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I cortometraggi e i video di Zbigniew Rybczyński hanno segnato l’immaginario di un’epoca, quella degli anni Ottanta a Novanta del Novecento. Geniale sperimentatore di linguaggi, innovatore di tecnologie, instancabile ricercatore di estetiche che guardano al futuro, l’artista polacco . ancora oggi uno degli autori pi. interessanti del panorama mediatico contemporaneo. Questo libro traccia una storia delle sue avventurose visioni, analizzando le sue opere pi. importanti, dalle animazioni in stop motion ai video musicali e alle opere video realizzate con innovative sperimentazioni in chroma key

Film Radio Television --- cinéma --- Rybczyński --- stop motion --- clips vidéos --- films --- cinema --- music videos --- video musicali --- film

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"In 2007, an unlikely troupe of 1500 Filipino prisoners became Internet celebrities after their YouTube video of Michael Jackson's ground-breaking hit 'Thriller' went viral. Taking this spectacular dance as a point of departure, Dangerous Mediations explores the disquieting development of prisoners performing punishment to a global, online audience. Combining analysis of this YouTube video with first-hand experiences from fieldwork in the Philippine prison, Áine Mangaoang investigates a wide range of interlocking contexts surrounding this user-generated text to reveal how places of punishment can be transformed into spaces of spectacular entertainment, leisure, and penal tourism. In the post-YouTube era, Dangerous Mediations sounds the call for close readings of music videos produced outside of the corporate culture industries. By connecting historical discussions on postcolonialism, surveillance and prison philosophy with contemporary scholarship on popular music, participatory culture and new media, Dangerous Mediations is the first book to ask critical questions about the politics of pop music and audiovisual mediation in early 21st-century detention centres."--Bloomsbury Publishing.

Music in prisons --- Popular music --- Music videos --- Cebu Provincial Detention and Rehabilitation Centre. --- Moral and ethical aspects.

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How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica.

Feminism and music. --- Music videos --- Videos, Music --- Television music --- Television programs --- Video recordings --- Music and feminism --- Music --- History and criticism. --- Social aspects.

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"How does music enrich and define cult television series? This book analyzes theme tunes and scoring on television to reveal how composers construct a series' identity using musical idioms and instruments. Characters and plot developments, similarly, are enhanced by their musical accompaniment. The different scoring strategies employed in science fiction and horror-based genres, comprising for example Star Trek or Dr. Who, are considered alongside cult shows set in our reality, such as Dexter, The Sopranos and Queer as Folk. These discussions are complimented by in-depth case studies of musical approaches in three high-profile series: Buffy the Vampire Slayer, Battlestar Galactica and Lost. Written from a musicological standpoint but fully accessible to non-musicologists, the book significantly advances television and music studies."--Back cover.

Television music. --- Cult television programs. --- Background music for television --- Music for television --- Music --- Music videos --- Television programs --- Battlestar Galactica television programs. --- Television and music. --- Buffy, the vampire slayer (Television program) --- Lost (Television program) --- Music and television --- Science fiction television programs

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Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles.

Popular music --- Music videos --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Videos, Music --- Television music --- Television programs --- Video recordings --- History and criticism.