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Collection of previously published texts about Switzerland from various works by Robert Walser.
German literature --- Switzerland --- In literature --- In literature. --- Switzerland - In literature
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'Masculinity and the Hunt' traces the imagery of the hunt in English literature of the 16th century, exploring a set of practices and motifs that are central to the culture of the period.
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Why are so many contemporary poets writing elegies? Given a century shaped by two world wars, vast population displacements, and shifting attitudes towards aging and death, is the elegy form adaptable to the changing needs of writers and audiences? In a sceptical age, where can consolation be found? In We Are What We Mourn Priscila Uppal examines why and how the work of mourning has drastically changed in the latter half of the twentieth century, focusing on the strong pattern in contemporary English-Canadian elegy that emphasizes connection rather than separation between the living and the dead. Uppal offers a penetrating reading of Canadian elegies that radically challenges English and American elegy traditions as well as long-standing psychological models for successful mourning. She sets up useful categories for elegy study - parental elegies, elegies for places, and elegies for cultural losses and displacements - and suggests where elegy and mourning studies might be headed post 9/11. The first book on the Canadian poetic elegy, We Are What We Mourn challenges all previous ideas about the purpose of mourning and will intrigue anyone interested in how mourning shapes cultural identity.
Death in literature. --- Grief in literature. --- Mourning customs in literature.
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Through a combination of case studies and theoretical investigations, the essays in this book address the imaginative power of the threshold as a productive space in literature and art.
Space in literature. --- Boundaries in literature. --- Liminality in literature.
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The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
Comic, The, in literature. --- Laughter in literature. --- Humor in literature.
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Religious faith, myths and legends have always been present in literature. However, their role has changed over time. Since the middle of the nineteenth century, with the diminishing role of religion in European society, writers with some kind of belief system, whether religious or political, have tended to use myth in two different ways. They have either retold the old, familiar myths of the past so that they carry fresh messages relevant to a contemporary audience or created their own, new ...
Faith in literature. --- Mythology in literature. --- Myth in literature.
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Inspired by the growing interest in oriental countries and cultures, Hasan Baktir examines the representation of the ""Ottoman Orient"" in 18th century English literature, taking a new perspective to achieve a comprehensive understanding and investigating different aspects of the interaction between the Ottoman Orient and 18th century Europe.A number of questions continue to arise in the wake of Said's 1978 landmark study, ""Orientalism"". How monodirectional was the flow of power in such representations?
Orientalism in literature. --- Civilization, Oriental, in literature. --- Orient --- In literature.
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After much investigation, Ziolkowski reinforces Umberto Eco's notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact "a secret without content.".
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Spanning nearly 500 years of cultural and social history, this book examines the ways that literature and surveillance have developed together, as kindred modern practices. As ideas about personhood-what constitutes a self-have changed over time, so too have ideas about how to represent, shape, or invade the self. The authors show that, since the Renaissance, changes in observation strategies have driven innovations in literature; literature, in turn, has provided a laboratory and forum for the way we think about surveillance and privacy. Ultimately, they contend that the habits of mind cultivated by literature make rational and self-aware participation in contemporary surveillance environments possible. In a society increasingly dominated by interlocking surveillance systems, these habits of mind are consequently necessary for fully realized liberal citizenship.
Self in literature. --- Privacy in literature. --- Citizenship in literature.
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Human beings have believed in conspiracies presumably as long as there have been groups of at least three people in which one was convinced that the other two were plotting against him or her. In that sense one might look back as far as Eve and the serpent to find the world's first conspiracy. Whereas recent generations have tended to find their conspiracies in politics and government, the past often sought its mysteries in religious cults or associations. In ancient Rome, for example, the senate tried to prohibit the cult of Isis lest its euphoric excesses undermine public morality and political stability. And during the Middle Ages, many rulers feared such powerful and mysterious religious orders as the Knights Templar.Fascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution of cults, orders, lodges, secret societies, and conspiracies through various literary manifestations-drama, romance, epic, novel, opera-down to the thrillers of the twenty-first century. Arguing that the lure of the arcane throughout the ages has remained a constant factor of human fascination, Ziolkowski demonstrates that the content of conspiracy has shifted from religion by way of philosophy and social theory to politics. In the process, he reveals, the underlying mythic pattern was gradually co-opted for the subversive ends of conspiracy. Cults and Conspiracies considers Euripides's Bacchae, Andreae's Chymical Wedding, Mozart's The Magic Flute, and Eco's Foucault's Pendulum, among other seminal works. Mimicking the genre's quest-driven narrative arc, the reader searches for the significance of conspiracy fiction and is rewarded with the author's cogent reflections in the final chapter. After much investigation, Ziolkowski reinforces Umberto Eco's notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact "a secret without content."
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