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Roth, Joseph, --- Roth, Joseph

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Since the publication of Joseph Conrad’s “Author’s Note” (1920) to A Set of Six (1908), readers have been aware that the plot for the Napolonic tale “The Duel” derived from an existing account. What has been unknown till now is the large number of venues in which that account variously appeared. This volume traces the tale’s fascinating genealogy and the immediate contemporary source that inspired Conrad’s 1907 story. A transcription of the story’s typescript-manuscript sheds light on the story’s development. Conrad’s “The Duel”: Sources/Text will interest several readerships. Scholars engaged in historical and textual research can explore how Conrad drew upon, reworked, and transformed the story’s sources. The relationships between the tale’s initial draft and final form will interest scholars of genetic questions, and teachers of short fiction and of creative writing will find this an invaluable volume for exploring how source materials alter during the creative process.

Conrad, Joseph,

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When Joseph Conrad’s novel Chance appeared in serial form in the New York Herald in 1912 and in book form in 1914 it established the author’s financial security for the first time. Following years of struggle to reach a wide audience for his fiction, Conrad benefitted from the American marketing of this novel for the women readers of romance. Aggressive advertising promoted the writer’s new focus on a female protagonist and Conrad’s division of the story’s location between land and sea. The novel proved popular and lucrative. Yet in spite of its economic success, Chance remains one of Conrad’s less well-known narratives. This fresh new collection of essays from both young and established scholars opens up a lively critical debate taking Chance beyond the status of best-selling romance. In a striking re-evaluation of the novel these writers examine Chance ’s innovative narrative strategies, its up-to-the-minute commentary on female politics, contemporary ethics, as well as its antecedents in classical debate and the significance of Conrad’s last use of his seaman narrator Marlow.

Conrad, Joseph,

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Conrad, Joseph,

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Heller, Joseph --- Heller, Joseph. --- Criticism and interpretation.