, notes, and other marginalia and insertions offering a rare glimpse into the. artist's life. Presented here in book form, the edited journals are organized thematically. The editor's introductions place each section in biographical and art historical context. The material is annotated and informed by the previously unpublished archives of the Burchfield Art Center, and complemented by 41 color plates and 131 black and white illustrations. These journals constitute a full, detailed history of an American artist's life, presenting a culmination of. two major literary genres: the nineteenth century spiritual autobiography and the American nature journal. Burchfield's notes feature the activities, daily sketching trips, nature observations, personal encounters, artistic growth, and the religious conflicts of a major American artist. Beginning with the summer before his third year in high school and continuing up to the months before his death, the journals are as complete a record of Burchfield's thoughts and career. as Delacroix's journals or Van Gogh's letters to his brother Theo are of theirs. Burchfield was born in 1893 in Ashtabula, Ohio, and grew up in Salem, a small town in the northeast section of the state. He received his art training at the Cleveland School of Art. After a year's tour of duty in the Army, he moved to Buffalo, New York, and went to work as Assistant Designer and later Director of the design department of M.H. Birge and Sons Wallpaper Company. When in 1929. Frank K.M. Rehn of New York offered to become his art dealer, Burchfield resigned from Birge in order to devote himself fully to painting. Over the years his accomplishments included one-person exhibitions in the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Carnegie Museum of Art, and Corcoran Gallery of Art. Among the awards and honors he received were the Chancellor's medal from the University of Buffalo, the Merit medal (gold) from. the National Institute of Arts and Letters, the Dawson Memorial Medal, the Metropolitan Museum of Art watercolor award, and a doctorate of Fine Arts from Harvard University. In 1966 the Charles Burchfield Center was dedicated at Buffalo State College.
Painters --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Artists --- Diaries. --- Diaries --- Burchfield, Charles Ephraim, --- Burchfield, Charles, --- Burchfield, Charles E. --- Birchfield, Charles, --- Peintres --- Journal
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"Rural Women's Leadership in Atlantic Canada presents results from a regional field-based study, the first of its kind. In the course of her study, Louise Carbert gathered together small groups of rural community leaders (126 women in all) throughout the four Atlantic provinces, and interviewed them about their experiences and perceptions of leadership, public life, and running for elected office. Their responses paint a vivid picture of politics in rural communities, illustrating how it intersects with family life, work, and the overall local economy. Through discussion of their own reluctance to entering politics, and of the resistance encountered by those who have put their names forward, the interviewees shed much-needed light on the pervasive barriers to the election of women. Carbert not only contextualizes the results in terms of economic and demographic structures of rural Atlantic Canada, but also considers points of comparison and contrast with other parts of the country."--Jacket.
7.02 --- 7.02 Kunsttechniek. Methoden en technieken in de kunst --- Kunsttechniek. Methoden en technieken in de kunst --- Peintres --- Peinture medievale --- Europe --- Histoire --- Moyen age --- Women politicians --- Women --- Political activity --- Atlantic Provinces --- Rural conditions.
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Incarnation du mythe de l'artiste maudit, Vincent van Gogh (1853-1890) est devenu une référence de l'art contemporain. Expressionniste pendant le courant postimpressioniste, son art fut incompris tout au long de sa vie. Vincent van Gogh réalisa plus de 2000 œuvres mais n'en vendra qu'une seule tout au long de sa vie. Peintre autodidacte, sa peinture est reconnue pour sa beauté à la fois sensible et âpre. Il est aujourd'hui l'un des artistes les plus en vogue sur le marché de l'art
Painters --- Painting, Dutch --- Peintres --- Peinture néerlandaise --- Gogh, Vincent van, --- Fan-kao, --- Fan-ku, --- Fan'gao, --- Fangu, --- Fangu, Wensheng, --- Gogh, Vincent-Willem van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent, --- גוך, וינסנט ואן, --- ビンセントゴッホ, --- ゴッホ, --- 梵高, --- Van Gogh, Vincent
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Les quelques quarante lettres de Claude Gauvreau à Paul-Emile Borduas, qui fut pour lui un ami, un père et un maître, jalonnent un parcours mouvementé : des premières semaines après la publication de Refus global jusqu'à la rupture, un an avant la mort de Borduas à Paris. Les Lettres à Paul-Emile Borduas constituent un document essentiel sur l'histoire et les enjeux esthétiques et idéologiques du mouvement automatiste. Par ailleurs, la situation personnelle de Claude Gauvreau, tragiquement marquée par la maladie mentale et par son enfermement institutionnel, donne un tour singulier à cet échange de correspondance.
Borduas, Paul-Émile, -- 1905-1960 -- Correspondance. --- Borduas, Paul-Émile, -- 1905-1960 -- Correspondence. --- Borduas, Paul-Émile, -- 1905-1960. -- Refus global. --- Écrivains québécois -- Correspondance. --- Gauvreau, Claude, -- 1925-1971 -- Correspondance. --- Gauvreau, Claude, -- 1925-1971 -- Correspondence. --- Peintres -- Québec (Province) -- Correspondance. --- Romance Literatures --- Languages & Literatures --- French Literature --- Borduas, Paul-Émile, --- Écrivains québécois --- Peintres --- Painters --- Borduas, Paul Émile --- Gauvreau, Claude, --- Artists --- Claude Gavreau --- correspondance --- peinture --- Paul-Emile Borduas --- mouvement automatiste
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Painting --- Belgian [modern] --- drawing [image-making] --- painting [image-making] --- Alechinsky, Pierre --- anno 1900-1999 --- Bruxelles --- Exposition --- Peintres --- Peinture --- 736.8 --- Schilderkunst --- kunst --- België --- schilderkunst --- tekenkunst --- Alechinsky Pierre --- twintigste eeuw --- Cobra --- 75.071 ALECHINSKY --- 75.071(493) --- Pierre Alechinsky --- Belgische schilders --- 20e eeuw --- Schilder- en tekenkunst ; België ; 20e eeuw --- Exhibitions --- abstracte schilderkunst --- 790 --- schilderkunst 20ste eeuw --- België schilderkunst --- kunstenaars --- artistes
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Franse titel : N15039 : Bruxelles Colonie d'Artistes : Peintres hollandais 1850-1890 : ..
Painting --- anno 1800-1899 --- Belgium --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Bruxelles --- Exposition --- Peintres --- Rotterdam (Nederland) --- kunst --- negentiende eeuw --- 75.035 --- Toorop Jan --- Storm van 's Gravesande Charles --- Oyens Pieter --- Oyens David --- de Haas Jan --- Roelofs Willem --- schilderkunst --- Brussel --- België --- Exhibitions --- kunstenaarskolonies --- 1850 - 1890 --- 19de eeuw --- Noordelijke Nederlanden --- 1850 - 1890. --- 19de eeuw. --- Noordelijke Nederlanden. --- sculptuur --- theater, toneel, toneelvoorstelling --- ballet; balletvoorstelling --- films --- muziek --- Nederland.
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