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Comment la publicité, activité encore balbutiante vers 1900, devient-elle en quelques décennies une profession disposant de son propre pavillon à l'Exposition internationale des arts et des techniques dans la vie moderne de Paris en 1937 ? Comment s'organisent les publicitaires, sur quelles autres professions prennent-ils modèle ? Quelle est la nature de leurs relations avec les milieux d'affaires, les « rationalisateurs » ou les affichistes ? Comment répondent-ils aux critiques de la publicité murale qui envahit les murs ? Analysant les pratiques collectives des publicitaires et l'apparition de nouvelles techniques commerciales dans la première moitié du xxe siècle, Marie-Emmanuelle Chessel montre comment publicitaires, industriels, commerçants, affichistes, voire détracteurs, participent, parfois de manière conflictuelle, à l'invention de la publicité moderne. Cet ouvrage nous fait voyager dans une France en mutation, confrontée aux valeurs naissantes liées à l'arrivée de la société de consommation.
Economic history --- publicité --- réclame --- grands magasins --- Exposition internationale
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National characteristics, French. --- Folklore --- Regionalism --- Folk-lore, French --- French national characteristics --- Exposition internationale (1937 : Paris, France) --- France --- Civilization --- Cultural policy.
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"Attracting over fifteen million visitors, the 1925 Paris Expo had an ambitious goal to create a new modernist style which would reflect the great scientific, industrial, and technological advances that produced a new spirit known as "modern." In April in Paris, author Irena R. Makaryk explores the theatre arts' vital cultural and political impact at this celebrated international exhibition. Drawing extensively from unexplored archival documents from France, Austria, and North America, April in Paris is the first major study to focus on theatre arts at the 1925 Paris Expo and the audacious Soviet contributions to this fair. Turning a spotlight on the uses and representations of theatricalized spaces, Makaryk analyses their political challenge at a time when relations between the West and the USSR were rife with tension. Copiously illustrated with beautiful colour and black and white illustrations, this book elucidates the complex role of the international fair as a catalyst for spirited cultural debate and for aesthetic change."--
Exhibitions --- Theater --- Aesthetics, Modern --- Political aspects --- History --- Political aspects. --- Exposition internationale des arts décoratifs et industriels modernes --- France --- Art Deco. --- Paris. --- Soviet. --- avant-garde. --- cultural politics. --- international. --- modernism. --- space. --- theatre. --- world's fairs.
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In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world.In this study of the White C
World's Columbian Exposition --- Chicago Columbian Exposition --- Chicago Columbian World's Exposition --- Chicago World's Fair --- Chikagskai︠a︡ Vsemirnai︠a︡ Kolumbova vystavka --- Columbian Exposition --- Columbian Fair --- Exposition colombienne --- Exposition internationale de Chicago --- Exposition universelle de Chicago --- Kʻollŏmbia Segye Pangnamhoe --- Kolumbická výstava --- Shikago Koronbusu Sekai Hakurankai --- Vsemirnai︠a︡ Kolumbova vystavka --- Vsemīrnai︠a︡ Kolumbova vystavka v Chikago --- Exposición Universal Columbina en Chicago --- Kolumbus-Ausstellung
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"Collection of scholarly essays and primary documents exploring the significance of the 1893 World's Fair and the history of American anthropology"--
HISTORY / United States / 19th Century. --- SOCIAL SCIENCE / Anthropology / Cultural. --- Anthropology --- Human beings --- History. --- World's Columbian Exposition --- Chicago Columbian Exposition --- Chicago Columbian World's Exposition --- Chicago World's Fair --- Chikagskai︠a︡ Vsemirnai︠a︡ Kolumbova vystavka --- Columbian Exposition --- Columbian Fair --- Exposition colombienne --- Exposition internationale de Chicago --- Exposition universelle de Chicago --- Kʻollŏmbia Segye Pangnamhoe --- Kolumbická výstava --- Shikago Koronbusu Sekai Hakurankai --- Vsemirnai︠a︡ Kolumbova vystavka --- Vsemīrnai︠a︡ Kolumbova vystavka v Chikago --- Exposición Universal Columbina en Chicago --- Primitive societies --- Kolumbus-Ausstellung --- Social sciences
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"Unfair Labor? breaks new ground by telling the stories of individual laborers, naming names, and uncovering the untold story of the roles that Native Americans involved in the 1893 World's Fair played in the changing economic conditions of tribal peoples and redefining their place in the American socioeconomic landscape"--
Indians of North America --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Social conditions --- Employment --- History --- Economic conditions --- Culture --- Ethnology --- World's Columbian Exposition --- Chicago Columbian Exposition --- Chicago Columbian World's Exposition --- Chicago World's Fair --- Chikagskai︠a︡ Vsemirnai︠a︡ Kolumbova vystavka --- Columbian Exposition --- Columbian Fair --- Exposition colombienne --- Exposition internationale de Chicago --- Exposition universelle de Chicago --- Kʻollŏmbia Segye Pangnamhoe --- Kolumbická výstava --- Shikago Koronbusu Sekai Hakurankai --- Vsemirnai︠a︡ Kolumbova vystavka --- Vsemīrnai︠a︡ Kolumbova vystavka v Chikago --- Exposición Universal Columbina en Chicago --- Influence. --- Kolumbus-Ausstellung
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"Explores women's conceptions of citizenship as articulated in their speeches at the 1893 World's Columbian Exposition in Chicago. Illustrates how, in addition to working for their own enfranchisement, women also modeled practices of democratic citizenship beyond the ballot"--Provided by publisher.
Women's rights --- Women --- Citizenship --- Deliberative democracy --- Rhetoric --- History --- Political activity --- Suffrage --- World's Columbian Exposition --- Birthright citizenship --- Citizenship (International law) --- National citizenship --- Nationality (Citizenship) --- Political science --- Public law --- Allegiance --- Civics --- Domicile --- Political rights --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Discursive democracy --- Democracy --- Law and legislation --- Chicago Columbian Exposition --- Chicago Columbian World's Exposition --- Chicago World's Fair --- Chikagskai︠a︡ Vsemirnai︠a︡ Kolumbova vystavka --- Columbian Exposition --- Columbian Fair --- Exposition colombienne --- Exposition internationale de Chicago --- Exposition universelle de Chicago --- Kʻollŏmbia Segye Pangnamhoe --- Kolumbická výstava --- Shikago Koronbusu Sekai Hakurankai --- Vsemirnai︠a︡ Kolumbova vystavka --- Vsemīrnai︠a︡ Kolumbova vystavka v Chikago --- Exposición Universal Columbina en Chicago --- Kolumbus-Ausstellung
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"The 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The Exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--The site of rampant sensuality, decadence, and irrationality - and as the laboratory of Western rationality. In Hybrid Modernities, Patricia Morton shows how the Exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture." "Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the Colonial Exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced."--Jacket.
Exhibition buildings --- Architecture --- Art, Architecture & Applied Arts --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- History --- Exposition coloniale internationale de Paris --- Colonial exhibition --- Exposition coloniale de Paris --- Exposition coloniale internationale --- Exposition internationale des colonies --- Paris. --- Buildings. --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Colonies
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