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Judith Woolf's elegantly written book introduces school and university students, as well as the interested general reader, to the major novels of Henry James (1843-1916), the American writer who became a great European novelist and died a naturalised Englishman. The principal novels in which James explored his central theme, the betrayal of innocence, are discussed in a lucid way which offers fresh intrepretations and communicates to the non-specialist reader the excitement rather than the difficulty of reading James. Difficulty is nonetheless often a feature of his work, and Judith Woolf does not shun important questions. She places him in the context of the history of the English novel (Fielding, Richardson, Dickens, and George Eliot), focusing on traditions of tragic and comic vision and on the subtleties of expression and perspective enabled by the narrative form. The book includes a short account of James's life, a list of his works and their dates, and a selected guide to further criticism.
James, Henry --- James, Henry, --- Œuvre --- --James, Henry, --- Criticism and interpretation --- Criticism and interpretation. --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- Arts and Humanities --- Literature --- James, Henry, - 1843-1916 - Criticism and interpretation --- James, Henry, 1843-1916 --- James, Henry (1843-1916) --- Critique et interprétation --- James, Henry, - 1843-1916
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There has been almost no study of the American writings of Henry James, that is, the fiction, essays, and travel literature with an American setting. The great bulk of Jamesian criticism deals with the international novels, particularly his late works. This study places James's career in a new perspective by discussing its American aspect. It gives the critic an opportunity to come to grips with the evolution of James's technique from his second short story to his penultimate, unfinished novel, The Ivory Tower.
James, Henry --- James, Henry, 1843-1916. The Europeans --- James, Henry, 1843-1916. The Ivory Tower --- James, Henry, 1843-1916. Watch and Ward --- National characteristics, American, in literature --- -Criticism and interpretation --- National characteristics, American, in literature. --- James, Henry, --- Criticism and interpretation. --- Criticism and interpretation --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى
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Addresses ethical and aesthetic issues in three major works by Henry James.
Didactic fiction, American --- Conduct of life in literature --- Ethics in literature --- History and criticism --- James, Henry, --- Criticism and interpretation --- Aesthetics --- Ethics --- Conduct of life in literature. --- Ethics in literature. --- History and criticism. --- Criticism and interpretation. --- Aesthetics. --- Ethics. --- 820 "18" JAMES, HENRY --- 820 "18" JAMES, HENRY Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- James, Henry --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- Didactic fiction, American - History and criticism --- James, Henry, - 1843-1916 - Criticism and interpretation --- James, Henry, - 1843-1916 - Aesthetics --- James, Henry, - 1843-1916 - Ethics --- James, Henry, - 1843-1916
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The Jamesian mode of writing, it has been claimed, actively works against an understanding of the way truth, history and power circulate in his texts. In this collection of essays, leading scholars of James analyse the strategies James used to address these crucial issues. Enacting History in Henry James claims that, because the type of knowledge available in James's fiction is never of a cognitive kind, the reader can never know 'truth' in any verifiable sense. James's writing instead promises an experiential type of knowledge, one that is attained by participating in the power games and moral dramas that unfold within the text. This collection argues that reading James ultimately requires not just an emotional responsiveness, but also an ethical assumption of responsibility for the act of reading. By placing James's work in a fresh theoretical context, this book throws fresh light on this most enigmatic of writers.
Literature and history --- Narration (Rhetoric) --- Power (Social sciences) in literature. --- Reader-response criticism. --- Ethics in literature. --- Fiction --- Littérature et histoire --- Narration --- Pouvoir (Sciences sociales) dans la littérature --- Esthétique de la réception --- Morale dans la littérature --- Roman --- History. --- History --- Technique. --- Histoire --- Technique --- James, Henry, --- Knowledge --- Power (Social sciences) in literature --- Reader-response criticism --- Ethics in literature --- 820 "18" JAMES, HENRY --- -Literature and history --- -Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and literature --- History and poetry --- Poetry and history --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- Philosophy --- James, Henry --- -James, Henry --- -Knowledge --- -History --- 820 "18" JAMES, HENRY Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- Littérature et histoire --- Pouvoir (Sciences sociales) dans la littérature --- Esthétique de la réception --- Morale dans la littérature --- -History. --- Arts and Humanities --- Literature and history - United States - History --- Narration (Rhetoric) - History - 20th century --- Narration (Rhetoric) - History - 19th century --- Fiction - Technique --- James, Henry, - 1843-1916 - Knowledge - History --- James, Henry, - 1843-1916 - Technique --- Literatura i història --- Poder (Ciències socials) en la literatura --- Estètica de la recepció --- Ètica en la literatura --- Narració (Retòrica) --- Novel·la --- Tècnica --- Coneixements --- Història --- Ficció (Literatura) --- Narracions --- Novel·la curta (Gènere literari) --- Literatura --- Novel·listes --- Prosa --- Anàlisi del discurs narratiu --- Retòrica --- Recepció (Crítica literària) --- Recepció del lector, Teoria de la --- Teoria de la recepció del lector --- Crítica literària --- Lectura --- James, Henry, - 1843-1916 --- James (henry), 1843-1916 --- Critique et interpretation
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'It wasn't as good as the book' - this is the response to many a film adaptation, and even the starting point of many film reviews. Novel to Film is the first sytematic theoretical account of the process by which the great (and not so great) works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. Drawing upon recent relevant literary and film theory, the book provides careful analysis of the theory and practice of metamorphosis. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller and Cape Fear provide case studies which represent a range of fiction and cinematic practice.
Literary semiotics --- Film --- Film adaptations. --- Adaptations cinématographiques --- Adaptation cinématographique --- --Cinéma --- --Littérature --- --Film adaptations --- 791.43 --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- Adaptations cinématographiques --- Film adaptations --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Motion pictures --- Adaptations --- Cinéma --- Littérature --- HAWTHORNE (NATHANIEL), 1804-1864 --- HILTON (JAMES) --- DICKENS (CHARLES), 1812-1870 --- JAMES (HENRY), 1843-1916 --- MacDONALD (JOHN) --- CINEMA ET LITTERATURE --- ADAPTATIONS CINEMATOGRAPHIQUES ET TELEVISEES --- THE SCARLET LETTER --- RANDOM HARVEST --- GREAT EXPECTATIONS --- DAISY MILLER --- CAPE FEAR
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James, Henry --- Eliot, George --- Hardy, Thomas --- English fiction --- Tragic, The --- History and criticism --- Criticism and interpretation --- Fictional works --- -Tragic, The --- English literature --- -Hardy, Thomas --- -James, Henry --- -Criticism and interpretation --- -Eliot, George --- Eliot, Mary Ann Evans --- Evans, Mary Anne --- Eliot, George, --- History and criticism&delete& --- Theory, etc --- Hardy, Thomas, --- Author of Desperate remedies, --- Author of Under the greenwood tree, --- Desperate remedies, Author of, --- Gardi, Tomas, --- Ha-tai, --- Ha-tai, Tʻo-ma-ssu, --- Hārdī, Tūmās, --- Hardy, Tomás, --- Hardy, Tomasz, --- Khardi, Tomas, --- Under the greenwood tree, Author of, --- 哈代托瑪斯, --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Criticism and interpretation. --- Fictional works. --- James, Henry, --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- English fiction - 19th century - History and criticism --- Eliot, George, - 1819-1880 - Criticism and interpretation --- Hardy, Thomas, - 1840-1928 - Fictional works --- James, Henry, - 1843-1916 - Criticism and interpretation --- Eliot, George, - 1819-1880 --- Hardy, Thomas, - 1840-1928 --- James, Henry, - 1843-1916 --- Hārḍī, Thômasa,
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The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin's investigation of values carried through inherited forms of speech. The Dialect of the Tribe offers fresh readings of such great novels as The Golden Bowl, Women in Love, Ulysses, and the Beckett trilogy which illustrate how complex attitudes toward the speech forms of language inform the most varied social, psychological, and aesthetic structures in modern fiction. Sabin explores the powerful tension in these writers between appreciation
Speech in literature --- Community in literature --- English fiction --- History and criticism --- James, Henry, --- Joyce, James, --- Beckett, Samuel, --- Lawrence, David Herbert, --- Knowledge --- Language and languages. --- -Speech in literature --- English literature --- Beckett, Samuel --- -James, Henry --- Joyce, James --- Lawrence, D. H. --- -ジョイス --- Fictional works --- -Language and languages --- Homer. --- Birmingham, Kevin. --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Davison, Lawrence H. --- Lorensŭ, --- Lorensŭ, D. H., --- Lourens, D. G., --- Lorenss, D. H., --- Lorens, Deĭvid Gerbert, --- Lārensu, Ḍi. Ec., --- Lourens, Dėvid Gerbert, --- לאורנס, ד. ה. --- לאורענס --- לורנס, ד״ה --- לורנס, ד.ה., --- לורנס, ד.ה..., --- Fictional works. --- Bikit, Sāmūʼil, --- Lawrence, David Herbert --- Lorensŭ --- Lorensŭ, D. H. --- Lourens, D. G. --- Lorenss, D. H. --- Lorens, Deĭvid Gerbert --- Lārensu, Ḍi. Ec. --- Lourens, Dėvid Gerbert --- English fiction - 20th century - History and criticism --- James, Henry, - 1843-1916 --- Joyce, James, - 1882-1941 --- Beckett, Samuel, - 1906-1989 - Fictional works --- Lawrence, David Herbert, - 1885-1930 - Knowledge - Language and languages. --- James, Henry, - 1843-1916. - Golden bowl --- Joyce, James, - 1882-1941. - Ulysses --- Speech in literature. --- Comparative literature --- History and criticism. --- English and French. --- French and English. --- Criticism and interpretation. --- Lawrence, D.H. --- Beckett, Samuel, - 1906-1989 --- Lawrence, David Herbert, - 1885-1930
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""Characters"" are those fictive beings in novels whose coherent patterns of behavior make them credible as people. ""Character"" is also used to refer to the capacity-or incapacity-of individuals to sustain core principles. When characters are inconsistent, they risk coming across as dangerous or immoral, not to mention unconvincing. But what is behind our culture's esteem for unwavering consistency? Out of Character examines literary characters who defy our culture's models of personal integrity. It argues that modernist writers Henry James, Gertrude Stein, and T. S. Eliot drew i
American literature --- Characters and characteristics in literature. --- Vitalism in literature. --- Modernism (Literature) --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- History and criticism. --- History and criticism --- James, Henry, --- Stein, Gertrude, --- Eliot, T. S. --- Eliot, Thomas Stearns --- Staĭn, Gertruda, --- Stein, Gertruda, --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- Characters. --- Modernism (literature) --- Eliot, t.s. (thomas stearns), 1888-1965 --- James, henry, 1843-1916 --- Stein, gertrude, 1874-1946 --- Biography & autobiography --- American literature. --- Characters and characteristics. --- Modernism (literature). --- Literary. --- 1900-1999. --- United States. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- James, Henry
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