Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Irony in literature. --- France, Anatole,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In 2001, Vanity Fair declared that the Age of Irony was over. Joan Didion has lamented that the United States in the era of Barack Obama has become an ";irony-free zone."; Jonathan Lear in his 2006 book Radical Hope looked into America's heart to ask how might we dispose ourselves if we came to feel our way of life was coming to an end. Here, he mobilizes a squad of philosophers and a psychoanalyst to once again forge a radical way forward, by arguing that no genuinely human life is possible without irony.Becoming human should not be taken for granted, Lear writes. It is something we accomplish, something we get the hang of, and like Kierkegaard and Plato, Lear claims that irony is one of the essential tools we use to do this. For Lear and the participants in his Socratic dialogue, irony is not about being cool and detached like a player in a Woody Allen film. That, as Johannes Climacus, one of Kierkegaard's pseudonymous authors, puts it, "is something only assistant professors assume." Instead, it is a renewed commitment to living seriously, to experiencing every disruption that shakes us out of our habitual ways of tuning out of life, with all its vicissitudes. While many over the centuries have argued differently, Lear claims that our feelings and desires tend toward order, a structure that irony shakes us into seeing. Lear's exchanges with his interlocutors strengthen his claims, while his experiences as a practicing psychoanalyst bring an emotionally gripping dimension to what is at stake-the psychic costs and benefits of living with irony.

Irony. --- Cynicism. --- Pessimism --- Philosophy --- Psychology --- Skepticism --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- Irony

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.

Irony in literature. --- Literature, Medieval --- Literature, Modern --- History and criticism. --- Irony. --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- Sarcasm. --- early modern. --- irony. --- medieval.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Figures of speech. --- Irony. --- Semantics. --- Language and emotions. --- Psycholinguistics.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Irony. --- Irony --- German literature --- Thematology --- anno 1800-1899 --- Romanticism --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- Romantisme --- Ironie --- Romanticism - Germany