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Through a thorough analysis of the content, form, language and comedy of Carl Sternheim's comedies from 1910 to 1920, this study found a genuinely expressionistic comedy. Based on the presentation of its anti-classic form and anti-ethical conception, this comedy is proven to be an integral part of avant-garde modernism. A comparison with other German comedias shows their affinity for the type of serious comedy and tragicomedia.
Expressionism. --- Aesthetics --- ernste Komödie --- Komödie des Expressionismus --- Tragikomödie --- Ästhetik des Widerwärtigen --- Carl Sternheim --- Sternheim-Forschung --- Expressionismus
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Leonid Nikolaevič Andreev war einer der vielrezipierten und diskutierten Schriftsteller um die Wende und zu Beginn des 20. Jahrhunderts, einer Zeit, in der unterschiedliche Stilrichtungen sich bekämpften und vermischten.
Andreevs --- Erzähltechniken --- Expressionismus --- Leonid --- Martini --- Multiperspektivik --- Nikolaevič --- Oktoberrevolution --- Realismus --- russische Prosa
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Dadaism --- Expressionism --- German literature --- Dada --- Tabu-Dadaism --- Arts, Modern --- Dadaism. --- Expressionism. --- Littérature allemande --- Expressionnisme --- Dadaïsme --- Aesthetics --- German literature - 20th century --- LITERATURGESCHICHTE --- EXPRESSIONISMUS --- DADAISMUS
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Im Juni 1937 eröffnete Jacob Zeitlin in seiner Buchladen-Galerie in Los Angeles eine Ausstellung mit Grafiken von Käthe Kollwitz. Es war die erste Ausstellung von Kollwitz’ Werk in Südkalifornien. Co-Sponsor der Ausstellung und der glamourösen Vernissage war die Hollywood Anti-Nazi League for the Defense of American Democracy. Die Redner des Abends waren der deutsche Schriftsteller und Aktivist Ernst Toller und der amerikanische Komponist George Antheil. Zu den illustren Gästen gehörten Fritz Lang, Richard Neutra, Arnold Schönberg, George Gershwin, Kurt Weill und andere Berühmtheiten der Filmindustrie und der deutschösterreichischen Exilgemeinde. Die Kollwitz-Ausstellung wurde zum Dreh- und Angelpunkt der zentralen Konfliktfelder der Stadt: Sie war nicht bloß ein kulturelles Ereignis in Zeitlins Buchladen-Galerie, sondern vor allem eine gezielte politische Aktion der Hollywood Anti-Nazi League. Kollwitz’ Schaffen geriet damit ins Kreuzfeuer der Auseinandersetzungen zwischen dem antifaschistischen Kampf der Anti-Nazi League und den gewalttätigen Aktionen nationalsozialistischer Gruppen in Los Angeles. In diesem politischen Spannungsfeld wurde Käthe Kollwitz als »anti-Nazi artist« wahrgenommen und ihrer Ausstellung eine aktive Rolle im Kampf gegen Hitler zugeschrieben. Die Kapitel des Buches zeichnen nach, wie die Ausstellung zum Kreuzungspunkt von vier Biografien wurde: Käthe Kollwitz, Jacob Zeitlin, Ernst Toller und George Antheil. En juin 1937, Jacob Zeitlin inaugure une exposition d’œuvres graphiques de Käthe Kollwitz dans la galerie de sa librairie à Los Angeles. Il s’agissait de la première exposition du travail de Käthe Kollwitz en Californie du Sud. La Hollywood Anti-Nazi League for the Defense of American Democracy était co-sponsor de l’exposition et du vernissage, une soirée glamour qui vit se succéder l’écrivain et activiste allemand Ernst Toller et le compositeur américain George Antheil comme intervenants. Parmi les invités illustres, on peut citer…
Art --- exil --- XXe siècle --- expressionisme --- fascisme --- histoire politique --- gravure --- scuplture --- 20. Jahrhundert --- Deutschland --- Europa --- Kunstbeziehungen --- Kunst --- Kunstgeschichte --- künstlerische Beziehungen --- Nationalsozialismus --- Zweiter Weltkrieg --- Amerika --- Kalifornien --- Expressionismus --- Exil
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One of the aims of the book is to shed more light on the notion Neue Sachlichkeit in its appearance in a variety of fields as painting, architecture, music, photography and literature, in order to get a clearer idea of its scope. Several contributions will do so by analysing the heterogeneity in the use of the term concerning its function in the fight for recognition in the art-fields around 1930 - in other words, Neue Sachlichkeit will be analysed as a positioning strategy. Especially its participation in the broader discourse on modernity, as well as its international and intermedial dimension will be highlighted, often using the historical avant-garde as point of reference. From this perspective, the present volume wants to be read as a plea for a differentiated description of the many shared aspects and some differences between the avant-garde and Neue Sachlichkeit .
Neue Sachlichkeit (Art) --- Neue Sachlichkeit (Art). --- Avant-garde (Aesthetics). --- Avant-garde (Aesthetics) --- Nach-Expressionismus (Art) --- New objectivity (Art) --- Nouvelle Objectivité (Art) --- Post-expressionism (Art) --- Art, Modern --- Magic realism (Art) --- Aesthetics --- Modernism (Art)
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Jean Paul --- Hölderlin, Friedrich --- Kleist, von, Heinrich --- German literature - History and criticism --- German literature --- -History --- History --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1940-1949 --- anno 1950-1959 --- Poetry --- anno 1920-1929 --- anno 1930-1939 --- History of Germany and Austria --- anno 1900-1999 --- LITERATURGESCHICHTE --- 20. JAHRHUNDERT --- HÖLDERLIN (FRIEDRICH), 1770-1843 --- KLEIST (HEINRICH VON), 1777-1811 --- RICHTER (JOHANN PAUL FRIEDRICH, DIT JEAN-PAUL), 1763-1825 --- CRITIQUE ET INTERPRETATION --- JAHRHUNDERTWENDE --- EXPRESSIONISMUS --- ROMANTIK --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- SCHILLER (FRIEDRICH), 1759-1805 --- SCHLEGEL (FRIEDRICH VON), 1772-1829 --- NOVALIS (FRIEDRICH VON HARDENBERG, DIT), 1772-1801 --- WEIMARER KLASSIK --- SPÄTWERK --- AUFKLÄRUNG --- STURM UND DRANG --- MITTELALTER --- HUMANISMUS --- BAROCK --- Littérature allemande --- History and criticism. --- Histoire et critique
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Demonstrating, representing, or showing is at the heart of every educational action. Historical representations on screen and stage do not "teach" us history but rather influence our ideas and interpretations of it. The contributions to this volume explore the depiction of history in theater and film from the intersection of historical scholarship, aesthetics, memory studies, and education. They examine the creation of historical images, film production and reception, the scriptwriting process, educational programming, and depictions of German- American encounters. Above all else, they explore how various theatrical and filmic productions show history rather than tell it.
Studies in German-American Educational History
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Amerika
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Filmgeschichte
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Medienpädagogik
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Drittes Reich
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Politik
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Studien zur Deutsch-Amerikanischen Bildungsgeschichte
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Historical educational research, History, teaching history, Historical pedagogy, presentation of history, contemporary history, educational history, Awareness of history, Historical thinking, historical image, culture of history, media education, Media history, course of study, didactics, theatre, Film, Informal learning, influencing, Entertainment film, entertainment literature, Drama, representation, Media , International relations, Image of America, Picture of Germany, view , change of attitude, Fascism, Criticism of ideology, Historical novel, Literature, acting, theatrical play, Expressionism, Theatre pedagogy, Jew, Documentation, authenticity, collective memory, Holocaust, Persecution of Jews, Remembrance, staging, role playing, History lessons, Life-event research, Civil war, the learning process, teaching method, Historical learning, Film analysis, the film industry, globalisation, Contemporary literature, Historiographies, Western, Cinema, Critics, Film history, War film, World War II, National Socialism, film production, Lion Feuchtwanger, Peter Handke, Interview , 20th century, Germany, USA, Germany
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