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ISBN: 069165123X 1400876982 9781400876983 0691624674 Year: 2015 Publisher: Princeton, NJ
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Although, according to the author, much sound research, has been done in the Dufay era in recent years," Charles Hamm's book marks the first time an attempt has been made at a comprehensive chronology of the works of this composer. Professor Hamm approaches all Dufay's compositions from the point of view of mensural practice, and has been able to date each piece more precisely than would have been possible in a chronology based on manuscript studies or stylistic analyses. He has divided the works into nine groups, according to details of mensural usage, and on the basis of datable works and other evidence has suggested dates within which the pieces of each group were written. Based on his study of Dufay's mensural practice, the author suggests that the Missa Sancti Antoni and several other works attributed to Dufay may not have been written by him. Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
ISBN: 0521473772 0521543371 1107112540 0511009267 0511173393 0511152442 0511323379 0511481780 1280416882 0511053061 9780511481789 9780511009266 0511037821 9780511037825 9780521473774 9780511152443 9781107112544 9781280416880 9780511173394 9780511323379 9780511053061 Year: 1999 Publisher: Cambridge University Press
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During the lifetime of Guillaume Du Fay (c. 1400-1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved. One important finding is the nature and extent of the crucial role that English music played in the genre's transformation. Cumming provides a close reading of many little-known pieces; she also shows how Du Fay's motets were the product of sophisticated experimentation with generic boundaries.
Music --- anno 1400-1499 --- Motets --- -Choruses --- Part songs --- Part songs, Sacred --- History and criticism --- Dufay, Guillaume. --- Dufay, Guillelmus --- Du Fay, Guillaume --- Du Fayt, Guillaume --- -History and criticism --- Motet --- Dufay, Guillaume, --- Choruses --- 15th century --- Dufay, Guillaume --- History and criticism.
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