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"Global Trends in Museum Diplomacy traces the transformation of museums from publicly or privately funded heritage institutions into active players in the economic sector of culture. Exploring how this transformation reconfigured cultural diplomacy, the book argues that museums have become autonomous diplomatic players on the world stage. The book offers a comparative analysis across a range of case studies in order to demonstrate that museums have gone global in the era of neoliberal globalisation. Grincheva focuses first on the Solomon R. Guggenheim Foundation, which is well known for its bold revolutionising strategies of global expansion: museum franchising and global corporatisation. The book then goes on to explore how these strategies were adopted across museums around the world and analyses two cases of post-Guggenheim developments in China and Russia: the K11 Art Mall in Hong Kong and the International Network of Foundations of the State Hermitage Museum in Russia. These cases from more authoritarian political regimes evidence the emergence of alternative avenues of museum diplomacy that no longer depend on government commissions to serve immediate geo-political interests. Global Trends in Museum Diplomacy will be a valuable resource for students, scholars and practitioners of contemporary museology and cultural diplomacy. Documenting new developments in museum diplomacy, the book will be particularly interesting to museum and heritage practitioners and policymakers involved in international exchanges or official programs of cultural diplomacy"--
Cultural diplomacy --- Art and state --- Solomon R. Guggenheim Museum.
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The success of the Guggenheim Museum in Bilbao, designed and engineered by Frank O. Gehry and inaugurated in 1997, opened the eyes of the world to the plastic possibilities of Free Form Design. That is, on the side of architects and their admiring clients. Some architects draw up complicated but surprising and attractive Free Form Designs and win design competitions. The next step is to involve the manufacturing industry and the contractors in realizing these dreams. According to the author(s), the desire and logic for an adapted Free Form Technology will become became apparent after more designs. At Mick Eekhout’s design & build company Octatube the first experiences with Free Form Designs either failed, were aborted, were a disaster or led to unfortunate events such as the bankruptcy of competing firms who took on the projects without major Free Form Design experience. But Free Form design has matured nowadays. Many lessons can be learned from these early experiments, which is the main reason to share these experiences with readers of this book.
Architectural design --- Data processing. --- Floriade Pavilion --- Guggenheim Museum --- Tel Aviv --- Galleria --- Berlin --- Free Form Design --- Alphen aan den Rijn --- non-orthogonal --- DG Bank --- Malmö --- engineering --- Free Form Technology --- Bilbao --- Rotterdam --- Town Hall --- high rises --- Greenhouse --- Hoofddorp --- Rabin Centre --- Frank O. Gehry
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"Surveys how U.S. museums exhibited Latin American art in the 1960s, focusing on rhetoric, aesthetics, and Cold War politics"--
Art --- Art museums --- Political aspects --- History --- 1960s. --- American art museums. --- Cold war. --- Latin American art exhibits. --- Neoconcretism. --- Solomon R. Guggenheim Museum. --- Walker Art Center. --- abstraction. --- assemblage. --- communism. --- contemporary art. --- curatorial practices. --- exhibition history. --- inter-American relations. --- kineticism. --- neofiguration. --- politics. --- proto-conceptual art.
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