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Les marchands écrivains : Affaires et humanisme à Florence 1375-1434
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ISBN: 3111251748 3111631133 Year: 1967 Publisher: De Gruyter

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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.


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Writing history in Renaissance Italy : Leonardo Bruni and the uses of the past.
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ISBN: 9780674061521 9780674063266 0674063260 0674061527 Year: 2012 Volume: *1 Publisher: Cambridge Harvard university press

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Leonardo Bruni (1370-1444) is widely recognized as the most important humanist historian of the early Renaissance. But why this recognition came about-and what it has meant for the field of historiography-has long been a matter of confusion and controversy. Writing History in Renaissance Italy offers a fresh approach to the subject by undertaking a systematic, work-by-work investigation that encompasses for the first time the full range of Bruni's output in history and biography.The study is the first to assess in detail the impact of the classical Greek historians on the development of humanist methods of historical writing. It highlights in particular the importance of Thucydides and Polybius-authors Bruni was among the first in the West to read, and whose analytical approach to politics led him in new directions. Yet the revolution in history that unfolds across the four decades covered in this study is no mere revival of classical models: Ianziti constantly monitors Bruni's position within the shifting hierarchies of power in Florence, drawing connections between his various historical works and the political uses they were meant to serve.The result is a clearer picture of what Bruni hoped to achieve, and a more precise analysis of the dynamics driving his new approach to the past. Bruni himself emerges as a protagonist of the first order, a figure whose location at the center of power was a decisive factor shaping his innovations in historical writing.


Book
Firenze e la lingua italiana fra nazione ed Europa : atti del convegno di studi, Firenze, 27-28 maggio 2004
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ISBN: 8884535182 9788884535184 8884535174 Year: 2007 Publisher: Firenze : Firenze University Press,


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La vie quotidienne à Florence au temps de Dante
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ISBN: 2010053125 9782010053122 Year: 1979 Publisher: Paris Hachette


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La vie quotidienne en Italie au temps de Machiavel : Florence, Rome
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ISBN: 2010032691 9782010032691 Year: 1979 Publisher: Paris Hachette


Book
Orpheus in the Marketplace
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ISBN: 067472464X 9780674724648 067472657X 9780674726574 0674727932 Year: 2013 Volume: 10 Publisher: Cambridge, MA

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The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.

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