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Die von der Germanistik und von der Niederlandistik lange erwartete Edition macht einen Text zugänglich, der als versgenaue Umsetzung eines niederländischen Werkes ins Deutsche eine Vorstellung zu vermitteln vermag von der Gestalt des mittelniederländischen "Madelgijs", der bekanntesten, aber nur fragmentarisch erhaltenen niederländischen Bearbeitung eines Chanson de geste-Stoffes, des französischen "Maugis d’Aigremont". Das rund 23.000 Verse umfassende Epos über Malagis, den zauberkundigen Helfer der vier Haimonskinder, wurde zusammen mit den zwei eng verwandten Epen, dem 1885 bereits in einer modernen Ausgabe erschienenen "Reinolt von Montalban" und dem in absehbarer Zeit ebenfalls in den Deutschen Texten des Mittelalters erscheinenden "Ogier", im 15. Jahrhundert am Heidelberger Hof rezipiert. Die Edition des "Malagis" wie des "Ogier" werden daher in besonderem Maße zur Kenntnis der niederländisch-deutschen Literaturbeziehungen im Spätmittelalter und zur Erhellung des Literaturbetriebs eines spätmittelalterlichen Fürstenhofes beitragen. Die umfangreiche Einleitung zur Ausgabe gibt Auskunft über die handschriftliche Überlieferung und die inhaltliche Ausgestaltung des Stoffes in der deutschen, niederländischen und französischen Literatur sowie über die Abhängigkeit der verschiedenen Bearbeitungen des Stoffes. Leithandschrift für den Text des nur in zwei Handschriften des 15. Jahrhunderts überlieferten "Malagis" ist der Cpg 340. In einem Lesartenapparat sind die für das zeitgenössische Textverständnis aufschlussreichen Varianten des cpg 315, einer direkten Abschrift des Cpg 340, verzeichnet. In einem kommentierenden Apparat werden schwer verständliche Stellen erläutert und Konjekturen begründet, z. T. durch Hinweise auf die mndl. Fragmente, deren Beginn bzw. Ende am rechten Rand des Textes nach der Edition von Bob Th. W. Duijvestijn vermerkt ist. Ein Namenverzeichnis mit einer genealogischen Übersicht und ein ausführliches Glossar, das über ein bloßes Wortverzeichnis hinausgeht, beschließen den lange erwarteten Band, der das Ergebnis einer erfolgreichen interdisziplinären Zusammenarbeit von Germanisten und Niederlandisten aus mehreren Ländern repräsentiert.
German literature --- Chanson de geste --- Chansons de geste --- Yeesten --- Malagis (Epic poem) --- HISTORY / General.
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This ambitious study of all proper names in the Chanson de Roland is based for the first time on a systematic survey of the whole geographical and historical literature from antiquity to after 1100 for the Geographica, and on working through (almost) the entire documentary tradition of France and its neighbouring regions from 778 to the early 12th century for the personal names. The overall result is clear: the surviving song is more tightly and profoundly structured, even in smaller scenes, than generally assumed, it is also richer in depicting reality, and it has a very long prehistory, which can be traced in outline, albeit with decreasing certainty, (almost) back to the Frankish defeat of 778. Here are some individual results: for the first time, a detailed (and ultimately simple!) explanation not only of the 'pagan' catalogue of peoples, but also of the overarching structure of Baligant's empire, the organisation of North Africa, the corpus of the Twelve Anti-Pairs as well as the 'pagan' gods are given, and individual names such as Bramimunde and Jurfaret, toponyms such as Marbrise and Marbrose are explained. From Roland's Spanish conquests (v. 196-200), the course of the elapsed set anz toz pleins is reconstructed. Even the names of the weapons prove to be a small structured group, in that they are very discreetly adapted to their respective 'pagan' or Christian owner. On the Christian side, the small list of relics in Roland's sword is also carefully devised, not least in what is left out: a relic of the Lord; this is reserved for Charlemagne's Joiuse. The author explains for example, why from the archangel triad only Michael and Gabriel descend to the dying Roland, whereas 'the' angel Cherubin descends in Rafael's place. Munjoie requires extensive discussion, because here a (hitherto insufficiently recorded) toponym has been secondarily charged by the poet with traditional theological associations. The term Ter(e) major is attested for the first time in reality, namely in the late 11th century in Norman usage. For the core of France, the fourth cornerstone - along with Besançon, Wissant and Mont-Saint-Michel - is Xanten, and its centre is Aachen. The poet's artful equilibration of Charles's ten eschieles and their leaders is traced. The "Capetian barrier" emerges as a basic fact of epic geography. Approximatively, the last quarter of the study is devoted to the prehistory of the song, going backwards in time: still quite clearly visible is an Angevin Song of Roland from around 1050, in which Marsilĭe, Olivier, Roland, Ganelon, Turpin and Naimes already have roles similar to those in the preserved Song. Behind it, between about 970 and shortly after 1000, is the Girart de Vienne from the Middle Rhône, already recognised by Aebischer, with the newly invented Olivier contra Roland. Finally, in faint outlines, an oldest attainable, also Middle Rhône adaptation of the Roland material from shortly after 870 emerges. For the Chanson de Roland, Gaston Paris and Joseph Bédier were thus each right on the main point that was close to their hearts: the surviving song has both the thoroughly sophisticated structure of great art that Bédier recognised in it, and the imposingly long prehistory that Paris conjectured.
FOREIGN LANGUAGE STUDY / French. --- Chanson de Roland. --- Epic Poem. --- Medieval French Literature. --- Onomastics.
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Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940's and 1950's as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time-from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and counter memories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.
American poetry --- POETRY / General. --- Black Mountain school (Group of poets) --- 20th century. --- 1940s. --- 1950s. --- american poet. --- american poetry. --- berkeley renaissance. --- charles bernstein. --- charles olson. --- collected works. --- creative writer. --- creative writing. --- epic poem. --- inspiring. --- jack spicer. --- life story. --- literary history. --- literary. --- long poem. --- mfa. --- ouevre. --- philosophy. --- poetic verse. --- poetics. --- poetry studies. --- poetry. --- postwar poet. --- postwar poetry. --- postwar. --- robert duncan. --- serial poem. --- serial publication. --- steve mccafferey. --- the holy forest. --- verse.
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One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and
Trojan War --- Epic poetry, Greek. --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Achilles --- Achìe --- Achilas --- Achille --- Achilleus --- Achilli --- Ahil --- Ahile --- Ahilej --- Ahillejs --- Aĥilo --- Aichill --- Akhilles --- Akhilleus --- Akhilleusz --- Akiles --- Akili --- Akille --- Akilles --- Akkilles --- Aquiles --- Aquilles --- Axill --- Axilles --- Ἀχιλλεύς --- آخيل --- アキレウス --- Akireusu --- 아킬레우스 --- 阿喀琉斯 --- Ахіл --- Ахил --- Ахилл --- Akhill --- Ахіллес --- אכילס --- Akhiles --- Epic poetry, Greek --- Achilles (Greek mythology) --- Achilles (Greek mythology) -- Poetry. --- Trojan War -- Poetry. --- Mythology, Greek --- achilles. --- aeneas. --- agamemnon. --- ancient classics. --- ancient greece. --- ancient mythology. --- annotated homer. --- annotated iliad. --- classic fiction. --- classic literature. --- classical antiquity. --- epic poem. --- epic poetry. --- epics. --- greek antiquity. --- greek epic. --- greek gods. --- greek literature. --- greek myth. --- greek mythology. --- homer. --- homeric tradition. --- iliad and odyssey. --- iliad. --- judgement of paris. --- kleos. --- menelaus. --- nostos. --- odysseus. --- poeme vivant. --- poetry. --- trojan war. --- troy. --- world lit.
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