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This book examines the role of art in French philosopher Gilles Deleuze's (1925-1995) late writings. Can works of art produce not only visual and spatial effects but also render ideas manifest? Can movement be treated in architecture so that it changes our relation to time? In what ways can sculpture help us to think differently, in a more open and creative way? In the last decade of his life, Deleuze wrote about these and other questions, increasingly turning to art as a model for a new way of thinking. Using examples from twentieth-century architecture, film, literature, painting and sculpture, this book follows Deleuze's engagement with art to illustrate a new image of thought. This book is of interest to architects, artists and theorists and to those wishing to learn about Deleuze's work and contemporary aesthetic practice and theory.

Deleuze, Gilles,

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Although he is best known as a philosopher, Deleuze's interests were extremely far reaching - in addition to his important critiques of major philosophers like Kant, Hume and Spinoza, he also wrote extensively on literature, cinema and art. Characteristically, he didn't apply philosophy to the arts, he always tried to extract philosophy from them.Deleuze wrote widely on literature, but always with an eye to extract something new and interesting, never merely to interpret. Indeed, his most notorious slogan was 'don't ask what it means? Ask how it works?' He wrote monographs on Proust, Kafka and Sacher-Masoch. He also wrote essays on Beckett, Melville, Jarry, T.E. Lawrence, D.H. Lawrence, and Whitman.The essays collected in this volume are the first devoted solely to Deleuze's work on literature. Written by leading Deleuzian scholars the essays focus on two main questions: how does Deleuze read literary texts? And how can we read texts in a Deleuzian way?Contributors: Bruce Baugh, Ian Buchanan, Claire Colebrook, Andre Pierre Colombat, Tom Conley, Hugh Crawford, Marlene Goldman, Eugene W. Holland, Greg Lambert, John Marks, Timothy S. Murphy and Kenneth Surin.

Literature --- Philosophy. --- Deleuze, Gilles, --- Philosophy --- Deleuze (gilles) --- Deleuze, Gilles

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"Alongside the major narratives of ethics in the tradition of Western philosophy, a reader with an eye to the vague and the peripheral, to the turbulent and shifting, will uncover minor lines of thinking--and with them, new histories and thus new futures. Minor Ethics develops a new approach to reading texts from the history of philosophical ethics. It aims to enliven lines of thought that are latent and suppressed within the major ethical texts regularly studied and taught, and to include texts and ideas that have been excluded from the canon of Western ethics. The editors and contributors have put Gilles Deleuze's concepts--such as affect, assemblage, and multiplicity--into conversation with a range of ethical texts from ancient thought to the present. Rather than aiming for a coherent whole to emerge from these threads, the essays maintain a vigilant alertness to difference, to vibrations and resonances that are activated in the coupling of texts. What emerges are new questions, new problems, and new trajectories for thinking, which have as a goal the liberation of ethical questioning. Minor Ethics takes up a range of canonical ethical questions and thinks through concrete ethical problems relating to drug addiction, environmental responsibility, xenophobia, trauma, refugees, political parties, and cultural difference. The responses to these concerns demonstrate the minoritarian promise of the opening up of ethical thinking."--

Ethics. --- Deleuze, Gilles,

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The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, "assemblage" is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. 'Machinic Assemblages' focuses on the concept?s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.

Assemblage (Art) --- Deleuze, Gilles,

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"Does a philosopher have an 'identity'? What kind of 'identity' is mobilized when the work of a philosopher becomes a major reference for certain schools of thought, as in the case of Gilles Deleuze and postcolonial theory? Have the promoters of a generalized Deleuzeanism taken care their usage of his specialized work does him justice? Few exponents of postcolonial and subaltern theories now dispute the influence that Deleuze's work exerted on the intellectuals and theorists who developed those theories. However, this book contends that postcolonial and subaltern theorists have engaged with Deleuzean thought in ways that have perhaps produced a long series of misunderstandings -- for which Deleuze himself is not responsible. By engaging with recent innovations in North African culture and by examining the dissemination of Deleuze's identities across a broad range of postcolonial theory, Réda Bensmaïa shows that the 'encounter' between Deleuze and the postcolonial movement can only be understood through the idea of a 'transcendental' field, in which Deleuze and his postcolonial followers find themselves captured."--Bloomsbury Publishing.

Postcolonialism. --- Deconstruction. --- Deleuze, Gilles,