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While attending to the material world, these case studies explicate the manner in which the tangible and intangible, the material and the meaningful, are constantly entwined and co-constituted.
Material culture --- Culture --- Folklore --- Technology --- Social aspects --- #SBIB:39A5 --- Kunst, habitat, materiële cultuur en ontspanning
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No detailed description available for "Folklore in the Modern World".
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Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the ""material turn"" in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What resul
Material culture --- #SBIB:39A5 --- Culture --- Folklore --- Technology --- Social aspects. --- Kunst, habitat, materiële cultuur en ontspanning --- Social aspects
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Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, women's writing, subaltern studies, literature in German, Ju'hoansi and Otjiherero, children's literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the book's strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.
Namibian literature --- History and criticism. --- History and criticism --- #SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika
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#SBIB:39A5 --- #SBIB:39A73 --- 825 Ontwikkelingssamenwerking --- 843 Middenveld --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Art --- Sociology of cultural policy --- Africa
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Whether it's childhood make-believe, the theater, sports, or even market speculation, play is one of humanity's seemingly purest activities: a form of entertainment and leisure and a chance to explore the world and its possibilities in an imagined environment or construct. But as Roberte Hamayon shows in this book, play has implications that go even further than that. Exploring play's many dimensions, she offers an insightful look at why play has become so ubiquitous across human cultures. Hamayon explores facets of play such as learning, interaction, emotion, strategy, luck, and belief, and she emphasizes the crucial ambiguity between fiction and reality that is at the heart of play as a phenomenon. Revealing how consistent and coherent play is, she ultimately shows it as a unique modality of action that serves an invaluable role in the human experience.
Games --- Play --- #SBIB:39A5 --- #SBIB:316.7C500 --- Social aspects. --- Kunst, habitat, materiële cultuur en ontspanning --- Sport en spel: algemeen --- Social aspects
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The figure of the barbarian has captivated the Western imagination from Greek antiquity to the present. Since the 1990s, the rhetoric of civilization versus barbarism has taken center stage in Western political rhetoric and the media. But how can the longevity and popularity of this opposition be accounted for? Why has it become such a deeply ingrained habit of thought that is still being so effectively mobilized in Western discourses? The twenty essays in this volume revisit well-known and obscure chapters in barbarism's genealogy from new perspectives and through contemporary theoretical idioms. With studies spanning from Greek antiquity to the present, they show how barbarism has functioned as the negative outside separating a civilized interior from a barbarian exterior; as the middle term in-between savagery and civilization in evolutionary models; as a repressed aspect of the civilized psyche; as concomitant with civilization; as a term that confuses fixed notions of space and time; or as an affirmative notion in philosophy and art, signifying radical change and regeneration. Proposing an original interdisciplinary approach to barbarism, this volume includes both overviews of the concept's travels as well as specific case studies of its workings in art, literature, philosophy, film, ethnography, design, and popular culture in various periods, geopolitical contexts, and intellectual traditions. Through this kaleidoscopic view of the concept, it recasts the history of ideas not only as a task for historians, but also literary scholars, art historians, and cultural analysts.
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"The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation"--
Diaries --- Authors --- Literature, Modern --- History and criticism --- Biography&delete& --- Writers --- Litterateurs --- Bio-bibliography --- Literature --- #SBIB:39A5 --- Kunst, habitat, materiële cultuur en ontspanning --- Biography --- History and criticism.
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Dance is more than an aesthetic of life - dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post
Dance --- Tourism --- Danse --- Tourisme --- Social aspects. --- Anthropological aspects --- Aspect social --- Aspect anthropologique --- #SBIB:39A5 --- Dance and society --- Dancing and society --- Society and dance --- Anthropology --- Kunst, habitat, materiële cultuur en ontspanning --- Anthropological aspects. --- Social aspects
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Rural tourism --- Ethnicity --- China --- Ethnic relations. --- Rural conditions. --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Rural industries --- Tourism --- #SBIB:39A5 --- #SBIB:39A75 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Azië --- Social & cultural anthropology
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