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"What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time. Josh Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion (what Cut Chemist refers to as Josh's spidey sense) for seeking out, uncovering and then ripping apart the discarded graces of some other generation - that pile of broken dreams - and weaving them back together into a tapestry of chronic bleakness and beauty. Over the course of several long conversations with Josh Davis (DJ Shadow), we learn about his early years in California, the friends and mentors who helped him along the way, his relationship with MoWax and James Lavelle, and the genesis and creation of his widely acknowledged masterpiece, Endtroducing."--Bloomsbury Publishing.
Disc jockeys --- Turntablism. --- DJ Shadow --- DJ Shadow.
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Radio broadcasting --- Interviewing on radio --- Disc jockeys --- Deejays --- Disk jockeys --- DJs (Disc jockeys) --- Musicians --- Radio broadcasters --- Interviewing in radio --- Radio interviewing --- Radio --- Radio talk shows --- Radio industry and trade --- Broadcasting --- Mass media --- Vocational guidance --- E-books
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First book on hip-hop sampling as a musical process, now with a new foreword and afterword
Rap (Music) --- Hip-hop. --- Turntablism. --- Sound recording executives and producers --- Turntablists. --- Disc jockeys --- Scratching (Music) --- Arrangement (Music) --- Electronic composition --- Improvisation (Music) --- Phonograph turntable music --- Sound recordings --- Hip-hop culture --- Hiphop --- African American arts --- Popular culture --- History and criticism. --- Remixing --- Production and direction&delete& --- History --- History and criticism --- Production and direction
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In this brilliantly evocative ethnography, Francio Guadeloupe probes the ethos and attitude created by radio disc jockeys on the binational Caribbean island of Saint Martin/Sint Maarten. Examining the intersection of Christianity, calypso, and capitalism, Guadeloupe shows how a multiethnic and multireligious island nation, where livelihoods depend on tourism, has managed to encourage all social classes to transcend their ethnic and religious differences. In his pathbreaking analysis, Guadeloupe credits the island DJs, whose formulations of Christian faith, musical creativity, and capitalist survival express ordinary people's hopes and fears and promote tolerance.
Ethnology --- Ethnicity --- Anthropology of religion --- Religion and culture --- Disc jockeys --- Music --- Social aspects --- Saint Martin (West Indies) --- Ethnic relations. --- Race relations. --- Social conditions. --- anthropology. --- attitude. --- binational caribbean island. --- calypso. --- capitalism. --- capitalist survival. --- caribbean sea. --- caribbean. --- christian faith. --- christianity. --- cultural studies. --- dj cimarron. --- dj shadow. --- ethnography. --- ethos. --- hip hop music. --- multiethnic island nation. --- multireligious island nation. --- music. --- musical creativity. --- politics. --- radio disc jockey. --- rastafari individuality. --- rastafarian. --- religious anthropology. --- saint martin. --- sint maarten. --- social classes. --- spiritual. --- tolerance. --- tourism.
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